#MetalGate: The MetalSucks Manifesto

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Nu-metal and metalcore website MetalSucks posted the “The MetalSucks Manifesto” today, reaffirming their stance as communist social justice warriors. Donald Trump’s triumph in the 2016 United States presidential election apparently did not dishearten their leftist delusions. A neighbor to the MetalSucks headquarters in Axl Rosenberg’s Brooklyn tenement apartment has revealed exclusive insider information to Death Metal Underground about the activities of the MetalSucks politburo of Axl Rosenberg, Vince Neilstein, and Emperor Rhombus during the week following Trump’s victory.

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Twitter Censors Alt-Right Accounts

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Twitter has begun to suspend the accounts of several prominent members of the alternative right movement according to the BBC. Twitter closed the accounts for not conforming to the leftist narrative of social liberation of supposedly oppressed but legally favored in actuality peoples.

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#Metalgate: Metal-Archives Exiles Trump Voters

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Metal-Archives founder and avowed social justice warrior Morrigan Stark has started banning users whose posts she views as political incorrect. Trump supporters and general skeptics of modern liberalism’s identity politics are a threat to her imagined metallic fantasy world’s safe space / socialist worker’s paradise. Internet anti-censorship advocate and anime fangame proponent “Clownpiece x Trump” compiled these screenshots on his Libertarian2 Twitter feed:

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Antaeus – Condemnation (2016)

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Article contributed to Death Metal Underground by Max Bloodworth.

Prior releases from Antaeus displayed an alien weltschmerz like an outsider looking into the world and finding nothing of value. It had an air of royalty as well as an air of embarrassment in its simplicity. Intuitive destruction of an end-in-itself, the music delivered a perspicacious view of the bleakness embodied in the microcosm and macrocosm, with the nature of man clinging onto its pitiful existence. Ultimately the value of such an inquiry is in the unraveling of itself to the threshold of exhaustion, then being untoward to the world-as-it-is as its conclusion. Such bold statements of violence to humanity and to the self led to its unique logogenesis which thrusted them above most of their peers as a more realized and apt style of music like Von. Antaeus had the face of an outsider in a sea of complacent faces.

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SJWs Whine about Trump’s Triumph

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The social justice warrior punk scene parasites attempting to infiltrate metal and censor it according to their visions of social realism in their ideal future multicultural socialist workers paradise like Venezuela have been whining over the defeat of Hillary Clinton by Donald Trump in the Americen presidential elections this week. The American populace decisively shot down the leftist attempts to create a new world order and now the unemployable are rioting in the streets demanding that Trump be impeached as Hillary won the popular vote. Want to know what prominent crusts attempting to infiltrate heavy metal think about Trump’s triumph? Let’s find out!

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#Metalgate: MetalSucks Commenters Expose Kim Kelly

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Vince Neilstein and Axl Rosenberg of metalcore and nu-metal web site MetalSucks are counting down who they deluded themselves into believing are “The twenty five most important people in metal”. So far only two of their picks have had anything to do with heavy metal at all: Fenriz, who as true communists they chose for his working class background and refusal to leave his job in the Norwegian postal service rather than his music accomplishments in Darkthrone and Rob Halford of Judas Priest for being gay so MetalSucks can push the liberal social narrative to twelve year olds and urban hipsters with the critical thinking skills of twelve year old girls.

The most controversial choice of the two MetalSucks commissars-in-chief was crustfund false journalist Kim Kelly for being a female scenester and selective social justice warrior Neilstein and Rosenberg personally know. The communists appreciated her exposing “vitriol, hate and misogyny” and “nazi black metal bands” mostly in line with their political and social agendas for the leftist new world order that has hopefully just been vanquished democratically.

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Martire – Martire (1991)

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As the continent was before Britannic penal colonization, Australian black and death metal scene was and is still mostly an undeveloped desert of unexceptional crossover thrash posturing as “war metal”, blackened cheeseball beer metal, AC/DC clones with unclean vocals, and experimental technical deaf metal/post-hardcore/jazz fusion hybrids. Martire rode forth from obscurity to restore fruit and flower to the wasteland, fertilizing the barren bush wielding fire and sword.

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