Possession Ritual – Incense of Opened Gates (2011)

possession ritual - the incense of opened gates

Article by Anton Rudrick.

German ritual black ‘n’ roll band Possession Ritual released a full-length going by the name of Incense of Opened Gates, with striking artwork by Ars Leprosa in the year 2011 through Nihilward Productions. A note is made that the music itself was written and recorded in 2006. Being one of those limited editions which are rather hard to come by and probably also partially hidden away from the unworthy prying eyes of mundane minds, the author has only been able to listen to two pieces from the album. Hence, all commentaries and reflections upon the band’s work can be traced to perceptions of these exclusively. It will be useful to meditate upon a holistic impression of the band as an entity, and to take each of those to tracks to task separately, to finally arrive at a judgement of the musical work as manifested result of a series of evocations.

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Goatcraft – Yersinia Pestis (2016)

goatcraft - yersinia pestis

Article by Lance Viggiano.

Arpeggiated minor chord melancholy culled from or composed during belligerent improvisational tirades given body by a sluggish left hand approximating power chords to provide the work a lattice to the traditions of metal. Yersinia Pestis abstains from its predecessor’s thematic coherence – an accident of writing what were essentially cover songs of a famous painter – to make marked but mishandled improvements in its individual presentations through tuneful reprisals of established Goatcraft trademarks. The dependence upon staccato and arpeggio retain the artist’s characteristic stiffness in execution which blemishes through its brutishness.

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Septic Flesh – Esoptron (1995)

septic flesh - esoptron

Article contributed to Death Metal Underground by Anton Rudrick.

Septic Flesh have always oscillated between dark goth rock and simple death metal. Esoptron1 strode past both genres with expressive ambient interludes and enveloping everything in arcane rock akin to Fields of the Nephilim, reorienting Septic Flesh’s sound towards a suitable incarnation of their music’s abstract themes.

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Nothing Left – Demo 1999 (2016)

tnothing_left_-_demo_1999

Some compare this to Mortician but to these ears, it sounds more like a Cathedral, Cianide and Asphyx crossover. Where Mortician adopted slowed-down grindcore stylings to death metal, Nothing Left bring a pure grindcore approach to the type of pummeling, rhythm-driven riffing that powers Cianide or Asphyx, and adds the droning doomy feel of later doom bands like Cathedral.

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Sorcier des Glaces / Ende – Le puits des morts (2016)

sorcier des glace and monarque - Le puits des morts

Le puits des morts is a split album featuring Sorcier des Glaces and French black metal band Ende. On the first side, Sorcier des Glaces present four all new songs in their distinctive style of epic black metal continuing from their last few albums (including North from earlier in 2016) after the band’s abandoning of keyboards.

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Innsmouth – Consumed by the Elder Sign (2014)

innsmouth - consumed by the elder sign

Innsmouth play primitive blackened death metal in the vein of Darkthrone‘s A Blaze in the Northern Sky with the addition of several other metal riffing styles to the three chord hardcore Hellhammerisms. Consumed by the Elder Sign attempts to build an atmosphere resembling the terror and corruption of Lovecraftian Elder Gods through atmosphere, production, and samples that often come across as comically charming rather than haunting; cries of hatching star spawn sound like baby dinosaurs from Jurassic Park.

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Abigail – The Final Damnation (2016)

Abigail - The Final Damnation - cover

Article by Johan P.

The Final Damnation could be Abigail’s most worthwhile release since their sleazy blackened speed metal debut Intercourse and Lust twenty years ago. After tons of insipid punk/speed metal releases, more vicious black metal elements have once again made their way into Abigail’s repertoire.

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Alluring – The Room (2013)

alluring_-_the_room

The Room provides a relaxing, tranquil listen. The opening trope is slightly clichéd in mood and form but it works well in context and creates a relaxed hallucinatory vibe. A lush analogue chorusing effect with solid low-end sound makes the introduction a seismic force in addition to a musical one.

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Nigromante – Profundidades (2016)

PROFUNDIDADES

Article by David Rosales.

Receding light and surrounding darkness encroaching, a stench of death and the beginning of lamentations beyond the veil of mortality; this is the picture presented to us by Nigromante. These images cannot come from elsewhere but the deepest wellspring of human sorrow immortalized through its own seal of power, a searing symbol that brands pain and agony unto souls — that they may be thus imprisoned and chained.

“Usar un sigilo sin saber…. ¡Se maldicen a ellos mismos!”
— A. Valentina
(trans.: “To use a seal without knowing… They curse themselves!”)

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Anheuser-Busch InBev / Florida Ice and Farm Company S.A. – Labatt Blue & Occult Burial – Hideous Obscure (2016)

occult burial - cover

labatt_blue_six_pack

Occasionally an artist’s work and the chemical inspiration thereof are inseparable and must be experienced together. Occult Burial’s recent ersatz, Hideous Obscure, was inspired by the sloppy, mid-Eighties Teutonic speed metal recordings of Sodom, Kreator, and Destruction which were all written and performed under the influence of a copious deluge of the cheapest Euro pilsner poured down their throats by the liter. This proto-underground beer metal was composed so as to be musically comprehensible to even the drunkest bar patrons still standing in the audience. Lacking even the melodic narratives of Motorhead standards, rocking rhythms, groovy powerchord progressions, and catchy choruses repeated ad nauseam over speed metal gallops and pick-up drum beats, hammering the basic riffs and leads into the heads of all the long-haired drunks tackling one another protected only by jean and leather jackets. To get into the garage practice space, inebriated mindset of these Canadian imitators of the imported speed metal of their fathers, I decided to pick up the Genesee-brewed as mandated by the Obama administration modern recreation of what those in my generation considered a northern, imported treat alongside the likes of St. Pauli Girl, Beck’s, and Guinness Extra: Labatt Blue.

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