Metal-Archives’ Marxist Mania

Article contributed to Death Metal Underground by Richard Sullivan.

Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.

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Metal-Archives Decries Antifa Attack on Messes des Morts

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Sometimes social justice warrior database Metal-Archives decried the antifascist attack on the Canadian black metal festival Messe des Morts on the Metal-Archives Facebook page. Even the whining neo-liberals are ticked about actual Communists ruining their festival experience. Éric Sédition, one of the leaders of the Montreal antifascists terrorists, is a confirmed member of the Industrial Workers of the World according to his Twitter. The IWW wish to establish a new socialist world order to supplant capitalism.

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#Metalgate: Metal-Archives Exiles Trump Voters

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Metal-Archives founder and avowed social justice warrior Morrigan Stark has started banning users whose posts she views as political incorrect. Trump supporters and general skeptics of modern liberalism’s identity politics are a threat to her imagined metallic fantasy world’s safe space / socialist worker’s paradise. Internet anti-censorship advocate and anime fangame proponent “Clownpiece x Trump” compiled these screenshots on his Libertarian2 Twitter feed:

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#metalgate: SJW-controlled Metal-Archives.com censors realist reviewers

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SJW-controlled site Metal-Archives.com, famous for its desire to regulate what is “metal” and exclude non-leftist viewpoints from the site, has deleted user “bitterman” who gained notoriety for his realistic, masculinized reviews which expressed extreme intolerance of insincere, manipulative and mediocre metal. All of the writings of this person are now removed with no chance for the user to recover the hours of effort he put into the site.

Bitterman made a name for himself for thoughtfully but viciously reviewing the excess and stupor of contemporary metal, using a somewhat tongue-in-cheek “metal warrior” style as he skewered perpetrators of false metal like Watain. According to one commentator, “he paid the price for holding for-profit poseurs to the same standards as Onward to Golgotha and early Burzum” because of his vicious attacks on all that pretended to be underground metal and failed. Many of Metal-Archives.com’s staff are gamers who undoubtedly are aware of the SJW incursion into gaming that prompted #gamergate as well.

Wherever SJWs go, they censor all that is natural and right: masculinity, warfare, conflict, elitism, quality and excellence. Then they replace these with twee indie-rock metal hybrids and a policy of “acceptance” that rejects quality bands under the same excuse that Wikipedia uses, “notability,” while promoting the kind of hybrid dreck that 90s underground metallers would have thought belonged in the bin with Sonic Youth and Rites of Spring, not raging death metal and black metal.

Again we see the problem of allowing SJWs to infiltrate metal through media as, using that power, they change what it means to be “metal” while trying to purge metal of what makes it unique. At the end of this agenda, they will create a neutered form of metal-rock that will promptly collapse because it lacks all of what makes metal appeal to its audience, and the genre will collapse like the Soviet Union or Pol Pot’s regime. The SJWs will not care, because they got their 15 minutes of fame.

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Texas Musicians Museum appoints Bruce Corbitt (Rigor Mortis, Warbeast) as “Heavy Metal Consultant”

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This may be the coolest job title ever: Heavy Metal Consultant. Vocalist Bruce Corbitt, of Rigor Mortis and Warbeast fame, has been appointed by the Texas Musicians Museum as its expert on all things heavy metal. The Museum, which is awaiting construction of its new facility at 222 E. Irving Blvd in Irving/Dallas metroplex, issued the following statement:

The Texas Musicians Museum is proud to announce that the talented Texas musician Bruce Corbitt will be assisting us as our Heavy Metal consultant.

Since the early/mid eighties, vocalist Bruce Corbitt has been in the midst of creating Texas Metal music that won’t be forgotten anytime soon. From his days in the legendary Rigor Mortis to his current band Warbeast, he has truly given us his all and made his mark on the history of Texas music. The self-titled debut Rigor Mortis album was inducted into the Decibel Magazine “Metal Album Hall Of Fame” in 2013. Both Warbeast full-length albums “Krush The Enemy” and “Destroy” have also received end-of-the-year honors by numerous metal magazines and metal news websites. Bruce also has the distinguished honor of being the only vocalist to win a Dallas Observer Award in the category for “Best Metal Band” with two different bands… twice with Rigor Mortis and once with Warbeast.

Corbitt sent out a request to all metal fans for Texas Metal Memorabilia and contact information as follows:

My first step is assembling my own panel of Texas Metal Legends and Gurus. To help me make sure we do this the way it should be done. I am very familiar with the history of Texas Metal since the beginning. But I obviously don’t know the entire history of every region as good as I do D/FW. So I have already reached out to many Texas Metal historians that I want to be part of this team/panel. Such as Jason McMaster, John Perez, Rick Perry, Rodney Dunsmore, Carcass John Fossum… and I will reach out to more for other areas. Between us all… we will brainstorm and come up with the best gameplan to do this the way it should be done.

The Museum itself will be 8,500 square feet and it will have an outdoor event area that can also have live music. Yes we will have some Texas Metal bands playing on some of these events too.

Ok… so obviously one of our main goals is to start collecting actual donations for the museum itself. So we will be starting a huge Texas Metal Memorabilia hunt for the bands and musicians that we want to include. I’m sure that I will be listing the bands as musicians soon enough that we want to induct into the museum… but it is common sense to many of you who some our legendary Texas Metal Bands are… but just to name a few Pantera, Rigor Mortis, Helstar, WatchTower, Devastation, Absu, Big Iron, Drowning Pool, The Sword, Gammacide, Deadhorse, Angkor Wat, Aska, Warlock, Militia, Solitude Aeturnus, Prophecy, Sedition, Devourment, Rotting Corpse and we are just getting started on the possibilities.

