Tags: abhoth, acid, adult contemporary, aima, anvil strykez, AOR, aosoth, Atreides, black 'n roll, burial ritual, carnal decay, cryptic brood, czar, deathcore, desolate shrine, drought, female vocals, hard rock, heavy baby sea slugs, illimitable dolor, insanity cult, metalcore, mindful of pripyat, mortifica, nyogthaeblisz, poseurs, post-hardcore, rites of thy degringolade, sadistic metal reviews, screamo, solitary, stadium rock, stench of profit, stoner rock, Summoning, Supremative, synth pop, synthpop, synthwave, the charm the fury, the ossuary, War Metal
So, Atreides, another power metal band. Why review a mediocre power metal band? To warn the newbies and upcoming artists against possible blunders. To show in which these blunders are built, how they are constituted and why is it that they suck so much. Playing according to a tradition in any subgenre of metal is not a sin itself, it is blind copying of ideas without any noticeable voice to set you apart what represents an insult to metal.
Atreides embodies everything that is wrong with most metal from Spain and Latin America: self referential music that is more concerned with appearances than with musical development. This is not limited to heavy and power metal, although these are the two most violated subgenres in those countries, but can even be applied to death and black metal from the same areas as well. The songs end up being paper-thin collections of tropes belonging to the subgenres they claim to adhere to. Despite their almost transparent epic metal guise, Atreides’ Cosmos has more in common with glam metal than it does with Candlemass or Iron Maiden.3 Comments