Where The Metal Ends

In reply to Jerry Hauppa.

Music that is popular is dead in general due to commoditization, poseurs, the ivory tower, and the music industry’s collapsed spurred by their own awful business practices and the CD bubble. CDs were a massive cash influx as the first digital format but the major labels kept the price artificially high, killed the single, and tried to force consumers to buy popular music albums with one to three catchy but disposable hits and the rest boring filler to outright crap. As soon as consumers could easily hear the hitsasany times as they wanted until they hated them without paying, they did.

For metal, most of the bands that stayed in the underground, that is those who couldn’t get any record deal and release anything back when the industry was still kicking in the 90s, weren’t good enough to even write three good tracks. Now, the fundergrounders hold these guys up and the labels that sign them to sell a few thousand copies like Dark Descent, Nuclear War Now!, and Iron Bonehead as actually as good as the metal bands from back in the day as they are stupid.

Anyone with a working brain who likes metal can tell that Horrendous, Bolzer, Intolitarian and Blood Incantation suck animal penis compared to Destruction, Deicide, Demigod, Dismember, you name it. The brain dead audience raised on commercial jingles, videogames, and cartoon theme songs can’t tell the difference as they never really listened to music and just claim to “like” metal as metal used to be underground and cool and they like the aesthetics and imagery like Kim Kardashian does. This makes them posers and the few underground bands actually making exceptional music like Sammath, Gridlink, and Desecresy are pretty much just ignored compared to everyone who is Terrorizer/In Flames for Retards as they can’t tell the difference between Celtic Frost and the Mortal Kombat the movie soundtrack.

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