Khand to release two new upcoming works


Necrotic dungeon synth/cosmic ambient band Khand plans to release two upcoming albums. The band issued the following statement:

This hasn’t been announced yet, but there will be two albums released right around the same time: the aforementioned space/Mars concept album, and also one with Medieval/Fantasy elements. I have been working on both at the same time; recording the Mars album slowed down as I had to purchase some new equipment and and a new rig. But alas, I hope to have both of them out soon. As always, thanks for the support. There are still cassettes available as well, please contact me here if you would like some.
Album arts and/or newer track to be released soon.

How to get into black metal


An experienced music listener who is new to black metal asked for a doorway into the genre. This raises the question of how to appreciate black metal, which like most things in life is mostly mental preparation. Without context, black metal seems like any other loud genre, and it becomes harder to distinguish the newer tryhard junk from the original.

The best way to gain context is to walk through the history of the genre from oldest to newest. This approach, common in art, literature and philosophy, allows people to see what developed from what and what the reasoning for that was and therefore, what the reasoning is behind what is here now.

The result of this query was a simple list to urge people to explore this genre further. This list originates in the history of black metal music, but also in influences that can be identified among the bands as immediately relevant. Toward the end it extends more into general conjecture based on what shows up later in highly different form among the black metal works of relevance listed above it.

I. Proto- Metal

  1. Bathory – The Return
  2. Slayer – Hell Awaits
  3. Hellhammer – Apocalyptic Raids
  4. Sodom – Persecution Mania

II. Interim

  1. Sarcofago – INRI
  2. Merciless – The Awakening
  3. Blasphemy – Fallen Angel of Doom
  4. Von – Satanic Blood

III. Black metal

  1. Immortal – Diabolical Full Moon Mysticism
  2. Mayhem – De Mysteriis Dom Sathanas
  3. Burzum – Burzum/Aske
  4. Emperor/Enslaved – Split
  5. Darkthrone – Under a Funeral Moon
  6. Beherit – Drawing Down the Moon
  7. Varathron – His Majesty in the Swamp
  8. Havohej – Dethrone the Son of God
  9. Impaled Nazarene – Ugra-Karma
  10. Samael – Worship Him

IV. Second Wave

  1. Gorgoroth – Antichrist
  2. Graveland – The Celtic Winter
  3. Ancient – Svartalvheim
  4. Sacramentum – Far Away From the Sun
  5. Ildjarn – Forest Poetry
  6. Summoning – Dol Guldur
  7. Zyklon-B – Blood Must Be Shed
  8. Gehenna – First Spell
  9. Behemoth – From the Pagan Vastlands

V. Extended Contemporary

  1. Demoncy – Joined in Darkness
  2. Sammath – Godless Arrogance
  3. Mutiilation – Remains of a Ruined, Cursed, Dead Soul
  4. Absurd – Asgardsrei

For immediate death metal background to black metal:

  1. At the Gates – The Red in the Sky is Ours
  2. Carnage – Dark Recollections
  3. Godflesh – Streetcleaner

For heavy metal background to black metal:

  1. Mercyful Fate – Don’t Break the Oath
  2. Venom – Possessed
  3. Angel Witch – Angel Witch
  4. Destruction/Tormentor – Demos

For hardcore punk background to all metal:

  1. Discharge – Hear Nothing See Nothing Say Nothing
  2. Amebix – No Sanctuary
  3. The Exploited – Death Before Dishonour
  4. Cro-Mags – Age of Quarrel

For electronic music background to underground metal:

  1. Kraftwerk – Trans-Europe Express
  2. Tangerine Dream – Phaedra

For progressive rock background to metal:

  1. King Crimson – In the Court of the Crimson King
  2. Yes – Tales from Topographic Oceans
  3. Camel – Camel
  4. Greenslade – Greenslade

For classical background to metal:

  1. Anton Bruckner – Symphony No. 4
  2. Richard Wagner – Tannhäuser
  3. Franz Schubert – Unfinished Symphony
  4. Mozart – Symphony 41
  5. Haydn – Symphony 82
  6. Bach – Partita No. 5 in G major

Khand – The Fires of Celestial Ardour released on tape


The crossover between metal and keyboard music is vast and well-documented to the point that the well-dressed death metal site simply ignores instrumentation and picks the keyboard bands that sound as evil and nihilistic as death metal. Whether that’s works by Neptune Towers, Beherit, Jaaportit, Goatcraft, Burzum or Danzig, evil metal has crossed over to occult keyboards.

Another entry into this world is Khand, made by lifelong metalhead and now synthesizer jockey Arillius. Describing his music as “cosmic ambient,” which overlaps with black ambient and dark ambient and neoclassical, Arillius started Khand back in 1998. Influenced by medieval, space and fantasy themes, Khand’s demo “Interstellar Dominions” was released in 2006 and immediately attracted an unusual but dedicated audience. Seven years later, Khand released The Fires of Celestial Ardour which is now available on tape for those who wish to order it.

The Fires of Celestial Ardour shows Khand having refined its style and narrowed its focus, which enables the band to train its resources on a certain type of deep space exploration sound. For those who want to experiment, the album is available as a free download from hi.arc.tow records.