Classical music and metal are not as strange bed-fellows as first seems. Both try to take the listener on a journey from A to B via certain key points emphasizing conflict/discovery/victory in a narrative style that’s as old as the hills.
Both rely on a sense of heaviness of life itself in their songwriting, classical from a typically more light perspective, and metal from a darker one. Both are full of references and allusions to literature and ancient history.
As classical violinist Rachel Barton, who plays in doom metal band Earthen Grave in addition to symphony orchestras, points out, metal finds inspiration and even riffs in classical music, but even when it’s going in a different direction it draws from the same well of inspiration.
“When you listen to the great guitar soloists, they’re stealing licks from Vivaldi,” said Pine. She mixes Led Zeppelin, Paganini, AC/DC, Vivaldi and Black Sabbath in some of her live shows, when not creating crashing curtains of doom metal with Earthen Grave.
Classical music is named for its creators’ desire to allude to ancient civilization in form and ethos, specifically but not exclusively the classics – Greece and Rome. What could be more metal than obsessing about the ancient world? In the post-Renaissance world that classical music came out of, studying those older civilizations and reviving their aesthetic values was seen as enlightened and forward-looking, contrary to the “newer is better, always” argument we’re used to hearing about our own times.
Metal and Classical also have in common then that they are both a kind of romanticism: oddly traditional whilst at the same time being futurist and affirming. Through an embrace of the powerful and epic in life, both use an acknowledgement of life’s heaviness to find meaning in its struggle.