Eugenicizing the Scene
A metal scene can be defined as a network of people working to promote metal in a certain locality. If done properly, it can be extremely beneficial for the promotion of metal music, but it can also turn into something quite poisonous for the nurturing of great art in the genre.
I’ve seen it a thousand times, and probably you too: a new underground band comes out and if its mildly good it gets promoted to the four winds, sometimes even “deserving” cult or legendary status at only a few months of releasing the first demo. As having success with a band is easier than it has ever been, a local scene can fill itself with hordes upon hordes of new acts expecting its fifteen minutes under the sun, most of them crap because of their motivation.
Some see the amount of bands coming out nowadays as a good thing, but for the more observing, the current state of affairs is tragic: more bands don’t necessarily mean more bands of superior quality.
For those believing that metal is dead because there aren’t any good bands coming out in recent years, it must be said that is not entirely true – there are new bands releasing pretty good music considering their amateurishness, which means they are often far ahead from the herd. Not great nor classic stuff, but music with potential to become excellent, given some time, work and effort. Usually, you can catch them on MySpace and other music channels.
The problem with relentless promotion of the type already explained is that if mediocre stuff can be easily promoted nowadays, the music with potential can too, and that can be perjudicial in the long term for those bands, as an early bout of success in the scene can terminate its potential for further growth. I’ve also seen it. It’s like the scenesters, in non-violent way, clip a band’s wings before it learns to fly by giving the band what they want before they deserve it – recognition.
We at the Hessian Studies Center believe that great art can only come from struggle and difficulties. Don’t complain that there isn’t enough “support”, make it harder on the bands! Be more demanding! If something new doesn’t sound anywhere near like the best bands in the genre, then don’t bother. Many would cringe in horror at that approach, complaining that the number of bands would come crashing down dramatically if many took such a harsh view. Yes, it’s true… the amount of bands would be much less, yet the quality would also go up, as only the most determined warriors would make it to the top.
In such a struggling environment, it would take a lot more than meeting “the right people” or playing the “right style” of metal to get known in the scene, so there would be no more hipsters and poseurs… the key to win a place in the scene would (once again) be musical quality, feeling and expression.
If hessians took only those parameters and to the heart, the scene would once again breed music of quality like in its best days. Besides, such setting reminding one of “survival of the fittest” would adjust to the hessian spirit like a glove – after all, we are all obsessed with war, death and winning battles, why not translate that into our surroundings? And imagine, just imagine, having a new golden era of metal music with bands releasing music as good as the best from Burzum, At the Gates and Manilla Road. It can happen. And it’s up to us.