Goatcraft – Yersinia Pestis (2016)

goatcraft - yersinia pestis

Article by Lance Viggiano.

Arpeggiated minor chord melancholy culled from or composed during belligerent improvisational tirades given body by a sluggish left hand approximating power chords to provide the work a lattice to the traditions of metal. Yersinia Pestis abstains from its predecessor’s thematic coherence – an accident of writing what were essentially cover songs of a famous painter – to make marked but mishandled improvements in its individual presentations through tuneful reprisals of established Goatcraft trademarks. The dependence upon staccato and arpeggio retain the artist’s characteristic stiffness in execution which blemishes through its brutishness.

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Initial Impressions of Serpent Ascending – Ananku

serpent ascending - ananku cover

Article by Anton Rudrick.

Following a tradition of Finnish death metal, Serpent Ascending first proved its allegiance to the old stream of thought on The Enigma Unsettled. The project stood out as possessing that rare gift that grants vision past forms and into the value therein encased as dormant power, codified, awaiting a worthy hero who can pull the Sword from the Stone. While using techniques and musical structures that are well-known, interesting counterpoint and chant-like melodies can be seen in that first album, inserting them in between more conservative power metal riffs that were eerie enough to belong to occult death metal but also displayed a penchant for memorable phrases. Five years have elapsed since then, and several Desecresy albums have seen the definition and reaffirmation of that band into a distinctly esoteric style. Many were keenly expectant upon the future of Serpent Ascending.

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Septic Flesh – Esoptron (1995)

septic flesh - esoptron

Article contributed to Death Metal Underground by Anton Rudrick.

Septic Flesh have always oscillated between dark goth rock and simple death metal. Esoptron1 strode past both genres with expressive ambient interludes and enveloping everything in arcane rock akin to Fields of the Nephilim, reorienting Septic Flesh’s sound towards a suitable incarnation of their music’s abstract themes.

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Full Sail Brewing Company – Session Premium Lager

session premium lager

When I ran to the liquor store hoping to pick up a reasonable beer to wash the taste of the horrible Sam Adam Foreskin Spiced Latte out of my mouth, this called out to me as something that probably would taste akin at least to a Michelob, Budweiser’s less diabetic brother. Session Premium Lager is your typical American lager but done well. I smell lemony hops and Ritz crackers. Strong malts almost overpower the taste but it finishes semi-dry. This is a dangerously drinkable beer. A man with a twelve-pack is akin to a seven year old fat kid with a bag of Pepperidge Farm cookies; they’re going to be mostly gone by the end of the night. There’s nothing truly unique to make Session Premium Lager worth seeking out though. There are better American and European lagers, there are more flavorful beers, there is nothing actually memorable in these grenade bottles but it doesn’t do anything wrong and it isn’t watered down for 22 year olds in cargo shorts.

Quality: 3/5
Purchase: 3/5

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Boston Beer Company – Samuel Adams Octoberfest

samuel adams octoberfest

The Boston Beer Company generally makes solid but unexceptional beers for a wide audience which isn’t surprising given that it is a brewery founded by a former corporate financier who was the son of a brewer to fill a hole in the market in the 1980s: domestic beers that could compete with mediocre European imports. Craft beer was just getting started and most of the big adjunct lager brewers had already diluted down the their product to the point where many wouldn’t even drink it. Jim Koch employed the same chemist and brewer who formulated Miller Lite to fine tune a beer an old family recipe he had been homebrewing for mass production. Samuel Adams Boston Lager is a genuinely good beer but what their Octoberfest eventually became in the 21st century is not. The first whiff and sip is dark fruits and toasted bread like a darker Marzen beer should be but then the unpleasantness hits you like an off-scented dashboard air freshener. The beer tastes like brown sugar and smells of artificial cinnamon and ginger. Sam Adams is hiding pumpkin spice bullshit in their Octoberfest seasonal for the Starbucks yuppies! Samuel Adams Octoberfest is one of those beers. The radlers, shandies, Zimas, pumpkin spice lattes, and mango IPAs for ex-sorority girls and effeminate homosexuals – wine cooler “beer”! The only positive attribute is that if you get this for free and drink the entire six pack, you will get drunk. Unfortunately, your excretate will smell like that of an unwashed obese man the day after Thanksgiving.

Quality: */*****
Purchase: */*****

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Nothing Left – Demo 1999 (2016)

tnothing_left_-_demo_1999

Some compare this to Mortician but to these ears, it sounds more like a Cathedral, Cianide and Asphyx crossover. Where Mortician adopted slowed-down grindcore stylings to death metal, Nothing Left bring a pure grindcore approach to the type of pummeling, rhythm-driven riffing that powers Cianide or Asphyx, and adds the droning doomy feel of later doom bands like Cathedral.

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Kaeck Release Live Version of “De heerser wederkeert” from Under the Black Sun 2016

kaeck under the black sun 2016 1

Kaeck have posted a live video of “De heerser wederkeert” off of Death Metal Underground’s 2015 Album of the Year Stormkult from their performance at the Under the Black Sun 2016 festival in Germany. Regrettably, Oovenmeester (also in Noordelingen) was unable to provide his unhinged vocals so Ygethmor from Standvast provided more somewhat more conventional and staid black metal vocals somewhat too high in the mix for a ringer. The live version is still worth checking out in order to hear Chaos from Sammath‘s haunting guitar work in a less distorted live setting.

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