Аспид’s (Aspid) lost early 90s technical speed metal album, Кровоизлияние (Extravasation), has been released as a pay as you go, CD-quality lossless FLAC digital download on Bandcamp by Metal Race. Prior to Metal Race’s recent CD from the original DAT tape of the mix supplied by the band that was hard to get outside of Russia, Кровоизлияние was only available on the extremely limited original LP and a horrible sounding CD from a secondary source that was slightly sped up. Listeners worldwide may now enjoy some of the best post 1980s speed metal, resembling a more progressive Destruction.
Bulldozer’s first two albums of drunken Motorhead, proto-underground metal in the style of Venom and Sodom are being repressed on vinyl from the original tapes for the first time in thirty years by F.O.A.D Records. Neither of these albums ever had good CD releases (the CDs sound like compressed needle drops) so fans of beer-fueled, 1980s first-wave black metal might want to check these out.
Article by Lance Viggiano
Well, clearly you have no idea what a GREAT musician consists of. And you have no idea who these musicians are, how much they put into their performances and recordings, and how passionate they are. Pretty outrageous review. I don’t think I’ve ever read something so angry about a group of talented musicians. I’m curious… have you ever seen them live? Have you ever met any person in Xoth? I think not. Or you would have never written this disgusting and embarrassing review. (As in you should be embarrassed for writing something so dispicable).
The commenter couldn’t mount a defense of Xoth’s artistic merits; nor did it bother to point out where the review’s criticism was actually inaccurate. It makes me think that not even the band’s defenders think the band has any point worth pointing out. As usual, the responses are simply about the character of both the reviewers and the bands. “Xoth is a good guy who likes his music, therefore his music is good!” Okay, great logic T.
Dismember announced on their Facebook page that their first official shirts in almost a decade will be available for purchase Sunday on their BigCartel store that seemingly hasn’t been made yet. The shirt design is brand new and features the cover of their 1988 Dismembered demo.
Memoriam, the new project of Karl Willets and Andy Whale from Bolt Thrower with former Benediction members Frank Healy and Scott Fairfax, have signed to Nuclear Blast Records and announced an upcoming album for early next year. Since they’re on Nuclear Blast, fans should expect a sterile production even though Andy Whale doesn’t use triggers. From Nuclear Blast’s press release:
Nuclear Blast proudly announces the signing of MEMORIAM, the death metal band founded by Karl Willetts (BOLT THROWER) and Frank Healy (BENEDICTION)!
MEMORIAM was primarily developed to fill the void that was left following the tragic death of Martin ‘Kiddie’ Kearns, the drummer from BOLT THROWER, back in September 2015. BOLT THROWER subsequently placed all activity on hold for the foreseeable future, which gave vocalist Karl Willetts an opportunity to develop a new project with friends, that had expressed interest in forming a band for some time.
Comments the band:
“The war rages on… It is with great pleasure that MEMORIAM announces that we have signed a recording contract with Nuclear Blast Records.
“Throughout our long careers, 30 years to be precise, within the music industry and specifically within the death metal scene we have witnessed the growth of Nuclear Blast Records to become the number one record company within our genre.
“When we started MEMORIAM back in January 2016 we intended just to form a band to go into the rehearsal rooms to jam out some cover versions of old classic songs that had influenced us in the past along with some cover versions from the bands we had played with over the years, and maybe eventually do a few low key gigs.
“With the introduction of Scott Fairfax into the line up all this changed, Scott has brought with him a wealth of killer riffs and new ideas which has totally changed things around from our original intentions. Very soon we decided to scrap the idea of being a covers band and to formulate our own songs using these riffs and ideas that Scott introduced to us, and from this we developed a whole load of new crushing brutal old school death metal songs which we are very proud of and can’t wait to unleash upon the world!
“When we started developing the songs we talked about the possibility of signing to a label and releasing an album, at that point we all decided that if Nuclear Blast approached us we would sign to them. This is because amongst all the labels out there none have a better relationship with the bands on their roster, none communicate better with both the bands and the fans of the music. None care as much about the music and the scene as Nuclear Blast Records.
“Nuclear Blast currently boasts the best artist roster of all the labels within the death metal genre, we are proud and honored amongst this list! 2016 is the year of MEMORIAM. Let the resistance begin…”
Markus Staiger, CEO of Nuclear Blast, adds:
“Being a lifetime fan of both BENEDICTION and BOLT THROWER, it is with great pride that I announce that the new band of Frank Healy and Karl Willets has now joined the Nuclear Blast family! Following the first news regarding the band, I have been keeping a close eye on them and was very curious to hear their material.
