Sadistic Metal Reviews: Lose Your Mind And Your Ass Will Follow Edition

Yet another week passes as we watch the cope-hope reach maximum intensity through a form of frustrated and impotent rage. The narrative has failed; those who have staked their futures and wasted their pasts on the system find themselves both enraged and possessed of a furor to suppress those who step out of line. If this system fails, they will all feel as if they have made the wrong choices in life, so they are going to patch it up again to see if they can keep it kicking long enough to make it into the comforting sleep of Alzheimers or fentanyl.

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Monstrosity Millennium: The Pinnacle of Technical Death Metal


Guest article by Svennerick

Released in August of 1996, Monstrosity’s second effort Millennium is an album I personally hold in very high regards, considering I nearly spent eight months listening to it multiple times a day. This is an addictive album and each new listen made it clearer why this album stands head and shoulders above anything released under the term “technical death metal.”

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Earache Records Unveils Morbid Angel Altars of Madness: Ultimate Edition 2CD

Record companies continue digging in their vaults to release rare material and actual remasters from classic underground metal bands, bypassing the tendency for ProTools “remasters” that amounted to compression of tracks ripped from the existing CD, in an effort to appeal to Generation X as they head toward five decades.

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The Greatest Idiot Riff : Bolt Thrower’s “World Eater”

Master’s Paul Speckmann is known for taking an idea and squeezing everything he can from it through repetition and then utilizing the most direct route to return to that idea. Though this mentality would fail many bands because the riffs didn’t have the necessary urgency and creativity to work. Bolt Thrower on the other hand took this approach and pushed it to the logical extreme as each individual riff became the central focus while narrative development was relegated to an afterthought despite somehow still being present. What made Bolt Thrower so intriguing was that they possessed powerful riffs that were caveman like and more often than not completely idiotic yet the band managed to soar where others failed miserably.

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Supuration The Cube: Death Metal’s Most Unique Album

It is commonly assumed that the most unique album in death metal is Nespithe and while there is a very strong case for such a claim, Supuration’s The Cube has a stronger claim to such a title. Demilich have a large number of failed imitators while Supuration have none at all. The first listen to Demilich immediately shows the band’s intentions and dizzying whirlwinds of ideas in elaborate riff mazes. Supuration sounds like a rock hybrid that borders on modern metal but with much depth and just as unique but requiring many more listens to dig past the highly accessible aesthetics. Here are a few tools that Supuration used to create the most unique album in Death metal.

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Funereal Presence – Achatius

Following the tale of one of the fourteen holy helpers Achatius, more commonly known under the name of Saint Agathius, the patron saint against headaches and more importantly a central figure in the various wars against the Ottomans. His story is that of a soldier who was tortured and decapitated for not relinquishing his faith and therefore becoming a martyr. Funeral Presence expand on this brief tale by playing a form of Black metal that exists within the confines of the first wave yet but with subtle influences in overall scope and direction from the second wave.

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Brief Thoughts On Deeds Of Flesh Path of the Weakening

guest article by Svennerick

A fan favourite and the band’s third offering Path Of The Weakening whichalso the first record released through the band’s own label which showed the comeback of former drummer Joey Heaslet and the inclusion of second guitarist, Jim Tkacz completing the line-up and giving the band an even more thicker and dense sound.

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