Gore, horror, and revenge cinema converge on a single idea: the ability of the normal protagonist to snap out of the sleepwalk of civilization, recognize a problem beyond which socially-mediated language can address, and overcome moral qualms in order to address it with absolute certainty. Rambo: Last Blood comes straight from the middle of this genre.
Tags: cinema, rambo, sylvester stallone
La Nouvelle Vague (French New Wave) took the world by surprise in the late 1950s with its defiance of what was referred to as Cinéma de Papa (fatherly cinema). The innovations in both technique and narration changed the face of cinema. The “New French Extreme” appeared in the early 2000s and like La Nouvelle Vague challenged the notion of French cinema that revolved around ideas and relegated the body to a metaphor for an idea. The body was now the central theme and fantasy that was once avoided was now openly embraced. All this is shown through acts of incredible violence and sexual debauchery. Irréversible is one of the more popular films of the movement and is commonly referred to as “the most shocking movie of all time”.
Tags: cinema, Gaspar Noé, Horror, Irréversible, new french extremism
article by Belisario
There are many movies that portray heavy metal, but the ones addressing extreme metal could be counted on the fingers of one hand, and all of them are rather recent. In such a mainstream format as cinema, it is no wonder why extreme metal has remained largely out of radar, although it has to be pointed out that the treatment received by more conventional heavy metal has actually never been really thorough. Since the popularity peak of the genre in the late 70s, almost all its appearances on the big screen have portrayed a musical genre essentially grounded in rock music, with no clear differences discernible between both fields. That is the case of Wayne’s World (1992), Airheads (1994) or, for those familiar with Spanish cinema, the two parts of the Isi/Disi saga, Amor a lo bestia (2004) and Alto voltaje (2006). All of them share a stereotyped and humorous vision, which on the other hand always eschews any disquisition of the music itself or its fans.
Tags: cinema, heavy trip, lords of chaos, metal movies, metalhead, pop redemption
One genre which often attracts the admiration of Metal musicians is Electronica. When musicians from Germany, France and elsewhere began experimenting in the third quarter of the 20th century with various newfound technologies in order to create monumental landscapes of synthetic psychedelia with cosmic scope, the uncanny wave of influence unexpectedly resulted in the arising of everything from the modern club scene to many of your favourite Black Metal bands.
Tags: 1960s, 1970s, 1980s, Ambient, ash ra tempel, ashra, brian eno, canada, cinema, classical music, conrad schnitzler, Cosmic, drugs, edgar froese, electronic, electronic music, electronica, film, film score, france, futuristic, germany, greece, jean-michel jarre, keyboards, Klaus Schulze, kraftwerk, krautrock, manuel gottsching, michael hoeing, michael stearns, progressive rock, Romanticism, science fiction, sinoia caves, Soundtracks, space, steve roach, surrealism, synth, synthesizers, synthpop, tangerine dream, terry riley, UK, USA