Dimmu Borgir – Eonian 2018

Dimmu Borgir are through and through, the most popular and most successful Norwegian metal band.  They are also #2 in bands that were at one point in their career black metal (falling just behind Cradle of Filth).  Since 1993, Shagrath and Silonez have clawed and breathed fire and went through dozens of musicians- some very well known- and marketed themselves as the “evil fantasy/RPG villian” better than any other band.  The brand, however obscure and seemingly non-conformist, resonated with millions as it’s two core musicians have turned their Hollywood Satanism gimmick into a big moneymaker for Nuclear Blast Records.
(more…)

9 Comments

Tags: , , , , , , , , , , , , , , ,

Watain – Trident Wolf Eclipse (2018)

Grammy-award wining artist Watain has shamelessly assumed the mantle of “most embarrassing band masquerading as black metal” previously shared by Dimmu Borgir and Cradle of Filth. Where the downfall of those two bands was an overdose of gothic and groove influences, Watain has managed to outdo both in both parody and bastardization of black metal with their previous album’s venture into country musical territory.  With a career built on celebrity guest spots from more capable underground metal musicians, necrophiliac 1st era Bathory Worship mixed with a second rate attempt to mimic Dissection’s concluding album, and a ridiculously cartoonist theatrical performance worthy of a Broadway musical, Watain’s legacy has been secured to forever be “the band that bent over farthest to inherit the phallus of commercialization the deepest” and has effectively decimated any hope of legitimacy the sub genre might have had in the post-90s.  With a brash new attestation in the form of Trident Wolf Apocalypse the truth could not possibly be more clear to any listener with knowledge of black and death metal: Watain are the biggest joke in all of black metal history.

(more…)

14 Comments

Tags: , , , , , , , , , , , , , , , , , , ,