Lars Ulrich revealed his fifteen favorite heavy metal and hard rock albums to Rolling Stone magazine as part of Rolling Stone’s list of their 100 favorite metal albums.
According to The Daily Dot, 1970s heavy dark rock with metal influences band Dream Machine has been dropped by its label, Castle Face Records, for “controversial” statements regarding feminism and immigration.
We all know the score in entertainment: 90% of the people are full-tilt Left-leaning, and the remaining 10% have to hide their views until they are too big and too old to fear repercussions. A Swedish folk-rock duo named Lilou & John have launched a website, Belzebubbles, to feature Right-leaning bands who have been censored or ignored by the entertainment establishment.
The path of heavy metal is a solitary one. Most people do not like the idea of it, hate the sound of it, and look down on those who like it. It is not simplistic and mindlessly obsessive like rock, nor fancy and high-falutin’ like jazz. It seems deliberately antisocial, disruptive, violent and dark.
Underground occult metal blog Praefuscus Ferrum recently posted a piece entitled “Underground turned Funderground, and the Obscurantist Elite” proposing that what killed underground metal was widespress consumer access to new technologies such as the internet. These and the increased exposure to fans led artistically successful underground metal bands to pursue raw consumerism at the expense of writing transcendent music. D.A.R.G. points out that “the truest artists purposefully hide away from the profane eye” as the communication mediums the underground metal utilized (physical mail, tape trading, and BBSes) have been usurped by ones more accessible to laymen. He states the underground became the “funderground” in the blink of an eye as mainstream rock and pop fans who felt adventurous wanted rock and pop music with “black” and “death” “metal” production aesthetics, not actual death, black, or even heavy metal. Now the musicians actually writing novel underground metal compositions hide unbeknownst to the typical beer metaller in plain sight.
The underground is dead; the new frontier for metal music is the hidden scene. Continue reading Veganism
Continuing a proud tradition, the twelfth annual International Day Of Slayer kicks off tomorrow morning, June 6. The whole point is to blast Slayer all day long while avoiding and evading the tedious requirements of this fallen world.
Over at Clrvynt, filmographer David Hall finally notices what DMU has been saying for 22 years: that heavy metal died in 1995 or so through lack of new ideas, and has been assimilated by rock music because metal is a better product as a flavoring than a separate entity. Continue reading Metal In An Age Of Insincerity
“Nothing gold can stay,” reminds us the poet Robert Frost, and this applies to black metal. Its gold occurred between 1991 and 1994, when its progenitors innovated a new style and took it to great heights, but after Burzum – Hvis Lyset Tar Oss, it became clear that black metal was not content to be a normal, rock-style music genre.
Your elected leaders and tax dollars go toward a nanny state that wants to tell you what you cannot do simply because other people are screwing up in many ways, and if the politicians pick the easy problems instead of the hard ones, they can get re-elected because they made an appearance of doing something while doing nothing that they can actually fail at. Continue reading Tobacco Activists Launch “World Smoke Tobacco Day” To Counter “World No Tobacco Day”