Exmortus returns to the studio, announces summer tour dates

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Exmortus will return to Sharkbite Studios with producer Zack Ohren (Suffocation, Immolation) to begin tracking their sophomore album for Prosthetic Records. The follow-up to last year’s Slave To The Sword, expected out this fall, will feature new bassist Michael Cosio (ex-Abysmal Dawn) alongside the band’s existing core of Conan (vocals/guitars), Mario Moreno (drums) and David Rivera (guitars).

Moreno announced:
2014 was a great year for Exmortus and the campaign for ‘Slave to the Sword’ has been relentless since its release. This year has been a little quiet for us but with good reason. We’re excited to announce that we’ll be entering the studio at the end of this month to once again record with the mighty Zack Ohren. Zack did a phenomenal job on ‘Slave to the Sword’ and we’re ready to record some more bone-crushing, face-melting shred for you all!
Dates for both tours can be found below. For tickets and further information on the band, visit the band online at www.facebook.com/exmortusofficial.

UPCOMING TOUR DATES

  • 7/10    Fullerton, CA – Riff Haus
  • 7/11    Glendale, CA – The Complex (Prosthetic Showcase)
  • 7/15    Denver, CO – Marquis at The Parkway #
  • 7/17    Chicago, IL – Double Door #
  • 7/21    Kansas City, MO – Aftershocklive Musicvenue #
  • 7/22    Colorado Springs, CO – The Black Sheep #
  • 7/24    Tucson, AZ – The Flycatcher #

# with Kyng

Napalm Death – US festivals and European tour dates

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Here is a list of the upcoming Napalm Death shows that are announced so far:

  • 29.05. Bolzano (Italy) – Full Tension Festival
  • 30.05. Warsaw (Poland) – Ursynalia 2015
  • 06.06. Bangalore (India) – Bangalore Open Air
  • 03.07. Deventer (The Netherlands) – Burgerweeshuis
  • 04.07. Trier (Germany) – Ex- Haus / Death Shall Rise Festival
  • 05.07. Köln (Germany) – Underground
  • 06.07. Osnabrück (Germany) – Bastard Club
  • 07.07. Freiburg (Germany) – Atlantik
  • 09.07. Novi Sad (Serbia) – Exit Festival
  • 10.07. Strasskirchen (Germany) – Plutonium Klub
  • 11.07. Berlin (Germany) – SO36
  • 07.08. Jaromer (Czech Republic) – Brutal Assault Festival
  • 08.08. Derbyshire (UK) – Bloodstock Festival
  • 28.08. Gigors et Lozeron (France) – Freakshow Festival
  • 29.08. Wörrstadt (Germany) – Neuborn Open Air Festival
  • 04.10. Yaroslavl (Russia) – Gorka Club
  • 06.10. Samara (Russia) – Zvezda Club
  • 07.10. St. Petersburg (Russia) – Zal Ozhidaniya
  • 08.10. Moscow (Russia) – Volta
  • 11.10. Tokyo (Japan) – Saitama Super Arena / Loudpark Festival

 

Sadistic Metal Reviews 05-24-2015

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Purging the releases by posers, the hipsters and the lowlifes from metal is the only way to rise from the decadent state of affairs and into glory. This is why Sadistic Metal Reviews exist in the first place. Slaughter them!

Blastomycosis – Covered in Flies and Afterbirth (2015)
Ignoring the stupid band, album and song names which already betray not only the intention but easily distracted mind with a penchant for gore themes that make little sense, the music they represent is as aimless as it is self-indulging in the most base of manners. Consisting in a quasi death metal which underneath is more akin to deathcore, Blastomycosis builds excuses for songs on changing basic rhythms that have become a staple of that sorry sub-genre. Filing rhythmically catchy and extremely simple riffs long enough to fill up space to say all the ridiculously disgusting things these subhumans want to say, I am reluctant to even call this music. Even if we could take this as grindcore, it would fail, as it lacks the forward momentum and drive of that style.

 


Druzhina – Third Henosis (2015)
While not outright offensive to the sensible music listener, Druzhina make the kind of music that is too moment-based. The band knows this type of Slavic power – pagan – black metal has to allow the listener to fall into each moment, letting each melody become part of the familiar landscape. However, like most second-rate bands, it lacks the long-distance vision of musical construction that knows where it is going. Instead of going somewhere, developing in any significant way, Third Henosis sort of just floats where it first appears. A still image of Slavic sorrow.

 


Insane Mind – Strip Club Cannibal (2015)
As the name implies, yet again, this music is pure ironic brutal posturing. I believe that the IQ necessary to like this is limited to around 90. If you even slightly above this, the stupidity of this “music” will be too unbearable for you to stand more than one of these songs. Like the Blastomycosis above, there is little to say about their lacking songwriting. A useful note here would be to point out that much more elaborate bands like Ara basically use the same nonsensical template, except that the upper levels of the music are refined and details are many times more polished than this embarrassment of an album.

