SARCOFAGO’S Decade Of Decay was initially released in 1995, and official copies of it are virtually impossible to find anywhere… until now. Bearing a total of 20 tracks spawned over the band’s career, this reissue of the compilation album weighs in with over an hour and twelve minutes of blasting SARCOFAGO mayhem and debauchery, and even includes three songs from the Satanic Lust demo, two songs from The Black Vomit demo and two songs from the Christ’s Death demo. This represents the first time that SARCOFAGO demo material is available officially. The entire reissue process for this compilation album has been overseen by SARCOFAGO’s Wagner “Antichrist” Lamounier himself!
The first release in a series of SARCOFAGO albums set for official reissue through 2012 and beyond, the first stateside release of Decade Of Decay will take place in North America on June 5th as a 6-panel/full color digipak CD imported directly from Brazil, featuring a full-color fold-out poster with information on all of the songs included. The packaging features never-before-seen photos from SARCOFAGO throughout their various stages, going from INRI all the way to the Hate album. An ultra-limited deluxe 2xLP edition is to be released later in the Summer with details to be confirmed shortly.
Decade of Decay Track Listing:
1. The Lost Of Innocence
2. Orgy Of Flies
4. The God’s Faeces
5. Song For My Death
6. Midnight Queen
7. Screeches From The Silence
9. Crush, Kill, Destroy
13. Desecration Of Virgin
15. The Black Vomit
16. Satanic Lust
17. Christ’s Death
18. The Anal Rape of God
20. Third Slaughter
Florida-based Greyhaze Records is now the official North American distributor for Brazilian label Cogumelo Records. Cogumelo is well-respected throughout the extreme metal world, having been founded over thirty years ago, and having released a steady arsenal of quality death, thrash and grind from acts including Sarcófago, Mutilator, Holocausto, Sextrash, Impurity, Chakal, Psychic Possessor, Ratos de Porão, Vulcano, Headhunter DC, Drowned, Defacer, Calvary Death and more. Cogumelo was responsible for the initial release of the Sepultura’s seminal first three albums — Bestial Devastation, Morbid Visions and Schizophrenia — now exclusively under license to Roadrunner Records.
Never has doom been so comforting, yet I never considered the band doom per say. Ceremonium “Dreams We Have Written” is in my hands now, and looks and sounds amazing so far…Fantastic work by WTP…For me its still sinking in this band had an eleven year chapter. Get this double CD for $20 US including shipping..World inquire…Fitting end to the gloomy madness…
Ceremonium – “Dreams We Have Written” Double CD $20
The SIXTH issue of The Convivial Hermit Magazine is nearing completion and it’s time to notify everyone about advertising rates. If you have received this message it means that I have either interviewed a band on your label, reviewed an album on your label and/or I am simply interested in working with you. The specs of #6 are the following (with total pages liable to change).
104 pages B&W, 8 1/2 x 11 inch (21.59 x 27.94 cm) perfect bound flat spine, gloss B&W cover with metallic ink/foil stamping.
EXCLUSIVE (23) interviews with the following artists/persons:
JOE ABERCROMBIE (UK) • BERGTHRON (Deu) • BLUT AUS NORD (Fra) • CHRISTICIDE (Fra) • CRIPTA OCULTA (Por) • CRUCIAMENTUM (UK) • DAGOR DAGORATH (Isr) • DALINA (Blr) • DIGITAL FERRET RECORD STORE (USA) • FALLS OF RAUROS (USA) • FUNERARY BELL (Fin) • GJÖLL (Ice) • INFESTUS (Deu) • KTAOABC (Ned) • LARRNAKH (Hun) • MONOLITHE (Fra) • MOVIMENTO D’AVANGUARDIA ERMETICO (Ita) • NEUTRAL (Rus) • PURTENANCE (Fin) • RIPPIKOULU (Fin) • TEMPLE OF TORTUROUS (Swe) • THE SULLEN ROUTE (Rus) • VSPOLOKH (Rus)
+ Over 17 pages of reviews
+ 10 Articles
Advertising rates and information are as follows:
Full page = 8.5 x 11 inch (21.6 x 27.9 cm)
Half page = 4.25 x 11 inch (10.8 x 27.9 cm) WIDE
Half page = 8.25 x 5.5 inch (21.6 x 14 cm) TALL
Quarter = 2.125 x 2.75 inch (5.4 x 7 cm)
IMPORTANT: Bleeds = 1/4 – 1/2 inch (.6 – 1.3 cm)
DPI = 300 to 600 (preferably 600)
Back cover gloss Full page €250 / $325
Inside covers gloss Full page €200 / $255
Inside Full page €120 / $155
Inside Half page €80 / $105
Inside Quarter page €40 / $50
PAYMENTS ON ADS THAT ARE UNUSED, FOR WHATEVER REASON – LACK OF SPACE, LACK OF TIME, ETC – WILL BE REFUNDED. Additionally, since all money will be absorbed into the printing costs, trades will be EXTREMELY limited. I am willing to work things out with a few people if necessary, but these will be rare exceptions. Please contact me for more details on any of the above if required.
