Jesu – Why Are We Not Perfect
Hydra Head, 2008
Justin Broadrick demonstrated through his early works a desire for that moment of unitivity when the conscious mind and emotions synchronized. Through Godflesh, and later Techno Animal and Final, he showed a passion for bringing colossal structures to bear on moments of quiet contemplation. With Jesu, he resurrects his music outside the ghetto that extremist offerings can be, and melds into post-rock disparate influences from industrial, shoegaze, noisepop, and so forth. Jesu, protean as all Broadrick projects are, in turn twisted from more radiantly noisy to its current softer state. On “Why Are We Not Perfect” Jesu moves the slider closest to shoegaze and pop, losing much of the more complicated structuring and sound that made earlier Jesu challenging. This gambit may prove risky: many in the post-rock fanclub would like to leave behind what so rigidly defines rock and brings the moths to its one-size-fits-all dose, and “Why Are Not Perfect” drapes its nearly ecclesiastical encompassing layered sound over the exuberant shuffle beats of rock/pop. Song structures are not linear but follow a verse chorus pattern culminating in a serenity like the moment after a surf crashes on the beach when water lapses into absorbent, silent sand. Less jagged distortion and cleaner, plaintive emo vocals guide each song and sounds elide smoothly from abrasive feedback to silken, reminiscent of shoegaze classics like Medicine and My Bloody Valentine. While this EP satisfies as a taste, and an exploration, this reviewer hopes Broadrick abandons the past — and doesn’t relapse into his influences — so he can keep exploring the seemingly erratic, intense jigsaw song structures he served up on the self-titled Jesu debut.