Windham Hell – South Facing Epitaph
Darkthrone managed to conjure something far more stimulating to the imagination when they were inspired by horror and science-fiction movie soundtracks to create vast journeys of cosmic Death Metal. Windham Hell’s first album also follows from the deeper recesses of popular culture and cinema, fucking with the senses and expectations of the Metal listener through this Lynchian maze of psychological horror and ominous mortality. The first thing that’s evident about the musicians at work here, particularly the late Eric Freisen on guitars, is the uncustomary level of formal training demonstrated in these pieces, which bear close stylistic resemblance to the famous concertos of Antonio Vivaldi. The riffs that make up the bulk of actual Metal songs on this erratic album are nothing spectacular or unconventional but formed with the lead guitar in mind, acting much like the movie samples and vomitory vocals do to provide a kind of ambient feeling of suspended horror and panic that the leads then magnify through their virtuoso performances, building on the looming fear with sporadic outbursts of mental excitation. The rest of the album is a feast for those who would enjoy the subversion of popular culture through a post-modernist cutting and pasting of morbidly curious voices bridged with Classical flourishes, although may lose the attention of others. There is enough tastefully executed technique on show to keep this as engaging as possible, and a far superior album to the following Window of Souls.