Review: For their farewell album, Cathedral present a fusion of stoner rock and doom metal riffs, with the occasional synthesizer interlude to break up the monotony. Having chosen to forgo death metal growls, vocalist Lee Dorian belts out vocals in a style more in common with hard rock than with extreme metal.
Tracks are executed competently, as can be expected from a group of experienced musicians. However, what’s missing is any sense of purpose. Tracks drag on for an excessive length of time and while the notes and structures may change, the overall vapid and uninspired spirit does not take leave.
In an attempt to shake the listener awake, the band inserts a few abrupt changes of instrumentation that presumably are supposed to provide energy and new focus to the track, but instead have more in common with the modern metal technique of carnival show composition, whereby vastly different themes are placed in succession and the relationship between them is left ambiguous, while leaving the problem of missing spirit unresolved.
As a concluding release, this is undoubtedly a disappointing way to end the band’s career, as it has more in common with the band’s later work than with their first release, Forest of Equilibrium. Far into the future, that will be what is remembered as the band’s high mark and if it’s remembered at all, The Last Spire will be but a brief and unfortunate footnote.