Right now, above the metal underground there is what was coined, I believe originally by Pogrom from Arghoslent, the “Funderground”. The funderground consists of independent labels, sometimes mainstream distributed, releasing thousands of albums each year full of rehashed material or rebranded three-chord hardcore with different superficial aesthetics to fuel a bar show audience’s drunken moshing or make hipsters feel smart for liking an indie rock release with a dirty production. One can see this divide in most of the popular “underground” web forums such as those of Nuclear War Now! and Full Moon Productions. The most popular “underground” “metal” releases of each year are all older metal rehashed into pop-rock structures or rebranded hardcore. This divide is similar to what is felt in mainstream Western culture with the leftist “elites”‘ constant Marxist virtue signaling and branding freethinkers with various epithets for refusing to chant the praises of socialism mandated by the vanguard party.
Craig Pillard‘s (Incantation) controversial death metal band Disma premiered the title track from their upcoming EP, The Graveless Remains on Soundcloud today. “The Graveless Remains” is nothing special despite featuring the drumming of once and probably still amazing original Immolation drummer Craig Smilowski. Preorder The Graveless Remains from Profound Lore Records here if you wish the the will to enact your own inner-desires to own every C-grade death metal release ever published if the record is of the same caliber as the title track which I surely hope it won’t be. I know some of our readers out there will feel compelled to buy this even if that is the case. though. The Graveless Remains probably won’t as good as the Disma LP and certainly not even Mortal Throne of Nazarene. Where there’s a will, there’s a way but more of the Craigs is always welcome.
Experimental underground metal band Pale Existence has re-issued its 1994 demo cassette “Dark Sanctuary” in digital form. This allows a new generation to hear the music that borrowed from doom metal, early black metal, melodic death metal and abrasive deathgrind to create a vision of desolation and emptiness that mirrored the downfall of Western Civilization.
New Zealand war metal band Heresiarch announced their upcoming record, Death Ordinance, on their Facebook page. The artwork is by Misanthropic-Art and the album will be released by Dark Descent Records later this year. Heresiarch’s prior releases, Hammer of Intransigence and Waelwulf, were noted as some of The Best Underground Metal Releases of 2011 and 2014 respectively.
Alleged groupie, liar, white genocide advocate, and humanoid orc communist Kim Kelly interviewed surviving Slayer guitarist / sideshow attraction Kerry King for Vice Noisey on Youtube. Kerry King, wearing war metal shades, talks about Slayer’s influences and development on their early, formative material.
Death metal folk wisdom tells that the epithet “technical” generally connotes music that is bad for a unique reason: it tends to get trapped in technique, including cute tricks from music theory, for its own sake, which in turn deprecates the art of composing memorable and relevant songs.
Deeds of Flesh posted a new video log to Youtube documenting how they are recording the guitars for their upcoming album. If you suspected that techno metal was recording in the bedrooms of pudgy action figure collectors with guitars directly digitally reamped into Cubase and Protools, you were right! Deeds of Flesh of course don’t pay for a real studio! This shit’s digital! The same chair and computer used for jerking it to BangBros is used for recording brutal tekdeathgrind! Guitar wank and actual wank in the same place! Hopefully Deeds of Flesh sidelines their recent ‘core tendencies to improve on the promising Portals to Canaan.
Infester‘s To The Depths, In Degradation has been finally been reissued by Martyrdoom Productions on CD and LP. Do not pay scalpers, profiteers, and fetishists hundreds of dollars for the original CD that cost ten buck a decade ago on Discogs or Ebay. Buy the reissue and case of beer and spin it until you understand it. Progress beyond a three-chord speed metal hooligan who went from playing Street Fighter and NBA Jam in pizza parlor arcades to rehash metal shows at bar grills. Wait, half the people buying this reissue from A.V. 666 are too young to remember Mortal Kombat II in the arcade and Super Nintendo. Just buy To The Depths, In Degradation, stop whining that you can’t jump up and down to Infester like a seven year old snorting pixie sticks, and listen to the record until you reach the depths of hell from a hole in the ground.