“Besides me, a lot of metal magazines have been in touch with the band even before they had heard a single note of music, while the band has also received many invitations to play several summer festivals. After hearing their first demo songs I was completely sold and knew that I had to get in contact with Frank and Karl to seal the deal. MEMORIAM will please all the fans of old school death metal and especially the worldwide fan base of BOLT THROWER and BENEDICTION! With bands like MEMORIAM, Nuclear Blast remains the no # 1 in extreme metal!!”
MEMORIAM maintains the standards set by their previous bands, focusing on the themes of death, loss and war. Initially, the band members got together to play covers of songs that had influenced them throughout their careers within the death metal scene. However, it soon became apparent that the new songs they had created were of a superior quality and that they needed to be heard. Currently the band is tentatively scheduled to release their debut album in early 2017 via Nuclear Blast Records.
Karl Willetts (BOLT THROWER) – vocals
Frank Healy (BENEDICTION, SACRILEGE) – bass
Andy Whale (ex-BOLT THROWER) – drums
Scott Fairfax (ex-LIFE DENIED, BENEDICTION) – guitars
The upcoming record probably won’t be as good as the prime period of Bolt Thrower’s career so enjoy For Victory!
So after much thought on behalf of Myself, Nicky T and the Fans, WE have decided we are not done. We have put too much into this. All of you that wanna slander bring it! We return with an all new line-up! \m/ that’s right!!!!!
Bestial Evil have reunited for all three people who thought that Infectious Cross was a commendable work of antifascist, genderfluid propaganda. Only three as the redheaded furry on the right wandered in drunk from the Baltimore Comic-Con thinking the Sidebar was a Chuck E. Cheese. He was disappointed that even though Bestial Evil claim to be bisexual, no band member would put on the cowsuit and reem his rectum with the cryogenic feces. Now that token black “bi-sexual” (sic) guitarist Kevin Rucker‘s two foot long, “ritual fecal phalli” are gone, how will Bestial Evil possibly attract the coprophiliac crust punks yearning for authentic black shit out of a black-skinned man?
Mediocre and uninventive Baltimore death/crust band Bestial Evil (US) has left us, according to Facebook posts by its former guitarist and token African-American, Kevin Rucker. In his final statement, he goes off on a racist and homophobic rant which ends by telling the audience to “Eat some dicks.”
Kaeck, the creators of Death Metal Underground’s 2015 Album of the Year Stormkult, are playing the upcoming Under the Black Sun festival outside of Berlin next Saturday. Kjeld are opening right before Kaeck, making a €35 Saturday only day ticket a good opportunity for German fans to catch some of the best Dutch black metal bands live while avoiding most of the beer metal, funderground festival atmosphere. Kaeck posted a rehearsal of “De kult” on their Funbook page:
Baltimore-based social justice warrior crustcore band Bestial Evil USA have finally stopped attempting to play metal music claiming “…we are done being slandered and we’re done being associated with hate shit.”
Hello to friends and fans…
Bestial Evil has ended its reign.
Thanks for the support over the years.
Bestial Evil’s reign over their graffiti and needle-ridden back alley came to an end when the chef fired them for taking too many cigarette breaks in-between busing tables. Good riddance.
Well, this is awkward…
SJW crust/death band Bestial Evil (USA) has made a quasi-career by advancing “social justice” ideas at the expense of the death metal genre. But now it comes out that their guitarist quit because their drummer was involved with a right-wing group, at least until he gave it up to rejoin the band which just released their mediocre debut Infectious Cross.
The band has attracted the ire of fellow SJW/ANTIFA groups who object to the presence of the drummer in an organization which is not Leftist and may have ties to the far right:
Phillips, however has been deeply associated with not just the Wolves but with other area neo-fascist groups. Earlier this year, another band he plays with, an Irish folk band called ShamRouges performed at the annual St. Patrick’s Day event sponsored by Baltimore-based Label 56, a White Power distribution outlet run by members of the Maryland “Skinheads”. Phillips also plays with another metal band called Vørgum, who last year released a live album of them performing at the Wolves of Vinland compound. He reportedly still performs with the band today under the name “Ulfhamr”.
Phillips told One People’s Project that had been involved with the Wolves for three years, getting into them through mutual interests in music, physical regiment and people being different and living on the outside rejecting technology and other things that would be seen as distractions. He said there were a number of people involved that had far right leanings but they never brought those ideals into any group meetings. Overall, he says the group focused moreso on other things that politics. “Those guys, they had an impact on me,” he said. “It was what it was but there’s other people in my life like my band that I have to stick up for and protect and I can’t be associated with stuff like that anymore.”
With the loss of token minority member Kevin Rucker, Bestial Evil stands revealed as four white guys who want to play pseudo-deathmetal with an SJW message and attract an audience on that basis and not for musical reasons alone, but with their SJW cred in doubt, Bestial Evil faces an uphill battle since their music is unexceptional and also not that interesting.