Often the demo speaks louder because ideas remained at their core, instead of becoming infiltrated and confused with aesthetics, market positioning (including the market of popularity among the underground), label demands, technicalities, and other confusions.20 Comments
The end of the year for some people is a time where they participate in debauchery and related idiocy as they are convinced that the arbitrary beginning of a calendar year absolves them of past mistakes and gives them the possibility to renew themselves without the burden of accepting reality. Those who don’t hide behind such comforting fallacies accept that this is a day like no other and that no actual changes will occur except for remembering to write 19 instead of 18 when it comes to paperwork. Metal has continued its sad and hilarious explosion to the top of the mainstream while pushing out less and less meaningful art. Rather than go ever end of the year lists as they are just useless and contain mostly salvaged junk with the occasional pearl. Here at DMU we shall analyse new compositional tools we would like to see implemented and which ones should be discarded.
Tags: Antichrist, behemoth, Black Metal, Boethiah, Dawnbreaker, death metal, disma, dissection, ectovoid, entombed, gorgoroth, Intestine Baalism, Join US, judas priest, massacra, MetalSucks, Necromaniac, necromantia, Nihilist, rotting christ, sacramentum, sammath, suffocation, Thin Lizzy, varathron
Sacramentum are heroes in the more melodic black metal style that appeared in Sweden after the initial Norwegian scene had worn itself out. Caught between the pop sensibilities of what was starting to develop in Gothenburg and the ambitious yet choppy compositions of Dissection, Sacramentum forged their own sound in that narrow gap, never stealing ideas from either side and searching inwards for inspiration. Far Away From The Sun is a particular track that shows joy and happiness while still denigrating human life. A strong understanding of the black metal melodic narrative has allowed them to reconcile such clashing emotions without showing the slightest contradiction.26 Comments
Veneror create long, flowing, compositions in the style of Sacramentum which carry a melancholic but sinister emotive pallet through melodious arpeggiated twin guitar harmonies. Structurally these songs cycle in between two or three motifs yet eschews a sense of heightened dynamics while coarse vocals ride atop giving a sense of continuity rather than circularity. This is further reinforced by the chromatic development which carries itself into reprieves which close each section with sparsity before jaunting into the next. The resultant unbroken sequence of phrases is not unlike what Revenant would use to great effect on their infamous and only full length album.22 Comments
Article by Corey M
An astounding eighteen years after releasing their debut full-length, Sorcier des Glaces releases North, maintaining their streak of high-quality albums. The themes of their last album, Ritual of the End (one of 2014’s best releases), are still present here and revolve around the band’s signature lyrical and melodic concepts; descriptions of people and places undergoing freezing damnation, in their unique vision of death occurring over epic spans of time.
This music holds the rare power to instill visions and sensations of ice-covered ruins and crippling cold by its melodic prowess alone. However, the vocals and lyrics are praiseworthy as well as the delivery is unnervingly clear, poetically orating scenes of melancholic morbidity illustrated by the music. This is achieved by Sorcier des Glaces’ idiosyncratic approach to writing long riffs with slow and steady chord changes all augmented by faster-moving melodies that anticipate and resolve the myriad melodically unorthodox transitions. It’s so rare to hear this style of complex harmonic activity performed this adroitly that the only similar album I can think of that achieves this level of complexity tempered by an intuitive sense of coherency is Far Away from the Sun. That is a high compliment.
In terms of technical performance, the musicians’ set-up is very similar to what is heard on Ritual of the End. Driving drums impel the helical, tremolo-picked, complimentary melodies which the lone guitarist/bassist cleanly divides into trios. The main melodies are carried by the rhythm guitar’s very long chains of power chords and the bass guitar modifies the basic root notes of the rhythm guitar, adding much harmonic depth to the songs. Meanwhile, one or more guitars play high-register leading melodies that expertly illuminate the emotive potential of the progressions. Playing their instruments at such a wide range of timbre and speed creates a broad, orchestral sound. The band’s creative flexibility allows the orchestra to tower indomitably, or branch out and flow smoothly, winding naturally around musical obstacles, like the trickle of water over irregular, rocky terrain.
The musicians even get a little bit more boldly experimental on North, particularly during the title track “North”, utilizing some long sections of cleanly picked chords that mutate and creep toward obscure resolutions while the bass dances its own giddy cadenza beneath the reverberating guitars. Typically this sort of deviation would wreck the feel of a song in the hands of inadept musicians, but here it is a delight. “Dawn of the Apocalypse” features an epic lyrical narrative enhanced by some more extreme shifts in dynamic intensity of the music. None of the changes are jarring or illogical; rather, they occur organically.
Despite the long and winding song progressions, I would recommend this album even to uninitiated metal fans. The sweeping guitar orchestration will ensnare anyone with a keen sense of musical passion, allowing Sorcier des Glaces’ malevolent shroud to obscure their sense of righteousness as they succumb to the awesome power of ice and occultic magic. North is an excellent album that will provide many journeys into the frigid recesses of the unconscious, at once harrowing and wondrous.
North may be previewed and purchased directly from Sorcier des Glaces at their official Bandcamp page.28 Comments
This classic band finally got around to making a video. While there were many Dissection clones back in the day, with Dark Tranquility and In Flames leading the pack, Sacramentum always had something different going which was more like where Sentenced and Amorphis were heading: a nocturnal romance with the potency of existence and the power of the unknown.
Poetic in their approach, and beautiful in the result, Sacramentum launched an initial EP of highly artistic intentions before moving on to their full length, Far Away From the Sun, which suffered from a cover too close to that of Emperor’s In the Nightside Eclipse and hit just before the melodic metal explosion but just after the Dissection clones debunked themselves. As a result this band never quite got the attention they deserve, which would be to always be mentioned in the same breath as melodic metal greats like Dissection, Sentenced, Necrophobic and Unanimated.
You can buy the re-release of this CD for $10 from Century Media.3 Comments