Sorcier des Glaces – Snowland MMXII

snowland mmxii

Artistically bankrupt metal bands typically rerecord their early material after milking the revenue streams dry through reissues, remasters, anniversary tours, and boxed sets. While the original recordings typically aren’t pristine productions, all charm is lost in the sample-replaced, quantized, digitally-reamped, and phase-butchered retreads shat out by an obsessive tinkerer’s digital audio workstation. All enthusiasm in the performances is butchered by years of alcohol abuse and aging journeyman musicians collecting just another paycheck, e.g. Sodom’s The Final Sign of Evil, Manowar’s Battle Hymns MMXI, and Bolt Thrower’s “World Eater ‘94”. Snowland MMXII is one of the few exceptions to this rule of rehash.

The original Snowland relied heavily on poor production and lead keyboard melodies at times bordered on tribute to Sorcier des Glaces‘s Norwegian forebears to establish a nihilistic, inhuman atmosphere. Snowland MMXII‘s production and mix is relatively cleaned up and digitally compressed but still delightfully dirty in the right places. The rerecording establishes atmosphere through the refined and elaborated musical composition where the Snowland CD-R relied on mere aesthetic elements such as tape hiss and and panning everything to the right in hatred of human binaural hearing.

All the keyboard leads so prevalent in late Nineties black metal are gone; Snowland MMXII was recorded after Sorcier des Glaces’ anti-keyboard epiphany. Expanded rhythm and lead guitar parts replace them with more variations and tremolo picked, arpeggiated chromatic chord progressions. Hyper-extended riff phrasing constructs internal riff narrative in what would otherwise be conventionally structured verse-chorus-verse songs. Luc Gaulin’s metronomic drumming is similarly improved over the lethargic in comparison original: he now ritualistically keeps time, building tension through repeated blast beats alleviated with rhythmic catharsis in precisely-placed fills.

Snowland MMXII entrances deep into a primeval Canadian wilderness that cares naught about the absurdity of continuous human existence. Replacing the original as the band’s most essential material, it conveys the sort of existential nihilism and misanthropy typically seen in a Herzog film through black metal music: the awesome discovery of a pristine, unconquered temperate biome and nihilistic desperation upon realization that the uncaring natural forces of the world seemingly embrace, encourage, and hasten the self’s eventual death.

5 thoughts on “Sorcier des Glaces – Snowland MMXII

  1. Nuclear Whore says:

    >Bolt Thrower’s “World Eater ‘94”
    uh? Googling… Uh, it does not sound as the original one, it’s not that destructive, it’s more “””metal””””
    >From “Who dares wins”
    Uh? I don’t have this, what is it?
    >wikipedia
    The band recommends not to buy this as they would never agree on releasing a compilation album.
    ahhh

  2. fenrir says:

    To listen along with this album:

    2. Empyrium – Into the Pantheon
    3. Graveland – Thunderbolts of the Gods

    4. Morpheos Descends – From Blackened Crypts (CD 1)

  3. Can you survive the blitzkrieg says:

    In The Final Sign of Evil was actually the best Sodom release since Persecution Mania, why they keep making watered down Wacken tuff dood metalaide I do not know, because no one fucking likes it. That album showed they could actually still play like classic Sodom, but choose not to, also it’s mostly songs they had no budget to record on In The Sign so it’s not a total remake, homework!

  4. At the Bill's Gate says:

    “the rerecording establishes atmosphere through the refined and elaborated musical composition where the Snowland CD-R relied on mere aesthetic elements”

    YES. Thank you! I’ve noticed this theme running through dm.org in the last few months, and I like that you’re staying on it across articles. You keep castigating recent atonal/avant bands for an atmosphere of aesthetics, whilst hammering bands to get atmosphere as an incident to their actual performances. Stay on ’em!

  5. Son of the Damned says:

    Sorcier des Glaces are one of the very few current black metal acts worthy of unconditioned appreciation.

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