Upcoming War Master Anthology

war master compilation

Japanese label Obliteration Records is releasing a War Master anthology CD consisting of both the debut Pyramids of the Necropolis LP and the Blood Dawn EP, along with a slew of bonus tracks from demo tapes and splits. The Houston, Texas throwers of bolts are one of the better modern death metal bands and a perennial on Death Metal Underground’s best of lists. This release will be an easy way for Hessians in Asia to obtain the band’s material on a physical format.

For all Death heaz in Japan,
Finally, Bolt Death Metal WAR MASTER attack in Japan!
They will change battlefield here and take no prisoners!
Are you ready to die??

Obliteration records proudly release their Blood Dawn EP + 1st album and bonus trax on CD format.
Limited of 500 copies in Asian coutry only.
First sale on their Japan tour in May.

Join us.
May the Metal be with you

Listen to War Master and “Sever the head that does not bang!” on their Bandcamp page.

Carcass Announce 2016 North American Tour

Carcass doctors

Carcass have been touring almost-nonstop since reuniting and releasing their phoned-into-ProTools excuse to tour, Surgical SteelRight after supporting Slayer, they have announced yet another set of dates. Despite the mainstream metal openers, this “One Foot in the Grave 2016” might be worth worth checking for grindcore and death metal die hards as Carcass play material from all periods of their career when headlining.

Following a successful assault on our shores alongside label mates SLAYER and TESTAMENT, disinterred British metal icons CARCASS, will return to North America for a headlining tour this summer.! Joining them are southern metal heavy weights CROWBAR, horror thrashers GHOUL, and Los Angeles based metal act NIGHT DEMON.

“One Foot In The Grave 2016”
CARCASS, CROWBAR, GHOUL, NIGHT DEMON

07/16/16 Chicago, IL – Chicago Open Air Festival
07/17/16 Lawrence, KS – Granada Theater
07/19/16 Denver, CO – Bluebird Theatre
07/20/16 Salt Lake City, UT – The Complex
07/22/16 Sacramento, CA – Ace Of Spades
07/23/16 Santa Ana, CA – The Observatory
07/24/16 Los Angeles, CA – The Roxy Theater
07/25/16 Phoenix, AZ – Club Red
07/26/16 El Paso, TX – Tricky Falls
07/27/16 Albuquerque, NM – Sunshine Theater
07/29/16 Memphis, TN – New Daisy Theatre
07/30/16 Louisville, KY – Mercury Ballroom
07/31/16 Columbus, OH – Park Street Saloon
08/01/16 Baltimore, MD – Baltimore Sound Stage
08/02/16 Richmond, VA – Broadberry
08/03/16 Philadelphia, PA – Underground Arts
08/04/16 New York, NY – Gramercy Theatre
08/05/16 New Haven, CT – Toad’s Place
08/06/16 Montreal, QC – Heavy MTL Festival (Carcass only)

Keep in mind that Carcass are still entertaining when shitfaced:

Liers in Wait – Spiritually Uncontrolled Art (1992)

liers in wait spiritually uncontrolled art og cover

Article by Lance Viggiano

Liers In Wait cast chains of non-random riffs in the legato style of metal pioneered by Morbid Angel to no effective artistic purpose. Spiritually Uncontrolled Art comprised of rationally woven re-contextualization of familiar death metal patterns which never manage to take on a distinct character as individual tracks. The album as a whole doesn’t begin to approach a definable emotive personality because the subject of this work is the personality of the composer: a master of phrasing with an encyclopedic knowledge of metal so adept in his craft that self-editing would diminish the efficacy of his work. These streams of coherent yet cold consciousness are hewn to Necrolord’s own sense of bravado; made concrete by a vocal delivery that proffers dominance rather than dread.

This is neither music for music’s sake nor music for the sake of expressing a transcendental idea. It is entirely about the composer’s ability to write coherent music out of the first thing that comes to mind – a mind that is very much a wellspring. In some ways this album is analogous to Eighties shred which existed as a pure demonstration of superiority over its contemporaries by parasitizing familiar content that was then latticed to the listener through overly sentimental melodic hooks. Antithetically, Necrolord eschews hooks entirely as they would constitute breaks and disruptions in the stream by deploying recognizable moments and thereby give the impression of emphasizing the better material, and consequently highlighting the lesser ideas of which there are none to be found. Conceptually this seizes the middle ground between tuneless noise and the summa cum laude of ten-mile-long cock rock.