So for now… until we get further along and I make more announcements. If you have anything like historic Texas Metal memorabilia… or any ideas for bands or musicians you think should be included, or any other suggestions you think would be beneficial to our cause…
please contact me at brucecorbitt@yahoo.com

This now gives Texas two metal archives for the history and theory behind heavy metal and associated genres. The other, to which users of this site have been mailing metal artifacts for over eight years, is at the University of Texas at Austin:

Dr. David Hunter
Music Librarian and Curator, Historical Music Recordings Collection
Fine Arts Library (DFA 3.200)
University of Texas Libraries
1 University Station (S5437)
Austin, TX 78712

Office: (512) 495-4475
Fax: (512) 495-4490
Library: (512) 495-4481
david.hunter@mail.utexas.edu

http://www.lib.utexas.edu/

It is great to see metal ignored by the Rock and Roll Hall of Fame and accepted by these independent but reputable authorities who are studying metal through its personalities and source documents like recordings, flyers, zines, letters and posters.

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#metalgate: When bullies play victim

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#Metalgate began with a passive-aggressive attack: so-called “social justice warriors” decided metal needed to reflect the SJW ideology, and so moved into media, academia and bands to write metal that used their worldview like a propaganda weapon. Then they began complaining that they were victims of intolerance.

This was related to the previous issue with #gamergate, where SJWs moved into the gaming industry and when their mediocre “contributions” were not recognized, claimed discrimination was the cause. As usual, this was a power grab: under the guise of being victims, they claimed the right to bully others for not having the “right” opinions.

Now, it seems, the bullies are crying out as they are hitting us because feminist writers are claiming harassment from “the internet”:

Part of what’s different now is the existence of organized misogyny, with groups of men who are angry at feminism gathering under banners such as the Men’s Rights Movement and Gamergate, a diffuse network of video-game enthusiasts furious at attempts to curb sexism in the industry. Back in the 1980s and 1990s, “the mainstream culture of the media was more anti-feminist. That was when you had all that ‘feminism is dead, all women just want to get married’ kind of stuff,” says columnist Katha Pollitt, my colleague at the Nation. “But the men’s rights people, Gamergate, that’s new. There is this cadre of incredibly enraged men who have all found each other.”

As in #metalgate, these people have made a career of intruding where they are unable to compete, blaming other people for their lack of success, and then trying to cultivate an audience of other people who have failed. This is a typical strategy for taking over a group and it is known to parasites everywhere, most notably the “think of the children!” politicians and the advertising marketers who convinced people to like abominations like low-fat cheese, lite beer and tofurkey because “it’s healthier.” All lies, by liars, to seize power.

In the meantime, organized SJWs from Metal Archives continue to insult and belittle those who disagree:

At what point do people wake up and realize that #metalgate, #gamergate and the ongoing failure of our media have a common point of failure, which is the substitution of “social justice” for a detailed look at reality?

The only reason the SJWs and complaining, by the way, is that people are fighting back. Adria Richards heard a developer joke about a dongle and his friend make a joke about “forking” someone else’s project, and decided she was oppressed, so she snapped a picture and tweeted it with a typical SJW shaming/bullying message:

Her only complaint is that, as The Guardian reports, she got owned when people pushed back against her passive-aggressive victim-mentality bullying, instead of pitying her as she thought they should have:

Someone launched a DDoS attack, which overwhelms a site’s servers with repeated requests. SendGrid, her employer, was told the attacks would stop if she was fired. Within hours, she was fired.

‘‘SendGrid threw me under the bus,” she later emailed me. “I felt betrayed. I felt abandoned. I felt ashamed. I felt rejected. I felt alone.’’

They attempt to portray those of us who oppose them as “racist,” “homophobic,” bigoted, “sexist,” and other terms with no fixed definition, when really our statement is a middle path: we do not accept the reality-controlling language of either side of the debate. We look at reality as reality itself, or as close as we can get, instead of hiding it in all these neat little containers which tell us what we can think and what we must fear.

The more SJWs have made it into media, the more media has declined, mainly because it reports propaganda instead of what concerns normal people trying to live normal lives. As this image from the AEI shows, newspaper revenues are in free-fall:

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This is the same phenomenon we see in metal which is that while there is still a huge audience of indie/punk rockers who have showed up after 2001 to take advantage of this new territory to conquer, metal media is stagnant and declining, as are the new genres of metalcore and indie/shoegaze-metal/punk, mainly because like SJWs they are one-note shrill voices that seek to bully us and control our thinking, and have nothing to offer musically or artistically. Their message is always the same, and not surprisingly their music sounds the same, about like Christian metal or those annoying white power bands, come to think of it.

SJWs are death to metal and death to media. #metalgate has pushed back and now they complain about a victimhood of their own creation in the hope that uninformed people will take pity on them, fight back against those fighting back against the invasion, and by that act let the invasion succeed. Spread the word: SJWs are invaders and bullies whose complaints are hollow and whose every word is a lie.

For those who care about metal, it is time to stop supporting SJW-friendly Metal Archives, which has been distorting what is viewed as metal for over a decade in order to enforce its own agenda. A boycott is not enough; they have abused their position as journalists, and it is time for Metal Archives to be destroyed along with all other SJW media. These people are a cancer and they are bullies and until they are removed, we are all under threat of them attacking us.

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