Gods of metal, please liberate us from the blithe of samey industrial and doom metal from atmospheric-minded twats! Save us from the ignorance that plagues metal artists and fandom alike! Only then can these empty husks that resemble metal be driven out and seen for what they are. This album is one more kind of subversive tendency under empty pretentiousness that affects those with a penchant for the occult and a short-sighted vision for composition.
Mysterium Magnum consists of four songs of basically the same thing. At points it approaches the industrial sound of Beherit on Electric Doom Synthesis but without the distinct ideas and development. Temple of Gnosis’ music is rather a snapshot of that industrial metal with some minimalist melodies played in subtle keyboard sounds along shadowed vocals that lend to the darkness of the atmosphere. And that’s it. You take that and basically play that moment again and again in slightly different ways. The songs even have more or less the same length, and all equally fail at developing or show any variety. Perhaps the length was the measure stick to decide when to stop the songs.
Temple of Gnosis show us with Mysterium Magnum just how gullible both the industry and the average fan of metal can be. Or how blind and undiscerning the industry takes the metalhead to be. To be honest, this probably deserved since most metalheads show they cannot see past “the riff” or “the melody” in the case of the more mainstream-minded. The average metalhead is still a pop music fan, he sees music as separate moments and what each of them individually make him feel. He is also driven purely by what makes him “feel good”. That means that he will measure the quality of music by the count of how many moments tickled his funny bone. Thus you receive what you asked for, mediocre metalhead.