As part of their continuing assault on metal and all other things masculine in order to humble them and make them into ideological servants of the Left, SJWs have been slinging verbal feces at Pestilence guitarist Patrick Mameli for using a common Dutch word in response to a jab online.
For some reason, Mameli has adopted Miami dreadlocks as his new style and, when a friend compared him to Milli Vanilli, the 1980s cheese-pop duo who were eventually busted for lip syncing their live concerts. Mameli responded with a simple statement: “Are you saying I’m black?”
Unfortunately, Facebook translated one word incorrectly. In Dutch, as in many European languages, “neger” means black person, just as “schwarze” means a dark person in German. Since Europe did not have the long history of civil rights warfare that the USA did, the connotation of certain similar words is not present, nor the stigma.
That did not stop the SJWs from rushing to arms and beginning to bleat for the removal of yet another quality band from the canon. However, in the end, SJWs have collectively never done anything one percent as impressive as Consuming Impulse, so it’s time for metal to shut them down.
Everyone in Texas knows The Woodlands because it is the future of living in Texas: instead of a gated community, make a whole gated city just outside the sprawling disaster where people can enjoy normal suburban life without the pollution, crime, filth, disorder, noise, and existential tension of the city. (more…)
A massive media blitz came about to introduce this beer to Texas. After all, it is bilingual, and it hopes to tap into the market for watery American adjunct beers that many races seem to enjoy because they are not thinking very clearly.
The battle over cigarettes for the twenty-first century has heated up. During the latter half of the twentieth century, clever MBAs figured out that they could slash corners and raise margins, and so American cigarettes went from tasty to the same place that American beer went.
We live in a modern wasteland. Crafted as a disposable society, our civilization consists of business and government, with culture and organic activities nearly entirely excluded. As those who wander this outland of foreign and alien values and behaviors, staying on top of fast food is essential.
Upon opening, this beer smells a lot like 1980s Dos Equis, namely a rich dark beer with overtones of molasses. Once decanted and tasted, however, this brew reveals quite a different flavor: like a plum-scented wine mixed with a sweet dark beer, it has a fruity undertone to a rich taste.
Anal Cunt guitarist Josh Martin, known for penning a number of outrageously offensive and theatrical songs, has passed away after falling from a mall escalator and striking his head.
Those who remember Anal Cunt for their enjoyable live shows, over-the-top lyrics, and grinding chaotic composition will find themselves familiar with Martin from his work in the composition and live performance of hits from the Anal Cunt catalogue.
We choose to remember him through his irreverent sense of humor and his work, which ranged from musical comedy to fast, grinding sonic mayhem which introduced a new generation to grindcore. A brief career retrospective follows.
Every June 6 we celebrate a day sacred to all Hessians: the International Day of Slayer on which all metalheads celebrate what it is to be a metalhead, as exemplified by the music of Slayer and the lives of its musicians, including Jeff Hanneman (1964-2013).
Slayer beats back the world of human intentions which tries to make life safe, inoffensive, commerce-friendly, popular, and full of unique precious snowflakes. Its music affirms reality, which operates through power and will, over emotions and social opinions. It denies the importance of humans.
No doubt you know how to celebrate this holiday for metal folk worldwide, but as a quick refresher:
On June 6th, Hessians worldwide come together to do something upon which we can all agree – listening to Slayer! Finally, one of the most dismissed cultural groups in the world has a holiday to call its own. Join us in our cause to stand unified in our celebration of metal music and let us prove to the rest of society that we too have a voice.
Who is Slayer
Slayer is a band from California. Their music has come to epitomize Satanic speed metal music in the latter half of the 20th century. Their 1986 album Reign in Blood ranks as one of the single most influential metal albums of all time, typified by the modern classic “Angel of Death.”
Listen to Slayer at full blast at your place of employment.
Listen to Slayer at full blast in any public place you prefer.
DO NOT use headphones! The objective of this day is for everyone within earshot to understand that it is the National Day of Slayer. National holidays in America aren’t just about celebrating; they’re about forcing it upon non-participants.
Taking that participation to a problematic level
Stage a “Slay-out.” Don’t go to work. Listen to Slayer.
Have a huge block party that clogs up a street in your neighborhood. Blast Slayer albums all evening. Get police cruisers and helicopters on the scene. Finish with a full-scale riot.
Spray paint Slayer logos on churches, synagogues, or cemeteries.
Play Slayer covers with your own band (since 99% of your riffs are stolen from Slayer anyway).
In honor of Slayer, of metal music worldwide in all ages, and of the spirit of facing reality with eyes wide open and embracing the opportunity of challenge and fear, we intend to keep this website open and celebrate the International Day of Slayer every year on June 6. Join us… welcome back!
If you are here by mistake and wondering why Slayer (you’re supposed to yell this each time you say it, like this: SLAYER!) is important, check out the Heavy Metal Frequently Asked Questions file to see how this band influenced the rise of death metal and, well, basically everything else. SLAYER!
To aid in your celebration, enjoy some links to classic Slayer releases:
I used to think of Leftism as a radical new idea that happened to be deceptive. Now I see it merely as a descent into incoherence that occurs whenever appealing to a broad social group becomes more important than accurately understanding the world.