The music of Emperor is commonly misconceived by the mainstream metal media and certain YouTube clowns to be merely an atmospheric wall of sound or symphonic black metal orchestration engineered for superficial, surface level aesthetic appeal to an audience atypical for black metal. This is in fact not the case. In the Nightside Eclipse is just as perplexing to typical headbangers on first encounter as it was upon release in 1994. Mainstream audiences are even more flabbergasted and regard the record as a mere curiosity produced by those murderous church burners, preferring Emperor’s more rock-structured later work such as Anthems to the Welkin at Dusk, which abandoned the band’s signature riffing style and method in exchange for ones influenced by more stereotypical Norwegian B-listers such as Enslaved and Kvist. Emperor did eventually sell out, becoming technical guitar wank, rock-structured heavy metal after their rhythm guitarist Samoth and drummer Faust were imprisoned in 1994 and their songwriting influence subsequently waned. Yet In the Nightside Eclipse‘s hymns to Satan and Sauron remain as natural mutations of their metallic predecessors’ attempts to imitate horror scores and classical music’s overwhelming power of sublimity.
Earlier this year saw Summoning release their first album in seven years, Old Mornings Dawn. Our review saw it as “a creative journey into the recesses of the mind and embraces the sentimental alongside the epic, using its ambient structuring to immerse the listener in a world far beyond anything they have experienced.”
Fortunately for us, the band possesses six more tracks from the album session. They will began the process of finalizing their production and expect to release these tracks next year as an EP. Until then, the band will hold its fans over by releasing an “earbook” edition of Old Mornings Dawn, which includes two acoustic bonus tracks; and vinyl reissues of Nightshade Forests, Oath Bound, and Lost Tales.
Unfortunately, it’s not all good news; as the band has stated that this is a prelude to a period of dormancy:
“In the end of next year, when everything is said and done, and all works are finished and released, the forges will get cold again,and we will rest at last. Then Summoning will fall asleep again for a longer time, until a new dawn is rising…”
We hope that this interval will not be as long as the gap between Oath Bound and Old Mornings Dawn, but we recognize that art often needs time to germinate and we eagerly await new material, whenever it may arrive.