Sadistic Metal Reviews 05-26-2015

napalmexplosionSMR

Flooding publishing news, the waves of garbage promos present an ecological problem that can only be dealt with extreme measures. A swift bombardment of napalm would suit all these studios producing garbage albums every day. Even those with high quality production are only hiding behind it. Having a crispy sound, good double bass rendering and perfect sound engineering does not make the music better when it is the equivalent of rat feces, it only makes the odor stronger and more difficult to bear.

 

Blunt Knife Idol – (2015)
Grindcore is the most misunderstood underground genre after black metal. The simpler something appears on the surface. Blunt Knife Idol things that if they play a groovy or a brutal riff with blast beats or racing double bass drums a grindcore song is automatically produced. Music for empty-headed “headbangers” who want to show their friends how “brutal” and “extreme” they are. Fucking rad, man.

 


Impurity – Into the Ritual Chamber (2015)
Hard rock with croaking vocals. Not particularly good hard rock at that. Just flat-sounding and never actually doing anything besides existing. Not as distinctive as Sarcófago, but just as bad and far blander. Sometimes, Impurity tries to give songs a twist by inserting a completely random and unrelated blasting section only to finish it with a stadium rock move… or a flute. Other songs start off with the minimalist “black metal” style and then transition into hard rock riffs. Structure-wise it is pretty unpredictable, but it’s only because there is no particular plan behind this. It does not feel like it even makes any sense, parts are just pasted to continue. Stay away from this old turd.

 


Khors – Night Falls Onto the Fronts of Ours (2015)
Starting out as a light, slavic-styled black rock band, Khors now play depressive alternative rock with double bass drums and black metal vocals in a manner similar to that of Swedish band Katatonia. The difference is that in Cold Khors lacked the content that Katatonia present time-efficiently in their pop-structured songs. Khors pretends to deliver little content inside long-drawn structures in the black metal manner. This makes for ambient rock that is only “atmospheric” but little else. Now they went all the way and became one more alternative-rock-with-harsh-vocals band like the previously mentioned Swedish band or like the Finnish Amorphis. Despite this, Night Falls onto the Fronts of Ours seems to reach its goal within its mainstream constraints. It does not fail, it is just rubbish mainstream music.

 


My Silent Wake – Damnatio Memoriae (2015)
Funny, confused, tough-guy music for fans of Sludge and the Pink Frothy AIDS approach to songwriting in “diverse” styles stitched together in self-indulgent manner. Each song here is meaningless but has a strong “attitude”. This satisfies most of the Homer Simpsons among metalheads, which is why this will have enough impact. This stretches from the idiotic to the simple music that pretends to be more refined or sensitive. My Silent Wake are a sure commercial bet for labels and a sure formula for artistic failure.

 


Possession – 1585-1646 (2015)
When you try to make black metal with a punk mentality, you will end up with a very long and repetitive punk song. This is NOT what primitive black metal is, folks. Like most music of its kind, and like most extreme music, this is 80% posturing, 15% music and 5% of something to say. The only reason this sort of band is given any chance is that with the commercial long tail effect the internet provides, niche tastes can be offered a product. Statistically, some clueless idiot is bound to like this heap of messy punk riffs put together by a talentless band.

Pseudogod – Sepulchral Chants (2015)

PSEUDOGOD - Sepulchral Chants

 

Death metal band Pseudogod come back this year with a compilation that collects songs from their early demos and splits. Falling into an intersection between blasting, grindcore-influenced death metal ala Infester and the more recent approach of “atmospheric” death metal bands, the result at times approaches war metal, but avoids the stagnancy of the music typical of that genre. Contrasting Pseudogod’s 2012 Deathwomb Catechesis, which was more of an empty blast-fest similar to the more popular extreme metal outfits,this early output is full of content and in the spirit of good death metal of its kind, tends heavily towards progressive structures. This includes more paused sections that allow the songs to breathe in the middle of the faster, more suffocating parts. This is done with enough grace and consistency in style to seem smooth and appropriate. Although not masterpieces of structure-oriented composition and leaning on the riff-salad side of death metal composition, this release showcases Pseudogod’s earliest and most promising output.

 

https://sektovgnozis.bandcamp.com/album/pseudogod-sepulchral-chants

Coathanger Abortion Debuts New Track

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Tennessee death metal band Coathanger Abortion have debuted a new track from upcoming album Observations of Humanity, to be released on  June 2.

Tracklist for the album:

  1. Suffering the Weak
  2. Media Mindsnare
  3. Wading Through Existence
  4. Prescription Paradise
  5. Coathanger Abortion
  6. The Possession
  7. Audra Sleeps
  8. Forget the Past
  9. Hypocritical Majority
  10. Detained Indefinitely

https://soundcloud.com/apochs-dotnet/coathanger-abortion-media-mindsnare

Sorrowful Angels sign with Roar Records

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Sorrowful Angels have announced they are back and are now going to be working with Roar Records. Furthermore, they’ve announced a line up change. This is the official band statement:

 

Exciting times ahead as Sorrowful Angels embark on a new journey with Roar  (Rock Of Angels Records) on our side as our new recording and managing label. We are very happy to be on their roster and we thank them for the trust they have placed in us.

This new journey however, will be without our longtime drum hitter Chris Stratigos. You will be missed brother. His place will be filled by Stelios Pavlou, an excellent musician. Welcome aboard!

 

Sadistic Metal Reviews 05-25-2015

SMR08
In the spirit of George Carlin:

Here’s a group of musical vermin whose mothers we wish had had a medical plan that included abortion.

Bone Gnawer – Cannibal Crematorium (2015)
An assault not only on the senses as their promoters say, but on human intellect, this is lowest common denominator death metal for the Cannibal Corpse crowd who think Scream Bloody Gore is an actual classic of the genre. Produced like later Vader albums, most of the appeal this release has relies on processed vocals, guitar tone and crispy drum sound. Everything about his album screams out mental retardation and posturing. A plage on the genre, this crowd should be stirred in the direction of rap, deathcore or any brutal or violent posturing “music”.

Korsakov – Unique Remains (2015)
As their name migt suggest, yes, this is yet another Swedeath clone. But it also shares traits with the 80s speed-going-on-death of Master or Death. Unique Remains is unimpressive in any way. You will not remember it for being the worse, but it is uneventful music showing no great blunders but nothing of value either. It is merely repeating what others have said in simpler and more incomplete ways. Genuinely boring, if you want anything like this, listen to Master.

Paganland – Fatherland (2015)
Full of feeling and good intentions, this music is as endearing as it is hilarious. Using the style of magical power-pagan-black metal so popular among the slavs, Fatherland presents us with a particularly derivative, musically uneducated and melodic-hook-based music. This music is more of a folk-themed pop rock music for people who do not actually listen to metal but like to think they do.

Massenhinrichtung – Закон Збро (2015)
Another slavic band making meandering folkish-paganish-blackish metal. Too many feelings and too little thinking. This is ambient music for nationalist teenagers of the region. This becomes evident when some macho man screams are heard in rapping style along with a numetal background. And for those who fetishize eastern Europeans and their culture. This music is like a souvenir, it can be attractive because it is reminder of something else. On its own it’s quite poor. A little similar to music like Cromlech’s or Primordial, guilty pleasures for those who like epic nationalism or medieval warrior themes.

Zatokrev – Silk Spiders Underwater (2015)
Ah, more casual black metal. No, kids, black metal does not do casual. Black metal is not “cool”. Silk Spiders Underwater is repetitive alternative rock-metal with stoner inclinations. Oriented towards appearing tough, but casual. Aloof music for angsty teenagers… don’t we have plenty of this subpar shit already?