A recent discovery of mine, if far from a newcomer to metal music; Mgła plays a sort of streamlined melodic black metal on Exercises in Futility. There are no real divergences from this formula, even in their slightest form, and even any residual rock or traditional metal influence is assimilated deeply into the overall sound and form of the music. It’s easy to pass this album off as repetitive, dull, and pointless at first glance, but the constraints of this style have bred some much-needed creativity. Continued listening highlights the band’s ability to successfully vary their compositions in a narrower range than most of my recent reviews. This is a difficult skill to learn, and its payoff is often subtle to the point of inaudibility, but the band’s efforts paid off; they’ve secured this listener’s interest and showcased their potential prowess as songwriters.
In general, Mgła leans towards the consonant, the ambient, and (at moments of weakness) the predictable. Exercises in Futility is driven primarily by very simplistic riffs and sometimes even single chord drones, but frequently overlays melodic, treble heavy guitar lead counterpoint over the exceptionally basic chord patterns that serve as its foundation. The rhythm section is muted in comparison to the guitars, but it dutifully follows their acrobatics by offering up its own new patterns as the tracks evolve. While I rarely found my ears focusing in on the drums, I was pleased by how the drummer didn’t treat his subsidiary position as an excuse to mindlessly blast or simply keep time. This was more of a problem with the vocalist, who admittedly also handles guitar and bass. For how prominently the vocals are mixed, the unending sameness of their techniques and how unaffected they are by any other aspect of the recording is quite a setback. Still, the instrumentation tends better than the alternative (incompetence), and when every metal band with a budget can assume their performances will be studio quality, the ability to add nuance is quite important.
Exercises in Futility is still not a particularly diverse album, although it doesn’t necessarily need to be one to be worthy of attention. Its biggest weakness is most likely that its tracks don’t develop particularly well over their duration, although the songs at least have clear (if basic) structures, which suggests some non-trivial effort towards this end. Other problems with this recording are relatively trivial in comparison, as strength of narrative/communication is perhaps the one aspect this genre’s elites can safely say they share. To truly unlock their own potential, the band members will have to cut repetition and achieve a greater level of focus and precision when constructing their songs. They may very well be able to pull it off if they’re willing to put forth the effort.