Straddling the no-mans-land between past and present, Agressor’s full-length debut offers a high-octane mixture of late-period speed metal and death metal technique, coupled with pulpy occult/sci-fi lyrics in the vein of Nocturnus, Voivod and Obliveon.19 Comments
Autarcie could be easily dismissed for being assembled from the elements we expect from narcissistic yet generic post-black metal or “modern metal.” Instead, it presents to us a transition between black metal and either assimilation or a new form which is organic and local, and yet while the band does more with the elements of modern metal than that genre, its failure to conquer the modern mindset within precludes it from achieving the ancient sensibility and sensation of black metal, leaving it as identifiably “post-metal” in spirit but second-wave black metal in form.4 Comments
As part of their quest to ruin everything interesting and appealing about both metal and life, the gullible cronies of media pyramid scheme Vice Magazine have journeyed to the grim countrysides of the French black metal underground to film what is undoubtedly the most boring film in the history of music. While Vice markets this abomination as a “documentary” calling it such is actually a misleading statement as the film is little more than a collection of autistic ramblings without a single question or narrative statement. In any case, the eyesore is a bastardization of the region’s legacy as any shred of decency still possessed by the founding members of Mutiilation and Drakkar Productions have been urinated directly into the toilet as they hammed it up for the same forces that they claim to be rebelling against. Fortunately, the film’s lack of credible sources and unbelievably poor post-production prevents it from succeeding in the demystification of what was once one of the more intriguing regional black metal scenes.11 Comments
Slayer are playing the 2017 iteration of the Download rock festival in France on the Plessis-Pâté / Brétigny sur Orge / Cœur d’Essonne BA217 air base, which is a thirty minute drive from Paris according to the festival organizers. Every other band at this festival is some lame rock or pseudo-metal turd pusher but at least they probably do not smoke bath salts like the French president. Probably not. You can never be sure of the substances some of these degenerates ingest given how awful their music is.
The first batch of bands for the Fall of Summer 2017 festival in France were announced in an overenthusiastic press release for a decent but not great lineup. Blasphemy, Demolition Hammer, and Bulldozer are playing along with a bunch of dumb hipster bullshitters and stoner doom idiots. Check it out if you’re nearby and want to deal with a bunch of drunken beer metallers.5 Comments
Necropole are a French group who play flowing melodic black metal in the style of Graveland and the Quebecois with riffing heavily influenced by Gorgoroth. Necropole is an anthology CD collecting both of Necropole’s earlier demos, Atavisme… and Ostara, that were released on cassette only but readily heard through streaming on Youtube. Hopefully Necropole’s debut album will not be titled Necropole too to avoid confusion.9 Comments
Prior releases from Antaeus displayed an alien weltschmerz like an outsider looking into the world and finding nothing of value. It had an air of royalty as well as an air of embarrassment in its simplicity. Intuitive destruction of an end-in-itself, the music delivered a perspicacious view of the bleakness embodied in the microcosm and macrocosm, with the nature of man clinging onto its pitiful existence. Ultimately the value of such an inquiry is in the unraveling of itself to the threshold of exhaustion, then being untoward to the world-as-it-is as its conclusion. Such bold statements of violence to humanity and to the self led to its unique logogenesis which thrusted them above most of their peers as a more realized and apt style of music like Von. Antaeus had the face of an outsider in a sea of complacent faces.37 Comments
Deathspell Omega return with another uninspired and uninspiring record entitled The Synarchy of Molten Bones. Their last record, Paracletus, was built on a foundation of Voivod-lite chords executed with the alt metal sensibilities of The Dillinger Escape Plan. In an effort to build ambience, additional guitar tracks would attempt to produce a microtonal effect without actual production of microtones; just more dissonance. These techniques were then deployed over pop-leaning melodies which become pronounced should one decide to hum the otherwise atonal morass.94 Comments