Death Metal Underground

Chants of Pagan War: The Official Tribute to Graveland

June 30, 2014 –
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various_artists-chants_of_pagan_war-the_official_tribute_to_graveland

Azermedoth Records will release Chants of Pagan War: The Official Tribute to Graveland in July of 2014. The 2CD limited to 1000 units will feature other bands covering Graveland favorites from past and present.

Line up and tracklist (as of February 12, 204):

1. MOLOCH (UKRA) “Intro”
2. ORNAMENTS OF SIN (FRA) “In The Glare Of Burning Churches”
3. RAVENSBRUCK (USA) “The Night Of Fullmoon” from the “In The Glare Of Burning Churches” album
4. HIRAETH (USA) “Through The Occult Veil” from the “In The Glare Of Burning Churches” album
5. DIE WILDE JAGD (POL/HUN) “For Pagan and Heretic Blood” from the “In The Glare Of Burning Churches” album
6. YAOCUICATL (MEX) “Intro” from the “Celtic Winter” album
7. DARKEST GROVE (USA) “Call Of The Black Forest” from the “Celtic Winter” album
8. SAD (GRE) “Hordes Of Empire” from the “Celtic Winter” album
9. FOREST OF DOOM (MEX) “The Gates To The Kingdom Of Darkness” from the “Celtic Winter” album
10. KROLOK (SLOVK) “Barbarism Returns” from the “Carpathian Wolves” album
11. GRAFVOLLUTH (USA) “The Time Of Revenge” from the “Thousand Swords” album
12. TM (FRA) “Black Metal War” from the “Thousand Swords” album
13. ERESHKIGAL (MEX) “White Hand´s Power” from the “Following The Voice Of Blood” album
14. PROPAST (SERB) “Thurisaz” from the “Following The Voice Of Blood” album
15. AKASHAH (USA) “Raise The Swords” from the “Following The Voice Of Blood” album
16. SLEZA (POL) “Sons Of Fire and Steel” from the “Immortal Pride” album
17. PULSAR COLONY (USA) “Sacrifice For Honour” from the “Immortal Pride” album
18. HNIKARR (USA) “Tyrants Of Cruelty” from the “Creed Of Iron” album
19. HOLY PORTRAIT (USA) “White Beasts Of Wotan” from the “Creed Of Iron” album
20. UNTO ASHES (USA) “Source Of My Power” from the split CD with HONOR “Raiders Of Revenge”
21. HERMITAGE (UK) “Jewel Of Atlanteans” from the “Memory and Destiny” album

If you are interested in paying tribute to Graveland with a track for enclosure on this forthcoming work, send an email to Azermedoth Records with the name of your band and the track you will record.

For more information, visit Azermedoth Records on Facebook or the Azermedoth Records homepage.

A hidden influence on neoambient

May 22, 2014 –

lord_wind

The movement that some are calling “neoambient” — a fusion of dark ambient, Conan soundtracks, and neofolk — generally arose out of the metal community. The classics of the genre converge on Lord Wind (Graveland), Burzum and Black Aria (Glenn Danzig). In addition, metal bands contributed to related forms of epic ambient, like Beherit (Electric Doom Synthesis) and Neptune Towers (Darkthrone). Newer entrants like Winglord and Hammemit explore different paths along similar directions.

But how do we trace the influences and evolution of this genre? Glenn Danzig (Misfits, Samhain, Danzig) launched a partial revolution in 1992 with his Conan-inspired Black Aria. Several years later, Burzum followed this with Daudi Baldrs and Hlidskjalf, both of which used Dead Can Dance-themed ancient world music to frame the epic nature of its compositions, giving it a feel not just of Conan-styled epic conflict, but of a cultural basis.

There’s another influence lurking just a few years before Danzig — affirmed by Rob Darken as an influence on his music in Lord Wind — which was the music of Clannad as used in the BBC series Robin of Sherwood:

Osmose productions re-issuing Graveland In the Glare of Burning Churches

October 11, 2013 –
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graveland-in_the_glare_of_burning_churches-osmoseAs part of the continuing acceptance of the radicalism of black metal, Osmose Productions will re-issue Graveland’s first two works on LP. The releases feature new artwork, remastering and bonus tracks plus extended booklets.

In the Glare of Burning Churches will have four bonus tracks and remastering, in addition to new graphic design and a 20-page booklet featuring tributes from Nergal (Behemoth) and other black metal musicians. Also included will be previously unreleased photos.

