Rigor Mortis live in Houston

You know these guys: they basically invented the fast melodic style of metal that bands from Mayhem to At the Gates borrowed and developed to great effect. Do you love ripping metal? Want to die weltering in blood? Hope that immense battle, horrible suffering, apocalypse and desecration appeared right before that? Then you’re all for it. Rigor Mortis live tomorrow night.

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Winterwolf – Cycle of the Werewolf

I like this album, after having had it for two years and kicked it around during that time. I am constantly suspicious of those who resurrect the sound of the past; however, in this case, the band develops its own voice, although to make a quality 2nd album it will have to do so even more thoroughly. In addition, this gives you the rush of old school Swedish/Finnish death buzzsaw guitars and promise of doom.

Post everywhere! This band deserves your support.

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VOIVOD demo to be released on CD/LP

From MNN:

Canadian metal innovators VOIVOD will release their original demo tape from 1984. Entitled “To the Death 84”, the set will include material that was recorded in the band’s Quebec jam space in January 1984. The lineup for this record includes Snake (Denis Bélanger) on vocals, Piggy (Denis D’Amour) on guitar, Blacky (Jean-Yves Thériault) on bass and Away (Michel Langevin) on drums.

In addition to material that would later appear on the band’s “War And Pain” debut, this collection includes several other early VOIVOD offerings, as well as covers of MERCYFUL FATE and VENOM.

“To The Death 1984” will be released on November 22 as a CD or double LP via Alternative Tentacles.

The track listing is as follows:

01. Voivod
02. Condemned To The Gallows
03. Hell Driver
04. Live For Violence
05. War And Pain
06. Incantation
07. Buried Alive / Suck Your Bone
08. Blower
09. Slaughter In A Grave
10. Nuclear War
11. Black City
12. Iron Gang
13. Evil
14. Bursting Out
15. Warriors Of Ice

My inner metal nerd gets excited for this.

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The proof and the expiation

Grunge is indie rock — look at the years:

In fact, grunge’s roots can be traced back to the 1980s, if not further.

“Deep Six,” the 1986 compilation on Seattle label C/Z Records, is recognized as the first record to document this burgeoning regional sound. It featured a half-dozen local bands: Soundgarden, Green River, the Melvins, Malfunkshun, the U-Men and Skin Yard.

The Melvins, who have essentially never stopped touring or recording with 20 studio albums to their name, were friends and mentors to Nirvana’s Cobain and Krist Novoselic, who hailed from the same rural part of Washington state. As Novoselic once said of the sway Melvins frontman Buzz Osborne held over him: “Buzz was the preacher, and his gospel was punk rock.” The Melvins sonic influence on Nirvana’s first album is unmistakable. – CNN

Punk gave rise to post-punk and then emo (Fugazi).

At the same time, indie rock arose: part punk, part folk, part 60s revivalism (Pink Floyd, 13th Floor Elevators, etc.)

Their goal: to reduce angry punk and metal to humanist, sociable, feelings-oriented music.

With Nirvana, then Opeth, then modern metal, they succeeded.

KILL

(Also see Faux culture.)

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Asphyx finalizing “Deathhammer”

Following up on the extreme success of their latest studio album release “Death…The Brutal Way” and its “Live Death Doom” DVD/Live-CD successor, Dutch Doom Death Metal legends ASPHYX are currently busy with the final recordings for their newest studio effort, programmatically entitled “Deathhammer”.

The band checked in with the following status report about the new album:

“By now, all the guitars, drums and bass tracks for the upcoming “Deathhammer” album are recorded. Drums were recorded in the classic Harrow Studio, known from the ASPHYX classics as “The Rack” and “Last One On Earth”. The guitars and bass were recorded in The Mörser Studio. In a few weeks the vocals will be recorded in the Harrow Studio as well and then Dan Swanö will do the album’s mixing and mastering, just as on “Death…The Brutal Way” and “Live Death Doom”.

“Deathhammer” promises to be a darkened successor of “Death…The Brutal Way”. Almost every band is praising their newest album to be heavier and more brutal than the previous one, but actually in this case it’s the harsh truth. “Deathhammer” is in every way heavier, doomier and darker. Maybe it’s because of the fact that most of the songs were written in late Autumn/Winter?! We do not know…but it’s easily our heaviest effort so far!”.

