Defender – They Came Over the High Pass (1999)

by Johan Pettersson on July 21, 2018

As the successive death- and black metal craze of the 1990s lost its grip over Scandinavia, many musicians started a journey back towards their earliest of musical infatuations. Often this meant a return to classic 1980s heavy metal, although filtered through contemporary developments in the metal craft and coupled, at least in the more auspicious of cases, with a melodic flair distinctive of the region. One of few interesting products of this slightly schizoid period is the one-man and seemingly one-off project Defender, brain-child of a certain Phillip von Segebaden. (more…)

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Blood Stained Dusk – Dirge of Death’s Silence (2001)

by D.A.R.G. on July 21, 2018

Upon listening to this album, the listener familiar with the classic Norwegian black metal albums from the first half of the ninetiess will undoubtedly be reminded of Emperor In the Nightside Eclipse (1994). But apart from the way in which the keyboards are used for effect, the first Blood Stained Dusk is quite distinct in songwriting approach and in the crafting of individual sections. And while less clear and profficient in expression than Emperor, relegating the present release to a lower tier, Dirge of Death’s Silence is still a highly suggestive and imaginative work of black metal.
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DMU chat/forum on DISCORD

by Staff on July 21, 2018

In response to repeated requests at the reactivation of the now-obsolete Death Metal Underground forum section, our staff has decided to open an official DMU Discord server for the unhindered sharing of opinions, articles, links, music and more. (more…)

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Horror Myth Films #1: Evil Dead (1981)

by Nicholas Vahdias on July 19, 2018

Evil dead is considered a cult horror movie due to its ability to reinvent the codes of horror movies that Halloween has imposed at the time of time of release and the lack of funds from investment. This film would also serve as a source of inspiration to many metal bands though not because of its story telling methods nor narrative development. The outdated gore and the fact that the movie is clearly trapped in its time make this a fun movie for most but apart from some interesting lore there isn’t much to see here.
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The Elusive Sound

by D.A.R.G. on July 18, 2018

Image Credit: NASA/JPL/Space Science Institute

While it may appear pandering to many that we constantly bring certain albums to the forefront of our discussion, the reason for doing this is that the state of maturity which metal as a whole attained was only able to knock on the door of the mysterious experience transmitted through music. Different albums discovered different doorways, uncovered overgrown pathways, and scaled mountains. Ildjarn found contemplation of the absolute in the eye of stormy rage through elated freneticism. At the Gates reached hitherto unmatched heights of craft and musicality. All rasping and scratching while blindfolded,  a crossing of the threshold by different means and interpretations. Fewer still are the music albums, metal or otherwise, which struck at a purity of sound that needed no interpretation.
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Wormreich / Diabolus Amator / Gravespawn / Vesterian – Infirmos Vocat Deus Fidei (2016)

by D.A.R.G. on July 17, 2018



This is a split with contributions from four different bands, each of which present three full recordings, making the release altogether rich and diverse. Most, if not all, of the tracks sound under produced, which is a good thing when the listener wants to dig into the real bones of the band, undistracted by the direct impression of “great sound.” While none of the bands here is particularly original, or even possessing a clear line of musical development, the split is enjoyable as a forcefully elaborate underground effort to develop expression within the modern black metal (actual black metal, that is) context.
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Alpha Hydrae – Venomous Devotion – The Hematic Lust (2013)

by Guest Contributor on July 16, 2018


Article by Belisario

Alpha Hydrae is a rather recent metal outfit hailing from Monterrey, northern Mexico. Their only official release to date is their full-length Venomous Devotion – The Hematic Lust from 2013. Despite its misleading title, this is no symphonic metal, but rather old-style melodic black metal with a strong use of keyboards. It could be described as “gothic” as well, not in reference to the terrible metal subgenre of the same name (that swarm of early-Paradise Lost copycats), but according to its ambiance and obsession with tales of vampiric fantasies.
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