Sadistic Metal Reviews — September 1, 2016

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Humans are by nature delusional. They overestimate their importance and demand that reality fit their simple expectations. And yet, they are very good at mastering known skills, so they are highly proficient, but void of purpose. This hollowness is the left side of the metal Bell Curve, and to separate it from the good stuff, we have Sadistic Metal Reviews!

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The Metal Mixtures

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Those of you who read our pipe smoking FAQ may have found your curiosity piqued; you may even have experimented with this strong psychoactive chemical and its benefits, especially if you absorb it through your mouth and not your lungs. At that point, you may wish for some top-notch leaf to explore.

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Wülfskol Unleashes New Punk/Metal/Rock Assault

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Metal — in any meaningful version of the word — has been dead for twenty years, but the death keeps accelerating, as if trying to achieve absolute zero of interest for people with souls. This has prompted a number of long-standing metal bands to explore hybrid genres, so they can carry on the spirit of metal in another form.

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Interview with Undead

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We recently reviewed the 2015 EP from Undead entitled Blood Enemy. This underground metal release combines the best of late 1980s speed metal with the architectural song transitions of Swedish death metal. Fortunately, the band were on hand to answer our questions about their music, approach and the art of death metal.

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Undead – Blood Enemy

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This one arrived in the mail some time ago. Apparently, it got held up in US Customs because our address is on the terrorist watch list. Looking beneath the skin, which is tasty gore-dripping old school death metal, this 7″ EP in fact owes its origins to the speed/death crossover bands of the late 1980s, sounding like a cross between Merciless and Sadistic Intent with Swedish death metal style elegant riffs concluding each song.

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Nothing Left – Demo 1999 (2016)

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Some compare this to Mortician but to these ears, it sounds more like a Cathedral, Cianide and Asphyx crossover. Where Mortician adopted slowed-down grindcore stylings to death metal, Nothing Left bring a pure grindcore approach to the type of pummeling, rhythm-driven riffing that powers Cianide or Asphyx, and adds the droning doomy feel of later doom bands like Cathedral.

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