It doesn’t take much time to notice that we’re not big fans of Myrkur’s music, to the point that I tend to drop a link to my review of the act’s full length debut when something displeases me in modern black metal and its descendants. Other parts of the internet are rather more vitriolic in recent times; a few days ago, Myrkur’s Facebook page disabled private messages in response to a torrent of death threats. Amalie Bruun promptly followed this up by claiming the problem was American in origin.
In a more hyperbolic world, the internet would explode. In ours, it still triggered many of Myrkur’s fans and critics alike; even now, metal enthusiasts worldwide are trying to score social points by writing editorials about how sending death threats is bad (m’kay), and near-battles are almost fought over an issue that probably shouldn’t have been publicized in the first place. You don’t want people making threats against you to feel like they’ve accomplished something of value, have you? The more cynical part of me thinks all this is going to do is build up further buzz, attention, and record sales for Myrkur, as if her upcoming tour alongside Behemoth wasn’t enough of an opportunity. Still, responding to Myrkurphobia with xenophobia is not the answer we’re looking for here at DMU.