As the world continues to worship 1960s anti-heroes who lived egotistic lives while hiding behing altruism, the wisdom of Mark David Chapman continues to resonate long after he shot ex-Beatle John Lennon to death outside the Dakota in New York City.68 Comments
We know that hipsters served as the implement of tearing down metal because once you infiltrate a genre with consciously inauthentic people, it becomes easy to separate aesthetic from its cause, and therefore you make the genre into wallpaper that you can apply to any template, especially the rock/pop variety.10 Comments
Guest article by Eugene Stryker
The PC witch-hunt of the Leftist Indie/Mallcore Mafia continues ever on in its plaguing of the Metal scene throughout the 2010’s. No longer content to pillory some of the most vicious and well-respected acts in the Black Metal genre, the latest victim of character assassination and social media hysteria is none other than former Agalloch leader John Haughm.70 Comments
Tags: aesop dekker, Agalloch, anti-semitism, antifa, Betrayal, Black Metal, bruno ganz, don anderson, drama, facebook, hipster black metal, hipsters, hitler, hypocrisy, jason walton, john haughm, judenbook, metalgate, MetalSucks, pillorian, political correctness, portland, post-rock, privacy violation, social media, stephen parker, threats of violence, trevor matthews, uada, virtue signalling
Last month we ran the first of a two part series on flavor of the week metal subgenres, focusing soley on black metal. The plan was to release a second edition a week later, but the Tulio Baars DDOS attacks prevented that from happening. That is, until now…
Tags: death metal, deathcore, despised icon, flavor of the week, gut, Hate Eternal, hipsters, in flames, Job for a Cowboy, leaf metal, losers in life, Melodic Death Metal, nu death, nu-metal, sadistic metal reviews, scene kids, slammin gore, smr, trends, white trash, wiggercore
The ability to spot flavor of the week(/weak) trends in metal is a key element of elitism and will save you a load of embarrassment further down the road. Both death metal and black metal have seen their share of torrid but temporary trends in the form of herd pleasing bastardizations that quickly spike in popularity and then evaporate from relevancy as their fans move on to something even worse (usually after a period of denial and/or clinging to a safe intermediary genre). Crowdism is for losers but it’s heavily pushed in the metal scene and thus one must stay sharp to avoid it’s pitfalls.
Therefore in the interest of providing you, the reader, with the knowledge of how to identify and properly dismantle future flavor of the week trends as they appear, this two part series SMR series will focus on a trend, a selected album from that defines it’s failings, and the worst offenders for each of these forgettable movements. This week, we will focus on black metal’s most embarrassing waves of herd-fandom and sadistically dissect their unfortunate rise and much needed fall.17 Comments
Tags: Black Metal, black witchery, cradle of filth, deafheaven, depressive suicidal black metal, dsbm, flavor of the week, gothic black metal, hipsters, I'm in a Coffin, Industrial Black Metal, mallcore, post-black metal, sadistic metal reviews, smr, The Kovenant, trends, War Metal
Of all of the bands and all of the musicians that have come out of retirement in attempt to cash in on their past, Judas Iscariot’s Akhenetan (Andrew Harris) has been one rare exception who has truly vanished into the depths of obscurity for good. (more…)9 Comments
In post black metal, we saw riffs being declared null and void in favor of atmosphere. Gone were the melodic harmonies of Iron Maiden and Dissection, the savage atonal decimation of Morbid Angel and Blasphemy, and the memorable rhythm and lead guitarwork of Slayer and Death. All this came in favor of completely forgettable riffs and songs in favor of an overall spacey “transcendental” experience. Aesthetically, post metal was the reflection of progressive societal values of the 2010s- the emassculation of men (all musicians were Nu Males), artwork made by douche bag art degree scumbags that live in ghettos, and tame, timid, “spiritual but not religious” lyrics that had not a shred of aggression or danger.
It didn’t have to be like this. There could have been ways for bands to experiment with post rock/shoegaze elements and still maintain the foundation of a metal presentation, maintain metal aesthetics, and have attitude or edge. But not a single band- NOT A SINGLE ONE- was capable of doing so, proving that the accusations of these bands/musicians not being metal were to be fully valid and accurate.
This is the absolute end of post black metal before it circles the drain of a shit-stained toilet and is flushed to the bowels of irrelevancy. A finally eulogy to a genre that never should have happened. The musicians will bleed out their parents money and then become homeless, get aids from a bad batch of heroin, and die a miserable death in an alleyway gutter where they should have been left to rot at birth.20 Comments
Tags: Agalloch, Alcest, Blink-182, Caina, deafheaven, failed careers, failure, hipsters, Krallice, krieg, metal-archives, nu males, pop punk, post-black metal, sadistic metal reviews, screamo, smr, soy metal, soyboys, terrible music
[Join DMU editor Brock Dorsey on the first of a two part massacre of the soy metal sub genre that has bastaradized black metal beyond the belief! Also, this image is an actual cover from an actual post black metal album- you can’t make this stuff up!]
