This is, without any subtlety, an exceedingly middle of the road work of traditional heavy metal. It’s not particularly ‘heavy’, containing little more than a set of rudimentary melodic rock riffs played at a middling pace overlaid with an exceedingly generic frontman. It bears more than a passing resemblance to the ‘glam’ metal (read: harder radio rock) of the ’80s, although Cauldron’s visual aesthetic is closer to a generic metalhead look. Nothing is particularly offensive here – the vocals are a bit lamer than average for reasons that are hard to quantify, but otherwise this is a vaguely competent albeit unremarkable recording that I am already forgetting as I write this album. You, on the other hand, are probably wondering why I would choose to cover something that’s so devoid of positive or negative qualities. It turns out that listening to this sort of recording places a few important ideas in my head.
By now, our readers should be familiar with how quickly our species as a whole forgets about the… lower tier of media works that are quickly forgotten once something more novel comes along. A sufficient amount of effort and/or financial wizardry can distort this phenomenon, occasionally resulting in an artist who refuses to leave the public eye due to radio payola, or personal misconduct, or whatever reason. Cauldron, to my understanding, is not thusly blessed, although they and associates presumably have enough business resources to create some buzz for a while. Maybe they’ll become one of those “moderately successful” metal bands I talked about earlier that can live comfortably, if not glamorously off their money. I highly doubt, however, that a band this generic is going to make any serious impact on most listeners, though and will probably fade quickly whenever they call it quits. There are two important corollaries here – the metal fanbase Cauldron has to fight for will turn over with time, and similarly so will the metal bands competing for mindshare. There’s definitely a lesson to be learned here about the state of the metal world, although you can also make a case that it’s better studied through either a more notorious band, an objectively worse one, or some combination of the two.