Antifa Target Imprecation

antifa-seven-hills

Crustfundies Antifa Seven Hills of Richmond, Virginia announced a pogrom against Imprecation after David Herrera called for metal fans to take action against the antifascists terrorizing metal shows after antifacist terrorists supported by local police and communists attacked and shut down the Messe des Morts black metal festival in Montreal due to Graveland being booked.

antifa-target-imprecation-1

Continue reading Antifa Target Imprecation

Montreal Police Condone Antifa Attack

antifa-attack-messe-des-morts

No arrests, no tickets handed out. The protesters were aggressive toward the organizers (of the concert) but not towards police … When we told them to disperse they did so.

Said Montreal police constable Benoît Boisselle about the Communist antifascist terrorists who attacked the the police protecting the Messe des Morts festival where Graveland was scheduled to play. The Antifa thugs were clearly supported not only by the communist Industrial Workers of the World union but by the local Montreal city government too. Three of the perpetrators identities are known: recidivist junkie and anti-Semite Katie Nelson, Éric Sédition (a card-carrying member of the IWW), and Alexandre Bouleric (member of the Canadian federal parliament from a district in Montreal). All walk free to terrorize again.

Continue reading Montreal Police Condone Antifa Attack

Imprecation Calls for Action Against Antifa

imprecation-photo

David Herrera of Imprecation, whose Satanae Tenebris Infinita was the Best Underground Metal Album of 2013, called for drastic action against the communists and antifascists who attacked and shut down the Messe des Morts black metal festival in Montreal due to the presence of nationalistic bands Graveland, Forteresse, and Mgła:

Continue reading Imprecation Calls for Action Against Antifa

Antifa Attack Police and Shutdown Messe des Morts

hail-satan-not-heil-hitler

Antifascist terrorists attacked the police protecting the Messe des Morts festival in Montreal on Saturday in response to Graveland, Mgła, and Forteresse playing, who the terrorist all accuse of being Neo-Nazis who wanted to violate Montreal’s safe space. The leftist terrorists purchased tickets to the sold out festival on the second-hand market, infiltrated the crowd wearing ski masks, and threw smoke grenades at the entrances. The antifa terrorists attacked the police who were supposed to be protecting the venue, artists, and concertgoers from their planned protest. One of the “protesters” turned terrorists was Alexandre Boulerice, federal MP for the New Democratic Party in the Rosemont-La-Petite-Patrie riding. The police ended up shutting down the festival for “safety reasons”.

Continue reading Antifa Attack Police and Shutdown Messe des Morts

Graveland Announce 1050 Years of Pagan Cult

graveland-1050-years-of-pagan-cult-cover

Graveland announced a new album of studio rerecordings of prior material and premiered a new music video for “Thousand Swords” on their Facebook page. 1050 Years of Pagan Cult comes out this November.

Continue reading Graveland Announce 1050 Years of Pagan Cult

Nokturnal Mortum & Graveland – The Spirit Never Dies (2016)

graveland & nokturnal mortum

Article by David Rosales.

Splits are usually revealing for reasons the bands do not intend. By allowing their music to be placed alongside that of another band in a way that listening to them one after the other is not only encouraged but, in metal culture, almost mandatory, they make comparisons and judgements based on performance differences inevitable. The aim might be to publish a few tracks more efficiently and getting the music to more people since people who know one of the two bands will listen to the other band out of curiosity. The more zealous metal fans, however, are bound to make harsher judgements of anything that is placed too close to the band they follow.

Continue reading Nokturnal Mortum & Graveland – The Spirit Never Dies (2016)

Pureblood Albums – A 2013 Recap

office-space-machine-beating

Article by David Rosales

As another year ends and a new one begins, many “best of” lists pop up here and there, among them our own here at DMU. While others may be eager to know about what is ever new, we are more interested in what stands the test of time. Today we will look at some albums that were highlighted here as the foremost products of the year 2013, which was a year of renewal, great comebacks, startling discoveries and a general wellspring of inspiration. In the opinion of this writer, 2013 has been the best year for metal in the 21st century.


