Metal Arsenal: Choice Software for Metal Warfare

Once upon a time, musicians needed to have a fat budget for a decent studio recording (and therefore, a record label to front the bill on the onset).  But even with one, many extreme metal recordings in the 80’s, 90’s and 2000’s still sounded like complete ass.  Even insanely popular death metal bands like Cryptopsy, who have sold over half a million records, have had albums with production so shitty that I can’t hear most of the riffs.  Aside from a few innovators, most audio engineers (back when it was possible to make a career out of it), simply did not know how to record and produce metal.

However the industry has changed mightily over the last 15 years or so, and in today’s music world the phrase “everybody’s an engineer” is deeply rooted in truth.  Whereas high end recording software was once closely guarded and outrageously priced, the freedom of file sharing as put many high end tools in the hands of the public at no cost and without the need for professional training to use.  No longer do you have to shell out $10,000 for an album that sounds like it was recorded in the prior decade, nor do you need take out a ludicrous college loan for audio engineering school. Instead, all you need to do is make a few quick downloads to successfully arm yourself for a quality recording (assuming, of course, you have done your homework in practicing your instruments and listening).

This change in landscape greatly benefits the type of music personalities we saw in Darkthrone, Burzum, and Graveland- top-tier musicians more concerned with their art and ideology than pandering to a room of idiots via live performances (yes, I know Graveland and Darkthrone both played live: it was only at microfractions of their careers).  And given that lefties are regulating and policing which bands are allowed to play live shows, there’s all the more reason for defiant metal musicians and bands to forgo live performances and focus their energies on quality studio recordings.  With narcissism, attention seeking, and fan expectations removed, the opportunity for quality recordings to flourish is undoubtedly more abundant.

It is an honor and privilege to present to you, the readers of this infamous site, the favorite battle-tested software and tools from a road-tested veteran who began a career in metal when freeware first became widespread some 15 years ago:

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Analysis of Demilich’s “When the Sun Drank the Weight of Water”

[Sections of this article by Jerry Hauppa].

The Finnish scene has spawned an impressive number of death metal giants, possibly the strongest overall scene with no band searching for shallow fame or popularity and each band exploring their own sound in complete artistic integrity and more often than not achieving powerful results. Though all these bands have captured the hearts and the imaginations of Hessians everywhere, one four-piece has managed to completely change the face of death metal. Releasing one album that elevated metal into being recognized as an intellectual genre in the eyes of the mainstream, so much so that the mainstream metal media fled from this album as no one could commercialize and democratize what was being played here, Demilich were unfairly pushed back into the underground when they deserved adoration from the masses.

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Polarized Metal Genres Must Unite Against The Funderground

Metal is facing a decisive moment in time. As a genre and an entire sub culture, it’s threatened with a massive flux of outsider interest into what was once an isolated community forged in passion. Metal was a cause for tight bonds among like minded disillusioned youth that wanted nothing to do with the status quo, a lawless free for all where no ideology or point of view was too extreme. Thus grew a voice to rally against the farce of mainstream politics, social acceptability, resolute contentment with mundane lifestyles and herd mentality. Though acts like Black Sabbath and Iron Maiden were to find great success within the public large, they laid the groundwork for that rebel yell that gave the disgruntled youth the foundations for connecting with others so disconnected. And with such a ground roots movement that metal was, true artists and musicians who may have never have been given an opportunity to rise otherwise were now rising and exponentially so. Quickly NWOBHM became speed metal became death metal became black metal. Then, as with all great explosive cultural movements, metal began losing its traction and sight of its original goals of fighting against the mainstream culture of quantity over quality. But it is now that we see its greatest threat in its acceptance by the masses. Now it is being taken for a boutique exotic exploration into what most really don’t want to explore: cold unforgiving reality.

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Adramelech Reissuing Pure Blood Doom

Pure Blood Doom, the notoriously hard to find second album by elite Finnish death metal band Adramelech, has been scheduled for re-release on cd and limited vinyl courtesy of Nuclear Abominations Records. According to the press-release, hungry customers can expect “new, remastered sound and new, improved layout and cover by artist Turkka Rantanen who already drew the original art”.

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/dmg/ DEATH METAL GENERAL: Rooftop Riders Edition

 

DEATH FUCKING METAL:

http://www.deathmetal.org/metal/

http://www.deathmetal.org/site-map/

http://www.deathmetal.org/category/faq/

>b-but I heard death metal is dead!

http://www.deathmetal.org/news/

http://www.deathmetal.org/review/

OP Paste Bin:  http://www.deathmetal.org/tag/death-metal-general/

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¡So Woke! Decibel Mag Goes Full Soyboy

Decibel Magazine has miraculously erased three decades worth of credibility by posting the most embarrassingly tearful editorial that metal journalism has ever seen.  It is impossible to read damn the thing without formulating the mental picture of a balding, big breasted obese man in his 40s watching CNN with his even more obese tattooed wife as both cry their eyes out at the far-left propaganda being spewed out at them. 

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KILLJOY IS DEAD

One of death metal’s pioneering vocalists has passed away today.  Frank “Killjoy” Pucci of Necrophagia died this morning as revealed on the band’s Facebook page. One of the original tape traders of death metal, Killjoy’s legendary vocals on the phenomenal  Season of the Dead album (which predated Death’s Scream Bloody Gore by several months) paved the wave for the death/black metal technique and inspired some of the greatest artists in metal.
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VIKING BLOOD

Heritage, ethnicity, race, and culture is important because there is much you can learn about yourself from your blood ancestors.  For years I never understood why, as an Irishman, I was always fascinated with Scandanavian history and culture until a distant relative traced my family’s heritage all the way back to the 10th century.  It was upon learning of my distant relationship to Tomrair mac Ailchi, the viking king of Dublin, that I learned the truth of my savage tendencies- I was the decadent of vikings.  And perhaps it explains how, thousands of years later, I would serve as an editor of the most brutal metal website on the internet…
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#TWITTERPURGE: TWITTER SUSPENDS DMU FOUNDER FOR WRONGTHINK

Death Metal Underground founder and all time greatest metal writer Brett Stevens has been suspended from Twitter as part of their continued efforts to censor conservative voices.  Too dangerous and too masculine to be allowed to influence the masses, Brett joins a long list of censored and purged right-wingers that includes Baked Alaska, Milo Yiannopoulos, and Lauren Southern.   (more…)

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