Lasting impressions, significance and meaning is for the sensitive feminine types, not the fucking overlord. In this sense, Liers in Wait is a resounding success. Those lamenting the fact that this music does not “Do something” gravely miss its point.

Upcoming Miasma – Changes Reissue

miasma changes reissue

Miasma’s Changes is being reissued on CD and LP by Rotten Relics Records. This pressing of the long out of print and compositionally coherent caveman death metal classic is the first with the original sound since the original Lethal Records one from 1992.  It is being done with the approval of all band members, who contributed comprehensive art, photos, lyrics, and liner notes. Rotten Relics says T-shirts will be available too and warns that a Brazilian reissue intended for the South American market only (yeah right) without authorization of the band and probably without the original master is scheduled for release at the same time so watch out.

Listeners may stay informed on Rotten Relics’ Facebook page.

 

Sadistic Metal Reviews: Sunday Funday!

gargoyle shitting 2

Today’s F-grade death metal is brought to you by Corey M.

Mortuary-cover-artwork
Mortuary – Nothingless than Nothingless (2016)
The opening track is made up of the same chords for two and a half minutes. That the drummer can play five different beats over the chord progressions illustrates the pointlessness of the progression. This happens with most of the progressions in any given song – the drum beat is switched up in middle of the passage. Why does the band even bother writing these progressions if they’re so boring that not even the band wants to hear them played with the same beat for four cycles straight? This is the kind of “metal” that fans of modern “hardcore” get into. I can practically hear the PETA stickers and Vans shoes. You needn’t listen long to hear the influences – Pantera, Rob Zombie, and various Warped Tour-tier metalcore. At least Mortuary spared us any ironic rap verses or shout-outs.

 

Phobocosm - Bringer of Drought high res
Phobocosm – Bringer of Drought (2016)
Though it was easy to feel optimistic about Phobocosm’s future based on 2014’s Deprived (which this author still recommends – C.M.), it’s now time to give up on the band. Bringer of Drought shows Phobocosm embracing the Deathspell Omegacore post-modern metal virus, complete with songs of absurdly excessive length, mind-numbing guitar drones, artsy-fartsy dissonant chords that ring and grate, and minimal blasting-riffing which is the one part (all of about two minutes) that still sounds like death metal. The term “sellout” is severe and reserved for dire circumstances, but in this case it applies; Phobocosm has abandoned their obscure malevolence and Immolation-style warped riffcraft in favor of inoffensive but “deep”-sounding D-grade post-rock (see also: Adversarial). People who hate metal are the target audience.

 

ferium behind the black eyes
Ferium – Behind the Black Eyes (2016)
Extremely repititous, faux-angry-man vocals set to white-boy groove-metal rhythms. Choppy, math-rock-wannabe drum beats. Guitars that barely even play melodies, just semi-random notes on whatever beats the drummer somehow decides to play. My guess is that he is using a random number generator, or maybe a set of dice, to decide the rhythm. One cringe-inducing track made up of three piano chords and a whining voice repeating “She feels like home”. Mix all these ingredients in a big rusty pot, heat over an open flame til melted to a liquid, apply liberally to your (or a consenting partner’s) scrotum, and then revel in searing agony. Recommended for fans of being raped.

 

nilexistence cover
NilExistence – Existence in Revelation (2016)
Terrible band name, terrible title, and terrible art aside, this is some tastefully brutal blasting with skillful musicianship and some evocative riffing. The vocals quickly become overbearing, which is a shame, since the intriguing Morbid Angel-style riffs sway to and fro, one moment up-close and vicious like a buzzsaw held to your face, the next distant and vast like a yawning cavern begging to swallow you whole. As usual with bands that try this, NilExistence trip on their own artillery by crashing together too many dissimilar riffs, like pages of a book shredded and then glued back together at random. These songs lack focus and therefore lack identity but something good may come out of these guys if they stay true to their influences and reign in the random deviations.