“Deathhammer” is scheduled to be released via Century Media Records in early 2012.

For the rest of this year, ASPHYX will be playing a string of quality shows in Europe, including an appearance at this weekend’s underground institution NRW Deathfest on Saturday, September 17th, 2011 at AJZ Bahndamm in Wermelskirchen, Germany. Additionally, ASPHYX have chose to perform two very special “full album setlist” concerts on October 15th at Metropool in Hengelo, The Netherlands (where the band will be playing their complete “Last One On Earth” album) and at this year’s Eindhoven Metal Meeting on December 16th at Effenaar in Eindhoven, The Netherlands (where the band will be playing their complete “The Rack” album for its 20th anniversary of release). Do not miss these truly special events…

Upcoming ASPHYX live shows in 2011:

17.09.2011 NRW Deathfest – Wermelskirchen (Germany)
23.09.2011 Vera – Groningen (The Netherlands)
24.09.2011 Salzmann Factory – Kassel (Germany)
01.10.2011 Skullcrushers – Dresden (Germany)
15.10.2011 Metropool – Hengelo (The Netherlands) * Special “Last One On Earth” show!
12.11.2011 Stromgitarrenfest Vol. 2 / H.O.F. 23 – Berlin (Germany)
10.12.2011 Madrid In The Dark Festival – Madrid (Spain)
16.12.2011 Eindhoven Metal Meeting – Eindhoven (The Netherlands) * Special 20 years “The Rack” show!

www.facebook.com/officialasphyx
www.asphyx.nl

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How to give your old shirts an afterlife

Time to learn to quilt:

A San Francisco artist who goes by the name Ben Venom has come up with an unusual use for those old heavy metal shirts — he sews them into quilts.

And the results are on exhibit in galleries in the Bay Area and Birmingham, England.

Venom says his concert T’s were logical materials because “they’ve been lying around my closet for years. Like my Testament shirt was completely threadbare; you could see my nipples through it,” he says, “It’s not very heavy metal to wear that out in public.” – NPR

It’s a good idea. When a tshirt is too worn thin to wear, make it into a quilt and gift a family member with it. Guilt works.

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Mainstream Resistance on September 13, 2011

Autonomy – Post Incubation Perios
Braced For Nails – I The Obscenity
Iniquitous – I Abomination
Mourning – Dark Autumn
Vaginal Bear Trap – From Parts Unknown
Diamanthian – Bound By Chains Of Purgatory
Blast Perversion – Stabbed By A Stripper
Disfigured – Cadaver Meatballs
Dismemberment – Undefined
Severence – Marred Souls
Grotesque Formation – Basement Decompositions
Engaged In Mutilating – Engaged In Self Mutilating Behavior
Ingurgitate – I Have Created
Diminished – Obsessed By Tyranny
Funeral Rites – Lucifers Triumphant March

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What do the critics say?

I’ve never heard this band, and this post is about critics, not the band:

ABHOR’s masterful (and MORIBUND debut) “Ab Luna Lucenti, Ab Noctua Protecti” is released! and lately, it’s been slaying the critics worldwide, as these snippets are testament to:

•“Abhor seem to want to transcend, and judging by the quality of the songwriting, musicianship, and esoteric hymns found here, they have succeeded” – Zero Tolerance [5/6 rating]

•“The two different elements, raw and symphonic, combine very well…intersects nicely with moments of despair and melancholy” – About.com

•“Packs in enough weird character to make this well worth the time of occult metal voyagers” – MetalReviews.com [8/10 rating]

•“A pretty successful effort, and an enjoyable and accessible listen” – Eternal-Terror.com [4/6 rating]

•“An epic release and could end up making my top ten list at the end of the year” – Wickedchannel.com

•“So different and a refreshing change from either the full-on symphonic or grim black metal you get most of the time” – Absolute Zero Media webzine

Yes, they rave about everything.

And yet… and yet there’s a lack of real substance.

What can we learn about The Critics?

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