Death Metal Underground

Interview: Jeremy Wallach, co-editor of Metal Rules the Globe: Heavy Metal Music around the World

June 2, 2014 –

Jeremy Wallach made a name for himself by studying metal before it was cool, and he has expanded upon it by taking his studies worldwide. As co-editor of Metal Rules the Globe: Heavy Metal Music around the World, he explored the impact of metal on different cultures and the impact of those cultures on metal…

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Burzum – The Ways of Yore

June 1, 2014 –

Neoambient gains another stronghold. This genre — constructed of film soundtracks, Dead Can Dance style medievalism, neofolk and dark ambient with some structural ideas from black metal — rose out of the ashes of black metal, with bands like Beherit, Neptune Towers (Darkthrone), Lord Wind (Graveland), Danzig (Black Aria) and Burzum leading. On The Ways…

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Blaspherian – Demos

May 31, 2014 –

Death metal requires from its artists more than finding two parts in harmony that complement each other. It requires the creation of a visual experience, or a topographic one, through the interaction between riffs themselves. It helps to remove harmony from this equation and to use melody, harmony and other techniques selectively to highlight certain…

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Wolves in the Throne Room transition to trance ambient

May 30, 2014 –

Former extreme shoegaze/indie band Wolves in the Throne Room released a lengthy track from their upcoming album Celestite Mirror. This time they follow the path of cosmic synth bands like Tangerine Dream, Neptune Tower and Jääportit. The new Wolves in the Throne Room uses of the flexible and grand sound of synthesizers to write sci-fi…

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Heavy metal arises most frequently in wealthy nations

May 28, 2014 –

The Atlantic’s CityLab writes how [heavy metal, the] music of disillusion and despair is, strangely, biggest in countries with very high quality of life: Heavy metal is a strange case, then. The music sprouted originally from working-class kids in economically ravaged, deindustrialized places like Birmingham, England. Even today, it seems to be most popular among…

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Sinister – The Post-Apocalyptic Servant

Dutch death metallers Sinister return in 2014 with The Post-Apocalyptic Servant. Sinister is a band most notable for the classic death metal offering Cross the Styx which wielded basic yet effective death metal. The quality of their releases waned since that time and after their ’98 effort Aggressive Measures, the flame became an ember (as…

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Songs of triumph and dark love

May 27, 2014 –

Defining metal has never been easy in part because as time has gone on, all techniques have migrated to just about all genres. For this reason, describing it by loud guitars, screaming vocals and pounding drums reveals very little. Instead, we have to inspect what holds metal together and makes these elements so powerful: its…

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Incubus – Incubus re-issued by Vic Records

In the mid-late 80s death metal was still a vital force in which the standards of the genre were established. The new genre differentiated itself from speed metal several years before, but techniques common to both genres still overlapped without seeming artificial as they would when re-introduced later to make death metal more audience-friendly. This…

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A hidden influence on neoambient

May 22, 2014 –

The movement that some are calling “neoambient” — a fusion of dark ambient, Conan soundtracks, and neofolk — generally arose out of the metal community. The classics of the genre converge on Lord Wind (Graveland), Burzum and Black Aria (Glenn Danzig). In addition, metal bands contributed to related forms of epic ambient, like Beherit (Electric…

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Yog Sothots – Demo I (1987)

May 21, 2014 –

Much of what attracts newcomers to the heavy metal world is the ferocity of mythology in metal. The unsafe world of endless possibilities that this music projects can be especially attractive to the daring and inquisitive soul. That it further bonds itself to a mysticism of heroes and giants fighting for existential domination of reality…

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