Bolivian metal band mixes native instruments, modern technique
One of the better developments during the past decade is that it’s now acceptable to talk about heavy metal in the mainstream press as something other than entertainment. It might even have, you know, artistic or cultural value and stuff.
A recent attempt looks at the heavy metal of Bolivia, which combines native instruments with modern underground metal technique:
The band members wore black. The lead singer screamed into his microphone and whipped his long, black hair around. The guitarists clawed at their instruments. The drummer pounded with fury. And then the panpipe player took his solo, and the fans packed into the mosh pit went into a frenzy…those songs, characterized by the use of the panpipe, known as the zampoña, and a wooden flute called a quena, have a special impact among fans.
The article makes the point that the hybrid style is more accepted among many of the people there, and that it directly references Incan cultural ideas including the ancient moral code that still lives on today in Bolivia.
Our question is: if it’s art, culture and morality there, why isn’t it art, culture and morality here?