To start off, we shall pay respects to long-lasting acts with a black metal background, namely Graveland, Summoning and Burzum. While the last has left the metal camp for good, its approach and spirit is still very much enriched by the essence of the deepest metal infused with transcendental values. Summoning is still doing their thing, ever evolving, trying a different permutation of their unique style. Fudali’s project has become the warrior at the frontlines of the strongest nationalism grounded in music that uplifts the heart with an authentic battle feeling (as opposed to those other bands playing funny-jumpy rock and acting all “dangerous”).

burzum-sol_austan_mani_vestan

Sôl austan, Mâni vestan is an ambient affair that uses short loops which revolve around clear themes in each track. The approach is a little formulaic, thereby limiting the experience with a feeling of repetition. However, as with many good works of art, this self-imposed canalization serves to speed the result in a direction. As with a lot of Burzum’s work, this is a concept album that must be listened to as a whole. When this is followed and one stops looking for novelty and instead concentrates on the details that bring variation within the familiar landscape, the somewhat arduous experience brings great rewards once the summit is reached and the journey is taken more than once.

summoning-old_mornings_dawn

Something similar can be said of the slightly pop-minded Old Mornings Dawn. This effort by Summoning certainly lacks the density of their masterpiece, Dol Guldur, but is no less effective, although perhaps shallow. But what isn’t shallow when compared to that masterpiece? As with every Summoning album, Old Mornings Dawn has a very separate personality, and in this case, it is one of heroism, light, regeneration and hope. Something that will never leave the band’s trademark sound is the deep feeling of melancholy and longing for ruins.

Thunderbolts_front2013_

Graveland materializes in Thunderbolts of the Gods one of their most warlike efforts to date in a smooth trajectory that has gone from rough-pagan to long-winded and epic to heroic war music. What raises this offering above others in Fudali’s current trend is the awesome bringing forth of destructive energies mustered in the imposing drumwork. Gone are the clumsy rhythms of Cold Winter Blades and the redneckish tone of the (nonetheless great) album Following the Voice of Blood. This is the technically polished and spirit-infused summit of this face of Graveland.

black_sabbath-13

One of the most deserving releases of 2013 was Black Sabbath’s 13. More expectations could not have been placed on anyone else. Yet the godfathers of metal delivered like the monarchs they are: with original style, enviable grace, magnificent strength and latent power. Along with the last three albums just mentioned, this album shows itself timeless in the present metal landscape. It encompasses all that it is metal, and brings it back to its origin. This is an absolute grower which will age like the finest wine and is, in my opinion, the album of the year of 2013.

profanatica-thy_kingdom_cum

In 2013, Profanatica finally achieved amazing distinction with Thy Kingdom Cum, which can be considered the fully developed potential of what Ledney presented in the thoroughly enjoyable Dethrone the Son of God under the Havohej moniker. To say this is the natural outcome of Profanatica’s past work is as true as it is misleading in its implications. This is not just a continuation of what the band was doing before, but a deliberate step, a clear decision in the clear change in texture quality that means the world in such minimalist music where a simple shift in technique or modal approach defines most of the character of the music.

condor-nadia

Cóndor’s Nadia was probably the hidden pearl of the year. Never mind the metaphor of the “diamond in the rough”, there is nothing rough about this. It is polished, but it is hidden. The shy face of this beautiful lady is covered by a veil that turns away the unworthy, the profane! This is immortal metal artwork which to uninitiated eyes and ears seems but like the simple, perhaps even amateur, collection of Sabbathian cliches and tremolo excuses of an unexperienced band. The knowledgeable and contemplating metal thinker recognizes the Platonic forms under the disfigured shapes.

imprecation-shirt-satanae_tenebris_infinita

Imprecation’s Satanae Tenebris Infinita and Blood Dawn by Warmaster draw our attention to the strong presence of a more humble but profoundly (though not obviously) memorable album and EP. These will stand the chance of time, but will not necessarily remain strong in the mind of a listener in a way that he feels compelled to come back to them often.

