Of all the modern metal tendencies that can be completely annoying, the insistence of vocals leading the piece takes the cake. Like rap, the music takes a backseat to whatever is being shouted at you like political slogans or advertising offers. Here the band writes a grind-death hybrid distilled to high-energy riffs under a slowly-enunciated cadence of vocals that makes for utter tedium. The problem is that the band is equipped to write two-riff songs and when they go beyond this they sense they are out of their depth and offer instead melodic metal fills.
Like all metalcore, which is as good a container as you will find for “modern metal” which follows hardcore songwriting with metal riffs, The King is Blind comes across as disorganized because it is in metal terms. In rock terms it is highly organized, with verses matching choruses in key and rhythm. The problem is that the riffs are unrelated so they serve the same role as a slow double-strummed open C in a Bruce Springsteen tune: they keep background harmony to the vocals, which are the real focus here. Except these vocals are mostly monotone. Throwing in simplified Slayer riffs just creates a circus atmosphere, as does the use of other metal technique to try to give momentum to this otherwise pointless music.