Aversion play black metal that floats in the area between the tendency of “pagan” bands to use a mid-paced, back-and-forth rhythm with a simple grooves and that of melodic black metal bands that submit every part of the music to the “will” or destiny of a main melody. Aversion also shows a preference for constructing songs in a “progressive” way, that is, looking forward, trying to take the song where it has not been before without looking back. The character of the riffs themselves remain in the general area between happy and slightly serious, while the whole does not feel unified enough to have a solid shape. On the positive side, Aversion keep strictly to one style and produce varied riffs that do not violate their initial proposal.
While that impulse for progression is not taken to the dangerous extreme consequence of jumping between styles or letting the musicality of songs fail through sharp contrasts in texture, it produces problems by becoming the foremost preoccupation of the songwriting process, instead of being the consequence of a deeper need. There are exceptions in which changes are a little forced, but these represent a minority in the album. The problem that Aversion faces from this progressive intent is that they have the tendency to accumulate new material, new events in the song, without necessarily attributing them any meaning. Not that riffs have precise meanings, but while an inside-outside process would produce riffs from a precise flow of feelings and an intended direction, in here, riffs sound good together, the musicians have used a criteria of appropriateness to decide whether or not a next riff should be included or not, but it has come from this outer judgement, and not from the impulse that would produce the riff as necessary from the inside. Thus parts sound good together but are not made indispensable, a common weakness in melodic black metal: the happiness of the melody line becomes ruler.
Aversion’s self-titled is still the result of a vague vision that keeps these musicians from looking beyond the surface while they stay afloat through sheer judgement of their own ideas after they have been produced. I posit that in their writing process, riffs are produced and then are considered for the song, instead of riffs being devised with a specific purpose in mind. This is one of the many subtle differences between producing from the inside or from the outside. It is also worth clarifying that there is no dichotomy, these characteristics are manifest in a gamut of degrees as I am sure Aversion are not oblivious to looking for some kind of character in their riffs, otherwise the constant style and character with which they infuse each section would not be as clear. If Aversion can look deeper and find a motivator, they may well give us a worthwhile black metal album in the future.