Dark Legions Archive: The Net’s Oldest Metal Site

Hod – Cry and Piss Yourself

A fusion of Mayhem and Satyricon with impulse-driven American turbo death metal like Angelcorpse, Hod brings zero surprises but keeps the power of momentum balanced with an ambiguous lightly dissonant harmony. It suspends belief with single-string riffs which turn opposite views of a note cluster into an ambience, then launches into Gorgoroth-style additive chord progressions that end in obscure suggestions of direction which never materialize. The object of this band appears to be the contrast between mood and adrenaline, and if it does so without any particular deviation from the past, it also does so well. Its strength is this balance, and its weakness is a tendency to fall into variations of patterns that Destruction and Kreator made cliche long ago, but there is potential here for development if the band is able to flesh out its repertoire of riffs without losing the single-mindedness of its songs. Sometimes this band is like listening to someone’s metal collection; for example, the song “Demoralizer” could have come from a Master session outtake. But what’s with the 89-IQ-point, Pantera-inspired title?

Fetid Zombie – Pleasures of the Scalpel

Once upon a time, a lonely genre called death metal thrived, and people liked it because its message “only death is real” cut away the illusion of a world obsessed with social status, self-serving morality and trends. Then, some trendy fratboys put together a band called Cannibal Corpse and made the first real parody of death metal, except that they seemed serious, and people bought it in droves. Soon many imitations burst fully formed out of the garage studios of the world. Fifteen years later, Fetid Zombie skewers that tendency with a parody that takes the most simplistic aspects of death metal and blows them gloriously out of proportion. Guitars ride the downbeat of a chant synchronized to basic drums, hammering out the most linear riff patterns possible, on absurd topics of carefree infection, happy mutilation and joie de mort. It’s unlistenable but delivers a message the death metal community needed to heed long ago.

For some time, ANUS maintained a section of reviews for stuff that had not achieved classic status but was interesting to know about nonetheless. See our indepdent heavy metal reviews for reviews of P – The Larch Returns, Alchemy – Alchemy, Lubricant – Nookleptia, Bethzaida – Nine Worlds, Depression – Chronische Depression, Phlegethon – Fresco Lungs, Avathar – Where Light and Shadows Collide, Order From Chaos – Dawn Bringer, Vordven – Woodland Passage, Warhorse – Warhorse, Revenge – Victory. Intolerance. Mastery, Aukrehg – Lands of War, Revenge – Triumph.Genocide.Antichrist, Vinterland – Welcome My Last Chapter, Regredior – Forgotten Tears, Sombrous – Transcending the Light, Emit/Vrolok Split, Nightbringer – Rex Ex Ordine Throni, Polluted Inheritance – Ecocide, The Tarantists – demo 2004, Beyond Agony – Last of a Dying Breed, Fireaxe – Food for the Gods, Gnostic – Splinters of Change, Therion – A’arab Zaraq Lucid Dreaming, Alethian – Dying Vine, Harkonin – Sermons of Anguish, Dug Pinnick – Emotional Animal, Aphotic/Dusk Split, Emit – A Sword of Death for the Prince.

Apparently, the fragile but adept partnership that was Celtic Frost has dissolved with the departure of lead conceptualizer Tom G. Warrior. The other members will carry on as they were. From the official website, “Celtic Frost singer and guitarist Tom Gabriel Fischer has left Celtic Frost due to the irresolvable, severe erosion of the personal basis so urgently required to collaborate within a band so unique, volatile, and ambitious.” From all of metal: we are not glad to hear this but if it’s what all members must do to keep creating, do it, and keep creating ambitious metal. Ignore whores, hipsters, ingrates and Jesuits.

So we’re lazy around here, but it doesn’t mean the metal has stopped flowing. We fed our metal-chain a high colonic and found ourselves listening to the latest from Florida’s Resurrection. In short, it’s good — but there’s too much Exodus/Pantera/Exhorder style bounce riffing. We’re hoping they follow it up with something even more ambitious because the moving songwriting is still there. Check out the review;

Resurrection – Ritual Slaughter

With MP3s, and newly fragmented civilization, it’s harder to sell music. See how black metal will react to the new music market.

Sorcier Des Glaces – The Puressence of Primitive Forests

Canadian black metallers SORCIER DES GLACES have commenced the songwriting process for their “third chapter,” tentatively titled “The Puressence of Primitive Forests”. Plans exist for the group to enter the studio later in the year. According to a press release, “it shall be the ultimate offering of misanthropy, hating humans beings for what they are and hiding far in the coldest landscapes still untouched by their dirty hands.”

SORCIER DES GLACES released its second offering, “Moonrise in Total Darkness”, in 2006 on Mankind’s Demise Records.

For more information, visit Sorcier des Glaces AIDSpace

The hardworking activists of the Metal Hall: Cadre bring you the final statement of the artist behind Ildjarn as he discusses life, the flaccid scene, the impotence and stupidity of most people, the degeneracy of modern society, and the freshness of young ladies. Read it here: Ildjarn “Final Statement” from “Ildjarn is Dead”.

SINISTER are releasing “material released during the 1990-1992 period including their 2 EP’s from 1990, the 1990 and 1991 demos, the split EP with MONASTERY from 1991 plus special bonus tracks!” You can hear an advance track here: Sinister – Putrefying Remains.

Averse Sefira live in Houston on March 2, 2008. For those that missed it, a great show passed you by.