Crepusculo Negro is holding a small black metal festival with Absu, Demoncy, Arizmenda, Volahn, Furdidurke, and Vorde on August 12th and 14th in Los Angeles. More information is available on the festival’s Facebook event page.2 Comments
Darling writers and poor researchers at L.A. Weekly have discovered Eduardo Ramirez, composer for post-black metal band Volahn, and his use of Mayan imagery:
A large shipment of a new heavy metal album to Germany, home to one of the genre’s most rabid fan bases, isn’t exactly breaking news. But when the subject matter isn’t the typical black metal tropes of Satanism and misanthropy, but instead pays tribute to Mayan civilizations and cultures of centuries past, it’s a testament to how well Ramirez is spreading his unique vision.
While his quest is surely a good one, he’s far from the first to do this.
Black metal included nationalism among its ideals, which meant singing in your native language about your native culture, whether that was Nordic or Mayan.
Several bands, most notably Xibalba with their classic Ah Dzam Poop Ek, have written about Mayan topics. Add to that list Xolotl from Mexico. In Austin, ex-Masochism guitarist Juan Torres created Ayasoltec, an Aztec-themed metal band, almost a decade ago.
It’s great to see bands endorsing their native culture, language, religion and folkways. However, it’s not something new; it’s a part of black metal, which the mainstream media like L.A. Weekly has spent years denying exists.4 Comments