Some time ago, musicians from the Chicago area gathered to form a tribute to Led Zeppelin. Instead of creating a new band to imitate the sound, they created a stage show called “Led Zeppelin 2” and tour with it playing the songs of classic Led Zeppelin, which along with the UK heavy guitar rock (The Who, Cream, The Kinks) who predated it was an influence on the early days of metal both through progressive bands like King Crimson and Jethro Tull, and directly on Black Sabbath, a contemporary.
Vocalist Bruce Lamont, who also performs with Corrections House and Yakuza, was kind enough to give us some time to ask him questions about his musical past and the influence Led Zeppelin had and continues to have on heavy metal and heavy music in general. Take it away, Bruce…
You’re currently touring with Led Zeppelin 2. How’s that going? Is this harder than touring with Yakuza, Corrections House, Bloodiest or any of the other bands you’ve been in? What’s different?
Led Zeppelin 2 is a more of a musical theater production: a stage show with costumes, lighting and musical actors. It’s not harder than touring with the other bands, just different. So far 2015 has been going well for the Zep2 show. We have had some good crowds and folks seem to be enjoying themselves.
You’re known for a modern metal background and yet here you are lending your talents to 1970s songs. Have Led Zeppelin always been an influence for you? How did that influence show up in your music?
Led Zeppelin has been in and out of my life since the days of WLS radio here in Chicago. They played Zep tunes long before I even knew who Led Zeppelin was. As far as a creative influence, I appreciate all the musical corners they have touched. From blistering hard rock, to blues-influenced songs, to the acoustic numbers and even dabbling in synth music in the later years. The willingness to push themselves to the extent they did is what I took from them.
In your view, what musical style or genre are bands like Yakuza and Corrections House? What would you say were the primary musical influences on those bands? Do you think they’re closer to metal or hardcore?
I am never one to settle comfortably into any type of label when describing the music from any of the bands i play in. Is their some metal elements to both bands mentioned? Yes. Hardcore? Somewhat. But also many other definable and indefinable sounds come to mind.
What do you think has changed in metal, on a musical and not aesthetic (production, vocal tone, guitar sound, distortion type) level, since the 1970s? Since the early 1990s?
Musically, 70s metal was more recognizably derived from, say, electric blues or the pop rock n roll formula with a little touch of the psychedelic (with just had a harder, heavier edge). This evolved rather quickly even by the end of the 70s with punk rock coming at the same time the name of the game became “speed.” This evolution excelled rapidly through the 1980s.
By the 90s that blues structure from the early 70s could barely be heard, but the speed, intensity and the heavy went into the most extreme ether. I mean compare Suffocation to Budgie. Wow, what a leap ha! As far as modern metal goes, many of the sub-genres that were firmly established in the 90s still exist (even some from the 70s have been brought back around and there are hybrids of both etc., etc.) and by all indications we are at a time where the lines are being blurred now more than ever.
Bands today are bringing in elements from all over the sonic map, keeping the heavy but embracing styles and sounds generally found outside of the metal world and from that many bands have a more realized sound that’s all their own. I like it.
How did you get into music, and what inspired you to take the path that led to Yakuza and Corrections House? Does this inspiration also lead to being in Led Zeppelin 2?
In a nutshell…I listened to the radio quite a bit as a young kid (as I mentioned Zeppelin was one of my favorites). I asked my mother for a guitar but instead was enrolled in school music programs. I first played the viola, then started on the tenor saxophone at age 9. I became a metal junkie in my early teens; got a guitar and played a bit. I started working at an independent record store during my junior year of high school. This opened my world up and I began listening to all sorts of music.
After high school I started playing in bands. In the mid 90s I picked the saxophone back up and went to a ton of jazz/improvisational shows at the Empty Bottle in Chicago. At the same time I heard bands like Neurosis and Meshuggah and wanted to get into something that was heavy but had room to reach beyond the heavy. I joined Yakuza in 2000. Within a year I played my first show with what would become Led Zeppelin 2. There ya have it. Full Circle.
How was the Houston show? I’m told Houston is a flat, hot, humid city filled with Californians who think the houses are cheap and are willing to overlook the roaches, snakes and mosquitoes for 2300 calorie diner plates. What as your impression of Houston?
Houston is huge for us. It was one of the first places we played outside of Chicago and has always been great. Killer crowds, killer energy. Gotta love that.