The debut album of Jess and the Ancient Ones now available for pre-ordering as CD and LP. Will be released on May 19 and shipped the day before. Featuring Antti Boman of Demilich and other talented stalwarts of the Finnish uebermetal pool. Rumored to be psychedelic/funeral doom crossover.
One of the oldest still functional speed metal bands still around, still making avantgarde arty speed metal, but they’ve updated the sound a bit to be post-modern-metal.
Prong Carved Into Stone CD
INCLUDES A DIGITAL DOWNLOAD OF THE RECORD ON TUE 4/24 at 12:01AM (Open your account and look in MY DOWNLOADS)
1) Eternal Heat
2) Keep on Living in Pain
4) Revenge … Best Served Cold
5) State of Rebellion
6) Put Myself to Sleep
7) List of Grievances
8) Carved Into Stone
10) Path of Least Resistance
Ceremonium “Dreams We Have Written” double compilation CD will arrive in a few weeks. I will get copies and ship anywhere. Send message to order and any interviews sent will be vomited back asap. There maybe flyers soon to follow…
Legendary English-Canadian thrash/death innovators SLAUGHTER have issued a 25th Anniversary two-CD set of their 1987 full-length debut Strappado. The release also contains their rare demos – 1984’s “Meatcleaver and Bloody Karnage” and 1985’s “Surrender or Die” – and unreleased live material from 1986 opening up for CELTIC FROST in Toronto. The limited anniversary release also features new cover art by Eric”Rot” Engelmann.
There is no “Houston sound,” but Houston bands are converging on a sound that is pure old school doom/death metal with a tendency to praise Satan. Part of it must come from living in the Bible Belt, surrounded by heavy refinery machinery and the incessant roaring of traffic. Another part may be that mythological hell is actually in Houston. Hell is described as a blazing hot place full of demonic beings, horrible stench and infernal rage. If you’ve ever driven on I-45 during a Friday afternoon…
Much like spinoff bands Blaspherian and Morbus 666, and fellow old school death metal worshippers War Master, Imprecation makes violent death metal that is not especially fast so much as it is varied in dynamic and tempo. These songs approach like a vaporous ghost, then enclose the listener and then clench them into tight sequences of dark cadence. Simple power chord riffs fit together like an apocalyptic Jenga puzzle and bring the listener through labyrinthine contortions to a place of inner clarity and, quite honestly, Satanic hatred.
With its use of selected keyboards to highlight the evil of particular passages, and extensive variation in riff shape not only between songs but through the life of each song, this style of old school death metal fits best with bands like Infester or Sinister who bent simple but twisted riffs into a language of their own. Nonetheless, the release has a distinctive middle-of-the-United-States sound, with broad open spaces and lurching trudge rhythms that sound like malevolent demons summoned to battle. These songs are carefully layered, with voices and lead guitar complementing the underlying action, but with the Malevolent Creation-style (think “Multiple Stab Wounds” off The Ten Commandments) interplay between vocals and muted chording that lures you into a delirium of hypnosis.
Released on the 20th anniversary of the recording of the first Imprecation demo, “The Order of Nine Angles,” this four-song testament to brutality will convince even cynical observers that an unspeakable evil exists in Houston. Luckily it’s also a highly listenable evil that may represent not only this band’s most mature work yet, but their most inspired.