Some modern “black metal” is superior to others; and not all of it is created by flannel-wearing, latte-drinking hipsters (just around 70%). Thankfully, there are some albums around that will not turn the listener androgynous after a single spin.
Greek black metal band Burial Hordes’ recently released album, Incendium, takes a death metal flavored approach to the modern black metal problem. Carrying on the early Incantation/Profanatica and Demoncy single-string riffing style, the band updates it to the millennium’s expectations: production is clean, ambiguous arpeggiated deviations abound, and linear tremolo-picked guitar lines rise above the churning mass below. Vocals have more in common with death metal than any other genre.
Doubtless this album will achieve some measure of success, as it adequately fulfills several niche roles: death metal riffs for “old-school” fans, whilst the newer will be entertained by experiencing a presentation that challenges them while simultaneously remaining in a place safe enough to understand.
Indeed, that last part is the most damaging criticism of this release: it does not attack the listener in the ways the aforementioned bands did; it remains heavy, but essentially pleasant music to listen to. For that reason it remains unclear how long this album (and genre) will endure, as the less dedicated fans will eventually leave to whatever new release is in the press next week, consigning each modern black metal release to a week of interest before being retired to a dark corner on the shelf.