Benefit Show For the Family of Alfred Fuentes III: Wülfskol, Elder Gods, Saturnatas and Terrorem (June 3, 2016)

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Texas is a huge place, which is why Texas metalheads spend most of our time driving between cities to attend shows far away. We drive the equivalent of several eastern states — Texans measure distance between cities in a unit called a Massachusetts because that dinky little state is a great yardstick — just to see some of the many great bands that Texas has produced.

It is for this reason that Alfred Fuentes III is known to most of us. A fixture at Houston, Austin and San Antonio shows for the last two decades, he always shows up early and supports the bands through intangible ways as well as tangible. He has known many of the Texas metal musicians for even longer. Unfortunately, he has run into health challenges and to counter this, Texas metalheads are throwing a benefit bash to help his family.

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Like an Ever Flowing Stream Flows Eternal

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Dismember‘s Like an Ever Flowing Stream turned twenty-five this weekend. Like an Ever Flowing Stream upped the intensity from Carnage‘s Dark Recollections in the same way that Legion would do from Deicide‘s debut. Like an Ever Flowing Stream was faster, heavier, and more distorted. Dismember drenched themselves in blood and plugged dimed Boss Heavy Metal 2 pedals into dimed Marshall JCM 900 stacks, generating a ridiculously fat, high-gain rhythm guitar tone to trample and mangle all others.

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The Misnomer of “Melodic” Metal

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“Melodic death metal” is meaningless. What popularly called “melodic” death or black metal can be roughly divided into the three different types of music sketched out by Ludvig Boysen in his “The Three Types of Melodic Death Metal” article for Death Metal Underground. While Ludvig’s three categories are essentially correct, refining and broadening them allows formal classification of all “melodic” death and black metal. Note that Death Metal Underground’s extensive Heavy Metal FAQ covers the topic of genre in great depth but a brief rundown for the ignorant and lazy is in order.

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Profanatica – The Curling Flame of Blasphemy (2016)

profanatica the curling flame of blasphemy

Article by Lance Viggiano.

Profanatica return with a tuneful reinterpretation of their sophomore album, Disgusting Blasphemies Against God, refined by the sensibilities of the successful Sickened by Holy Host / The Grand Master Sessions EP compilation. The band presents a newfound confidence in ambient noise by using amplifier feedback as its own instrument in a more integral fashion than previous releases. The Curling Flame of Blasphemy opts for a slow burn approach where literal variations in tempo are suggestive rather than experienced. The result is ceremonious yet there is no culmination of the ritual, no climax; the whole procession ends on a dour note which does not feel conclusive regardless of its efficacy.

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Irkallian Oracle – Apollyon (2016)

Irkallian Oracle Apollyon

Article by Corey M.

Irkallian Oracle make a conscious effort to sidestep many death metal conventions on Apollyon. They have been paying attention to the state of death metal over the last twenty years and noticed how many bands have traveled down the dead-end paths of “tech” and “slam” in pursuit of ever-more-extreme brutality. Irkallian Oracle eschew the brutality while trying to retain the creepy, morbid expression.

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The Origins of Satanic Realization through Heavy Metal

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Sludgecore band Agoraphobic Nosebleed threw a fit for publicity over a recent batch of Death Metal Underground’s Sadistic Metal Reviews. Frontwoman Katherine Katz called us Fox News for our criticism of Agoraphobic Nosebleed’s shrieking short woman over a drum machine shtick and our psychological speculation as to why Agoraphobic Nosebleed would even bother releasing such failure other than for commercial exploitation of a musically-ignorant hipster fan base craving reaffirmation of their modern liberalism. Katz even claimed that artists should be responsible for the extreme actions of others in response to satire and that some topics should be completely off lyrics. For her, everyone who listens to “Embryonic Necropsy and Devourment” will potentially commit feticide. This is incredibly hypocritical for a band who shared a member with Anal Cunt and wrote Frozen Corpse Stuffed with Dope.

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