The Celtic Winter (now titled Celtic Winter) will use a different mix that has not previously seen the light of day, including alternative bonus tracks. The booklet gets the same makeover, with tributes by black metal musicians, unreleased photos and new graphic design.

While in the 1990s it would have been inconceivable for such public leaders of the scene to reach into the radical underbelly of black metal, over the past twenty years black metal has acknowledged its radical origins — war against modern civilization and the morality of equality — and thus radicalization has been more accepted.

graveland-the_celtic_winter-osmoseFor black metal fans, the re-release of In the Glare of Burning Churches and Celtic Winter is a victory, since these essential works of third-wave black metal remain unknown to many new fans who instead must content themselves with third-wave imitations of these seminal works.

For more information, look to the Osmose page announcing the releases.

The relationship between black metal, ambient and neoclassical music

April 7, 2013 –

nordic_dark_ambient_neoclassical_black_metalIn the mainstream press, black metal has a reputation for being solely misanthropic, heavily distorted anthems of aggression and despair that are defined by their primitive minimalism.

While this may hold true for the majority of contemporary bands, this view overlooks the foundational bands of the genre, who possessed a deft sense of melody and the focus to create longer compositions that allowed for more introspection.

Just as black metal musicians created a more minimalistic form of death metal, some were able to apply the same approach to the ambient and neoclassical genres, crafting tracks that through the use of repetition, stirring melodies, and tonal variation reveal the genre’s primal elegance without need of layers of distortion.

Given the news that Neptune Towers is being released on vinyl and Burzum is releasing an album comprised entirely of electronic music, now seems a fitting time to investigate this interesting subgenre and how it arose from black metal in several instances.

Burzum

Favoring simple but expansive compositions, contemplative melodies soar over mild arpeggios; in addition to a few tracks of industrial nihilistic deconstruction. Through the utilization of modern technology, Burzum makes narrative and meditative music that like its inspiration Tolkien, takes the participant on an internal journey to another realm.

Neptune Towers

A side project of Darkthrone‘s Fenriz, in Neptune Towers haunting melodies glide over dark drones while otherworldly noises color the backdrop. Evocative tracks signal the coming to Earth of a yet-unknown alien species or perhaps the future evolution of humanity, the soundtrack to the future.

Beherit

This band fuses its earlier black metal style with the industrial, pop, and ambient genres, featuring melodies that would not be out of place on a metal album, but pairs them with repetitive trance-like drums, synths, and found sounds that coalesce into epic moments before fading away like the rays of a burned out sun. Fans of multiple genres should appreciate this one.

Ildjarn

Elegant and skillfully composed tracks celebrating the beauty of nature in their simplicity reveal a greater depth of expression than would be possible with over-produced tracks. Just as he did with black metal, Ildjarn with compatriot Nidhogg reduces neoclassical music to its most basic form and builds from it an enchanting structure.

Lord Wind

A side project of Graveland, with Lord Wind martial drumming and heroic melodies bring to mind the battles of old, while synths and choruses expand the project’s horizons, providing reach to contrast with the grounded and earthy rhythms. Well-crafted neoclassic folk music, this is the further continuation of Graveland‘s second stage.

Graveland re-issues now $8

December 2, 2011 –

Just in time for the holidays. What does Dear Old Dad need for Kwanzaa (my preferred holiday), Hannukkah, Christmas or Winter Solstice? What to buy your divorced and lonely mother for the long winter, or how to keep a sibling happy for a January birthday? WHY AN ASSLOAD OF GRAVELAND, OF COURSE. MC Darken and beatbox master Capricornus Flav spin out the old school melodic punk/black metal for your Pagan (or Urban) ears.

While you’re there, you can hit up (yo) the new Demoncy Enthroned in Darkness, which is in pre-order from a reliable label:

Interview with Rob Darken

November 19, 2011 –
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Not by us, but informative:

H.P. Lovecraft, Edgar Rice Burroughs, J.R.R. Tolkien, R.E. Howard are my favorite writers. Their writings had a huge influence on my imagination when I read their books as a child. They fueled my desire for truth and for discovering ancient beliefs. They inspired me with ancient pagan myths and beliefs. They inspired me with desire of knowing the past forgotten and of searching mysticism and spirit of ancient civilizations. Inspired by such spirit you discover that studying the past is the same rich and satisfying as work for the future.

Read the rest here.