von-dark_gods_seven_billion_slaves

Dark Gods, Seven Billion Slaves by VON seemed more enticing at the time. It’s definitely a solid release, but it is however a very thinly populated album with more airtime than content. Whatever content it has is also not particularly engaging. The enjoyability of this one is a much more subjective affair and like a soundtrack is more dependent on extra-musical input from the listener’s imagination.

argus-beyond_the_martyrs

As delightful as the three heavy metal albums Argus Beyond The Martyrs, Blitzkrieg Back From Hell and Satan are, the intrinsic qualities of their selected subgenres makes them a difficult candidate for long-lasting and profound impact. That is not to say they have no lasting value. If anything, these are albums one can come back a thousand times and perhaps they will not grow that much, but they will never truly grow old.

headless_ritual_large

Autopsy’s Headless Ritual is one of the strongest yet most understated albums of the year. The extremely rough character of the music may contribute to how it carelessly it can be left behind. Fans of brutal music will find it little different from the rest and will quickly forget it. Fans of wider expressions and deeper thoughts will pass it by with little interest. Such is the tragedy of this very respectable album.

master-the_witchhunt

A few stragglers in this group; Master’s The Witchhunt, Centurian’s Contra Rationem, Derogatory’s Above All Else, and Rudra’s RTA proved to be more impact and potential than manifest presence. These will remain fun and quaint for a very occasional listen, perhaps even a sort of throwback feeling, but lacking the long-lasting impact of others in this list.

empyrium-into_the_pantheon-cover

A special mention is deserved by Into the Pantheon, the essential synthesis of Empyrium, being their most revealing, powerful and clear release. While not outwardly metal, this live recording everything that is to be metal at the level of character and spirit. As such it is the perfect closing note for this recapitulation and reevaluation of past selections.

Graveland forms live lineup to play shows in 2016, reissues Dawn of Iron Blades

graveland_-_live_lineup_2016

Second wave black metal band Graveland, long a collaborative project between Rob “Darken” Fudali and session musicians, has formed a lineup to play two live gigs in 2016 at Ragnard Festival in Simandre-sur-Suran, France from July 15-17 and Hot Shower Olympia in North Italy on April 2 (tickets available for pre-sale here).

The musicians in the live lineup will be:

  • Bor – Bass
  • Mścisław – Guitar
  • Rob Darken – Vocals
  • Zbych – Guitar
  • Miro – Drums

graveland_-_dawn_of_iron_blades_-_cover_2015

In addition, Graveland is re-issuing its 2004 album Dawn of Iron Blades with a new recording and cover to be released by Warheart Records in Poland and Hammer of Damnation Records in Brazil for world issue. The band published the following statement about the new reissue:

New drum lines are already recorded by Miro. In December I will finish all of the newly arranged keyboard and chorus parts. These will be recorded by Olya Lantseva in December. January will bring the recording of Polish vocals and new English ones for both versions. Polish version will be released by Warheart Rec, the English one by Hammer of Damnation Rec (Brazil). I hope the album will be ready to be released in February! I must also add that a new cover atrwork is ready and waiting (painted by Gilgamesh Lornezhad!).

Graveland to play live dates

graveland-the_celtic_winter

Flowing black metal band Graveland will play its first live dates ever in August of this year. Composer, guitarist and vocalist Robert Fudali announced his intent to play live on Facebook with the tantalizing detail that most of the set will be older songs with several new ones thrown in the mix, “more or less.”

To longtime underground metal aficionados, this represents a sort of holy grail as like many early black metal acts, Graveland never played live. Formed of a hybrid between grinding Oi and melodic black metal, Graveland distinguished itself early on for its landscape-like melodies and ambient atmosphere, but has since developed its sound to be more like movie soundtracks with layers of instrumentation and composition inspired by ancient traditions in European music, as well as epic soundtracks such as those from the Conan movies by Vangelis. To hear the full evolution in a single show would be of great interest to most black metal fans.