Asphyx Announce Incoming Death

asphyx 2016

Asphyx announced their upcoming album, Incoming Death, will be released September 30th on Century Media Records. Vocalist Martin Van Drunen said the record would be the “best Asphyx album ever”:

Four and a half years after the release of “Deathhammer” we finally managed to finish its long awaited successor. It will be out on September the 30th, as always on our beloved label Century Media. Expect 11 unmerciful battering tracks in the typical ASPHYX death/doom style, but also the most varied ASPHYX material up to date without losing our rawness, brutality and heaviness. The album will be entitled “Incoming Death”. And like “Deathhammer”, it’s a phrase that doesn’t really exist, but refers to what entrenched soldiers cry out when under severe artillery fire. Thus “Incoming Death” implies another relentless bombardment of monstrous ASPHYX death/doom metal!

Recorded on different locations throughout 2016 and once more mixed and mastered by the mighty Dan “The Man” Swanö. Serious ear bleedings guaranteed! It’s also our first record also featuring “Husky” on drums, who is now with us for already two and a half years molesting the pig skins with the absolute perfect ASPHYX attitude, passion, pride and mayhem. We are very proud of this best ASPHYX album ever! And knowing our dedicated fans worldwide, they will be proud of us as well! Soon we will hit the stages on every continent to do what we do best; Intense, loud, sweaty, filthy and ruthless live performances!

Rebaelliun – The Hell’s Decrees (2016)

rebaelliun - the hell's decrees

Article by Corey M.

While 1349 did not quite make good on their promise of delivering a battlefield soundtrack at blistering speeds, Rebaelliun have taken the reigns and driven their blazing chariot into a chaotic realm of vicious blasts and reckless shredding the likes of which many bands have intruded upon only to be cut down due to their inability to survive such an onslaught.

In the past, bands such as Aeon have presented some unworthy offerings at the altar of Deicide, but Rebaelliun diminish those halfhearted efforts even further by adapting their mentor’s tactic of relentlessly aggressive songcraft while actually understanding intuitively their spirit of hatred and hostility. Using the individual musical elements of the band as gears in clockwork, the players rev up the horsepower until the cogs are spraying white-hot sparks.

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Vomitor – The Escalation (2012)

vomitor the escalation

Article by Lance Viggiano.

The Escalation perfects the misunderstood Australian art of Cimmerian metal – a deliberately low-brow affair which has little tangible relationship to the Common Practice Period and therefore easily panned. Vomitor deliberately flaunt rock’s loud and emotive ethos through boorish motifs qualified further by a thin and mid-centric texture executed in characteristically poor-taste. Constructed primarily out of recombination of past forms, The Escalation is a deliberately retro affair which succeeds by forming a singular and immediately identifiable voice. Historical precedence for this identity is found in the work of Spear of Longinus – specifically the first demo contained within Black Sun Society. Vomitor do not present a way forward for metal; instead the entity finely maps a territory which was discovered but left largely unexplored by ancestors who clung to the safety and security of the coastlines looking into an inhospitable thicket which obscures a familiar but nonetheless unique landscape.

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Garroted – In the Court of Nyarlahotep (2016)

garroted in the court of nyarlahotep

Article by David Rosales. Occasionally our staff have differing opinions on unpristine works from upcoming or past their prime bands. The editor’s sobering take on Garroted – In the Court of Nyarlahotep was presented in Sadistic Metal Reviews: Taste the Rainbow!

A modernist acoustic guitar intro, an undefined progressive death metal tirade, cavernous vocals and death-grind guitar tones. An exquisite Old School written all over it, and yet, the young Garroted manage to avoid becoming guides in nostalgia trips. Like Colombian Condor, Garroted takes the tools from the past and forges a future strictly on the loyalty to those traditions.

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Interview: Fred Estby of Dismember

fred estby promo pic

Dismember are currently in the process of reissuing their merchandise and back catalog to combat rampant poor-quality bootlegs. Brett Stevens reached out to the band for an email interview and drummer Fred Estby most graciously agreed to answer our staff’s questions:

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Ghoulgotha – To Starve the Cross (2016)

ghoulgotha - to starve the cross

Article by Corey M.

To Starve the Cross sounds like the result of having chopped up a dozen good death metal songs and pasted the bits back together in such a way to eliminate any sense of continuity. Ghoulgotha is obviously made up of experienced and skilled players including the drummer of Ascended Dead and the guitarist from Father Befouled and Decrepitaph (among several other projects).

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Morbid Angel – Altars of Madness Full Dynamic Range Edition

Morbid Angel - Altars of Madness cover

Morbid Angel recorded what was supposed to be their debut album in 1986. Compositionally excellent and novel, Abominations of Desolation was a Manhattan project of death metal as a truly musically distinct sub-genre. However, band leader Trey Azagthoth and then producer Dave Vincent were unhappy with the recording. Azagthoth quickly fired drummer/vocalist Browning and bassist John Ortega, and shelved the album, which Ortega later released as a bootleg. Vincent and Azagthoth had a point though: Browning’s drumming was shaky and he sounded like a wimp. His drumming lacked power, never making use of blast beats while his vocals could have come out of a whiny fourteen-year-old.

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