 


Leere – Bleak (2015)
Beware of self-pitying, crying black metal. It isn’t black metal at heart, which is why the musical style displayed is more of an imitation than a proficient elaboration. Black metal builds on repetition, not only changes to maintain an atmosphere. Some excellent black metal writes about desperation and madness, but it never falls into the emo-sobbing we hear here. Incredibly boring music for depressive people.

 


Nikharsag – The Blood of Celestial Kings (2015)
D-beats, descending-bass progressions, catchy and melancholic melodies over power chords, this is the late At the Gates – inspired death metal. As a result of the voice, some cliché use of chords and rhythms, someone may want to say this is black metal, but it really isn’t. They even try really hard to make this obvious by inserting unimpressive but recognizably black metal sections in the middle of the song. The songs end as uneventfully as they begin, having gone nowhere. While retaining some decency, The Blood of Celestial Kings is ultimately a forgettable affair no metal fan would want to listen to a second time.

Nekromanteion – Cosmic Horrors (2015)

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Cosmic Horrors is a Lovecraft-inspired affair standing somewhere between the primitive black metal of South America and grindcore-influenced death metal. Unlike most bands that could fall in this general description that encompasses a common cliche in underground metal, Nekromanteion stand out as a focused band making music balancing music aesthetics with a drive and intention that seems to lead the music, rather than the common mistake of letting the outer traits themselves dictate the music.

 

Displaying a progressive tendency in construction within healthy bounds alongside a reserved and rough technical expression, Cosmic Horrors present us with the ideal “atmospheric” death metal that war metal bands, for instance, are trying to deliver. The mistake of these or other atmosphere-oriented death metal bands like Phobocosm is that they are too steeply bent on trying to make the music have this effect. So much that they push the music to become the mood itself. Nekromanteion keeps a balance between evocation and satisfying musical aesthetics, which together have resulted in an outstanding EP.

 

Necrophor – Exterminatus (2015)

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Playing a black metal with structural tendencies that border on death metal, Necrophor delivers mid-paced songs grounded in orthodoxy in terms of technique and construction but taking the listener to unexpected places within this expression. The mid-paced characteristic of Exterminatus should be emphasized because this allows the band some leniency in regards to the types of riffs it will use. We find a very few chug-based moments that are just enough to serve as a neck between sections and only as accompaniment for measured time spans. We also find the typical moving minor chords that have become a staple of black metal. Strummed sections, slight tremolos, picked chords also make an appearance in this release.

 

Necrophor’s composition capabilities cannot be overstated in regards to the way all these techniques are integrated as hues in the artist’s arsenal. Too often do we see bands falling and depending on a particular technique to automatically provide the music with all it needs. Necrophor, on the other hand, are using the techniques to mold a vision that has been captured in the mind’s eye first. It isn’t only a matter of planning and intention, the technical capabilities of the band as arrangers are absolutely necessary for the elements in these songs to blend as they do. Exterminatus represents an excellent example of a band creating music inside to outside, not only because of the way these techniques were brought together to shape the music, but because they also seem to revolve around one point, a mood that changes character naturally and never too abruptly. A release that will definitely fly over most heads because of the production style not fulfilling brutality requirements and not being frost-bitten enough, or for the musical style not being close enough to a clone of a classic or a complete trashing of influences, Exterminatus is one of the most artistically accomplished releases I have had the pleasure to listen to from 2015.

 

Deiphago to release new album

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Filipino violent black metal band Deiphago are set to release their new album, Into the Eye of Satan, on August 7th.

Tracklisting for Deiphago’s Into the Eye of Satan
1. Intro: Abomination
2. Evil and Adverse
3. Bloodbath of Genocide
4. (6 x 6 x 6) / 3
5. Serpentine Anti-world
6. Calculated Acts of Cruelty
7. Red Dragon of Chaos
8. Ritual Death of the Enemy
9. Into the Eye of Satan

 

Encyrcle to release new album

encyrcleDanish Power-Speed Metal band Encyrcle will be releasing their new album on June 2. You can listen to a preview of the album on Soundcloud.

While the label and the media would have you believe the band is playing some innovative form of mixture of genres, this is a laughable marketing attempt at disguising what is just a band playing a refined and expertly played Speed Metal in the vein of Epic Power Metal full of hooks.

 

 

Deathrite to release new album

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German Death n’ Roll band Deathrite will be releasing their new full-length album Revelation of Chaos on July 24.
Featuring artwork by Mark Riddick (Mutilation Rites, Aborted, Fleshgod Apocalypse), the band’s 10-track label debut was recorded, mixed and mastered with Jan Oberg in Berlin at Hidden Planet Studio (The Ocean).

The album’s track listing is as follows:

1.  Melting Skies (2:57)
2.  Circle of Destruction (2:23)
3.  Determinate To Rot (4:55)
4.  Toxic Hammer (3:32)
5.  Mayhem Remains (3:28)
6.  Wrathbringer (3:03)
7.  Salute To Death (1:57)
8.  Swords and Revolt (3:35)
9.  Predator (3:29)
10. Infernal Domination (4:59)

A video teaser for the new album can be seen at this location.