 

hemotoxin cover
Hemotoxin – Biological Enslavement (2016)
Human-era Death worship by competent musicians with a keen sense of exactly how much melodic variance per riff it takes to keep a listener’s attention from wandering. This could be a strength rather than a handicap but the riffs aren’t related through anything other than temporal closeness. The feeling of each song jumps from here to there with little rhyme or reason. Slow, chugging sections interrupt tremolo-picked blasting segments, then vice-versa. Occasionally, a tasty guitar lead explodes out of nowhere and then vanishes without so much as a trace of smoke, leaving us longing and dissatisfied. Lyrically we get a mish-mash of edgy lyrics about homelessness and suicide that seem to hint toward some insincere positivity by outlining gruesome subjects in a “profound” light. This all makes for a very frustrating listen since it’s apparent that the band care much for their presentation and musicianship but lack the crucial element that makes metal tolerable: the natural intuition required to coherently structure songs. Sound familiar yet?
Not even AIDS can keep Chuck in the grave.

 

4.1.1

Vader – The Ultimate Incantation Reissue

VADER ultimate incantation reissue 2cd
Vader
‘s debut, The Ultimate Incantation, is being reissued on June 3rd on both CD and LP by Polish label Witching Hour. The original, discarded recording session produced by Tomas Skogsberg at the famous Sunlight Studio in Stockholm, Sweden is included as a bonus disc. The lost Swedish session released for the first time should make this reissue worth checking out for fans of the band along with those of Swedish and Slayer-style death metal in general.

We are proud to present the long awaited reissue of VADER’s debut album “The Ultimate Incantation”. This album was a milestone in death metal history and a groundbreaking masterpiece for the Polish scene allowing our bands to be heard beyond the Iron Curtain. With this record VADER’s international career begun and it’s a cult classic since then. Once again we made our best to deliver this classic album as a top notch release. To match our words we will attach an extra stuff with never before released original album session done by THOMAS SKOGSBERG in SUNLIGHT STUDIOS. And that’s not all. We also asked the master himself – DAN SEAGRAVE to prepare new artwork for this release.

The 2xCD digipack may be pre-ordered from Witching Hour here.

Profanatica reveal The Curling Flame of Blasphemy

profanatica the curling flame of blasphemy

Profanatica have revealed the art and track list for their upcoming album The Curling Flame of Blasphemy. One of the few fruitful artists in current metal and a mainstay of our best lists, drummer Paul Ledney (also a founder of Incantation) and guitarist John Gelso have spent the third millennium refining the first wave.

Track list:

1. Ordained in Bile
2. March to Golgotha
3. Magic & Muhr
4. Black Hymna
5. Host Over Cup
6. Rotten Scriptures
7. Yahweh Rejected
8. Bleed Heavenly Kingdom
9. Vile Blessing
10. Curling Flame

Track six, “Rotten Scriptures” may be previewed on Hells Headbangers Compilation Volume 8.

Scheduled for an early summer release, the frequently “funderground” label promises that The Curling Flame of Blasphemy will be another:

metalucifer heavy metal bulldozer

Here In After Turns Twenty


immolation here in after

2016 marks twenty years since the release of Immolation’s sophomore album Here In After. Completely leaving speed metal convention behind, dissonant riffing and jazzy drumming weld into an infernal, polyrythmic Bosch canvas. All songs burn narratively: verses melt into Vigna’s Luciferian leads. These guitar heroics marshaling the hellfire make Here In After a dawn-bringer for the uninitiated in Immolation. Crucify the criminal Christ again!

dali corpus hypercubus

Good Friday Crucifixion Playlist

conan crucified boris vallejo

Billions celebrate Constantine’s syncretic solar deity’s crucifixion by eating fish today. Here’s a playlist of seven classic speed and death metal songs to contemplate this excruciating Roman suffocation method:

Demolition Hammer reunites

demolition hammer epidemic is reborn

Demolition Hammer have apparently reunited according to the group’s Facebook page. The brutal New York speed metal band last released notable material almost a quarter century ago with the hammering death/speed hybrid Epidemic of ViolenceAlex Marquez of fellow death speedsters Solstice (and Malevolent Creation’s Retribution) is taking over the drum stool from the deceased Vinny DazeWhether any touring or quality material rises from this reunion remains to be seen.