Post black metal was an embarrassing sub genre of soy metal. Built upon a foundation of either screamo, pop punk, metalcore, math rock, shoegaze, or avant-garde and fused with the most minimal touches of black metal, post black metal was a flavor of the week(/weak) trend that lasted from around 2009 to 2014. The genre name is misleading, however, as most bands only claimed to be metal and incorporated only slight touches of metal characteristics before abandoning them completely in future releases. As indicated by its core standard bearers being dropped by labels, performing terribly in sales and Facebook likes, and being forgotten by fans, post black metal has finally passed away. As we lay it to rest with one final cremation in the SMR fashion, let us learn from its failings as the future looks to more traditional forms of heavy metal to restore a once proud genre.
First, we must understand metal history to understand how such an abomination could happen, as Post-black metal followed a number of flavor of the week black metal trends and bands. The first of these, symphonic black metal, sent many fans of the original (true) black metal genre into a frenzy with their incorporation of gothic influences. What was to come would be much worse, however, as the soy metal bands marketed as black metal would prove to be far more embarrassing than the Victorian campiness of Cradle of Filth or the industrial meddling of …And Oceans. The next flavor of the week black metal trend was cleverly concealed in a cloak of static, but the hipsterisms of “depressive black metal” would soon be known to the world. Time was not kind to the legacy of Xasthur and Leviathan, both of whom are now widely panned against the metal community, as where the thousands of “bedroom black metal” clones who polluted Myspace. With many short lived flavor of the week trends (such as “Norsecore” and “Cascadian black metal”) and bands (Kult ov Azazel, Inquisition) in between, the soy metal- black metal hybird that was post black metal was the next successful marketing scheme to deceive young and retarded metal fans alike.
Performed mostly by wealthy but useless trust fund kinds from liberal cities, post black metal was to metal as emo was to rock music: feminine, tame, and a complete and utter bastardazation. Thus, post metal was eventually abandoned by its former fans, spat on by the metal community, dropped by metal/rock record labels, and remembered poorly by music lovers. Much like how the rent some of its musicians was eventually cut off from their parent’s bank roll, post metal was eventually told to stop leaching off the metal community so that the genre may maintain a shred of dignity.
Brace yourselves for an infernal evisceration unlike aynthing you’ve ever seen before, because in this edition of SMR, we won’t just be sadistically reviewing albums…
…we’ll be sadistically reviewing careers.
Tags: altar of plagues, archgoat, art rock, Black Metal, burzum, cradle of filth, drone, drugs, dsbm, ghost bath, hipsters, Hunter Hunt Hendrix, Leviathan, liturgy, magazine, metal, metal-archives, nuclear blast, post-black metal, post-rock, sadistic metal reviews, screamo, smr, soy metal, trust fund kids, vice, wolves in the throne room, xasthur
Another scandal! Yes folks, for the fourth time in the past two or three weeks, hipster journalists and fake metal fans are shocked and appalled that a black metal musician has done something immoral. Despite black metal being a music genre for 30 years, smelly neckbeard losers and dreadlocked trust fund crusties are figuratively (though literally in some cases) throwing their own feces every time they catch a mid-tier black metal musician doing something not socially acceptable. This time, the horrific act came from Marduk, whose purchasing of German World War II merchandise from a sketchy online retailer made them too evil for a fest called Stockholm Slaughter (who apparently think slaughter is cool, but just not when it pertains to 1940s Europe).
Because millennials are too dumb to learn any history that doesn’t involve student loans, let’s quickly look back and see if any criminal or immoral things were done by the original black metal bands. Maybe there’s something that we can learn from that fateful 1990s Norwegian scene:
Band Criminal/Immoral Act
Burzum Murder, violating parole with a shitload of explosives, arson, Nazism, white supremacy
Emperor Hate crime murder of a homosexual, arson
Gorgoroth Rape, battery and torture, violation of Poland’s animal rights laws, homosexuality
Mayhem Murder, 2nd degree murder, arson, public mutilation, trashing hotels
Satyricon Rape, arson, rape
Thorns 2nd degree murder
I’m sorry to break this to everyone living in a liberal bubble, but a painfully obvious truth exists: black metal musicians are bad men.90 Comments
Tags: antifa, arson, bad hombres, Black Metal, burzum, crime, Deus Vult, dimmu borgir, emperor, future of metal, hipsters, immortal, Inquisition, live music, marduk, mayhem, murder, Nazism, norway, Norwegian Black Metal, rape, satyricon, sjws, Taake, Templar, Thorns, watain
For years, Nuclear War Now!’s forum has been the haven for life dropout D&D neckbeards searching for some form of friendship and community. But according to website tracking metrics, the site has seen a massive decline in it’s traffic over the past 6 months. While viewership of metal sites can rise and fall unpredictably on metal sites, the above statistic should frighten anyone who cares about keeping their site relevant. Sites with active forums should be doing much better than your the average blog-style metal site, so the numbers above show an unforgivable descent into irrelevancy.
But given that the site is predominantly frequented by war metal fans that have no regard for actual music, the crash in interest also proves something far bigger: war metal, as a sub genre, is in its last days.57 Comments