Xymsa Releases 2CD Compilation Xysma Of Beach Boys Influenced Grindcore

Nearly thirty years after the heyday of death metal and grindcore (1983-1994) one of those “odd” bands, Xysma, similarly situated outside normalcy as Disharmonic Orchestra, Phlebotomized, Comecon, Afflicted, and Carbonized, finally releases a mass production compilation of its oeuvre of experimental death metal and grindcore.

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Brief Thoughts On Deeds Of Flesh Path of the Weakening

guest article by Svennerick

A fan favourite and the band’s third offering Path Of The Weakening whichalso the first record released through the band’s own label which showed the comeback of former drummer Joey Heaslet and the inclusion of second guitarist, Jim Tkacz completing the line-up and giving the band an even more thicker and dense sound.

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Treblinka’s “Evilized” – Song Analysis

There was this short period of time, when death metal sounded really gloomy. This type of death metal was sometimes considered as black metal, which was judged back then not as much by used techniques, but rather by imagery, themes and atmosphere. When black metal proper was defined, for lack of a better name, the term dark metal, which over the years garnered various applications, was sometimes used to describe this style of death metal.

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Witch-Hunt – Darkened Anthology 1992-2002

Witch-Hunt hail from Virginia and were formed by brothers Brian and Ben Straight at a young age. The band would go through multiple periods and lineup changes that resulted in only one full length and a band trying to find its identity through various styles and constant lineup changes. On Darkened Anthology 1992-2002 the band showcase the best songs of each period in a “best of” style and such each section will be reviewed separately.

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Feral Viscera – The Nuclear Death Cult

Phil from Nuclear Death returns with his new project Feral Viscera which continues on the path originally set out by the band but without the influence of the other members. The Nuclear Death Cult consists of eleven rerecorded Nuclear Death songs and two brand new songs. Songs remain the same in regards to composition but are produced in a much more modern manner. Gone are the demented screams of Lori Bravo, now replaced with a cold heavily distorted growl. The guitars are much louder and though are just unpolished are easier to make out due to the overly compressed nature of the music.

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Blood Incantation Hidden History Of The Human Race

Blood Incantation return after the heavily flawed but full of potential “Starspawn” that showed songs with a well defined direction lose focus and meander aimlessly. Here the band have devolved into Timeghoul worship for Indie kids and tek-deaf fans who need constant riff changes. The titles are taken from the pseudo-historical documentaries that detail drug addled stories of humans being assisted by aliens throughout time. An obvious sign that something is deeply wrong with both the music and the musicians responsible for this.

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Fester – Silence (Lethal, 1994)

Back in the day, this Norwegian band was derogatorily referred to as a “life metal”-band by scenesters. Especially their sophomore effort Silence suffered a reputation of being an exceptionally weak, pretentious and – above all – boring release. Although recent years have given rise to sporadic reevaluations of the band’s work, Fester remains largely neglected to this day (and some would say deservedly so).

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Sarcasm – Esoteric Tales of the Unserene (Chaos, 2019)

One of many promising acts who fell by the wayside in the early 1990, Swedish melodic death/black band Sarcasm made a somewhat unexpected return in 2015 with the long overdue release of their 1994 debut full-length Burial Dimensions. Then in 2017 came their return proper with Within in the Sphere of Ethereal Minds, an aesthetically pleasing marred by haphazard assembly. With Esoteric Tales of the Unserene (2019), Sarcasm return to previously explored territories; maybe in the hope of striking a better equilibrium between the style’s main constituents: black-, death- and heavy metal.

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