Heavy Metal In Academia

The last two decades has witnessed an exponential growth of studies devoted to popular music, coupled with a re-evaluation of past theories and models for interpretation and analysis. This paradigm shift has sparked interest in music “at the fringes” which in turn has led to the unlikely emergence of “metal studies”: a multi-disciplinary field of research centered around all things related to metal music.

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Metal documentary The Distorted Island release planned for December 18, 2014

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Heavy metal documentary The Distorted Island: Heavy Metal Music and Community in Puerto Rico will see release on December 18, 2014, at an unveiling at the Museum of Art of Puerto Rico in Santurce. Tickets are limited to 300, but free of charge, and can be acquired from the organizers.

The Distorted Island: Heavy Metal Music and Community in Puerto Rico explores the birth and growth of the metal scene in Puerto Rico, zooming on on how local bands have survived for three decades thanks to strong strong community ties, while highlighting the cultural and historical challenges faced along the way. The film is the brainchild of Dr. Nelson Varas-Díaz, professor and director of the Puerto Rico Heavy Metal Studies program, and fellow academics Osvaldo González-Sepúlveda, Eliut Rivera-Segarra and Sigrid Mendoza.

Local artist Kadriel Betsen will release a new promotional poster each week until the film’s release, with each image showcasing a different angle of approach to the topic matter. These posters will familiarize the public with some of the individuals interviewed for the film and set the mood for an appreciation of Puerto Rican metal. For updates, see the Puerto Rican Heavy Metal Studies Facebook page.

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Tribe & Rite: A Heavy Metal Student Conference issues call for papers

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The University of Victoria English Department and the Heavy Metal department at the University of Victoria invite paper submissions for their upcoming conference, Tribe & Rite: A Heavy Metal Student Conference. The conference will be held at the University of Victoria, Vancouver Island, British Columbia, Canada on November 8-9, 2014.

According to the organizers, “Metal culture celebrates the wild, the grotesque, and the forbidden. We invite papers on these themes from across the humanities, social sciences, fine arts, and related disciplines. Papers can draw on lyrics, musical technique, aesthetics (music, fashion, album art), innovations in metal, regional and historical metal movements, and more.”

The organizers suggest the following possible topics:

  • The makings and markers of a metalhead
  • Metal as genre, subculture, counterculture, or tribe
  • Rites and rituals of regional/historical metal movements
  • The transformation of metal by academia and vice versa
  • Generational differences in metal
  • The influence of metal on other cultural movements (e.g. punk, hippy), and vice versa
  • Comparison of metal with other cultural movements
  • Comparison of subcultures within metal (e.g. the radical politics of crust, the Satanism, neo-paganism, and occultism of black metal)
  • The future and fate of metal
  • Inclusive and exclusive behavior among metalheads
  • The relationship between metal music and memorabilia

Submissions must be send in Microsoft Word format to metalcon@uvic.ca by October 3, 2014. For more information, see the Tribe & Rite: A Heavy Metal Student Conference homepage.

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Heavy Metal at the Movies conference issues call for papers

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The Popular Culture Association (PCA) announced the theme for its upcoming meeting on April 1-4, 2015 as “how heavy metal culture relates to cinema.” The PCA issued a call for papers on this topic so that aspiring heavy metal studies scholars can submit writings in advance of the conference.

Held in New Orleans, the conference will allow participants a chance to present papers and network with others in the fields of heavy metal studies and popular culture studies. The PCA accepts a broad range of topics: “Papers on individual films, metal (sub)genres or individual bands are all welcome, as are more theoretical musings on the interrelationship between cinema and metal.” It gives the following sample topic areas:

  • how heavy metal is (ab)used in feature films
  • how documentary films create, expand, and discuss a sense of group identity
  • how cinematic traditions are used in heavy metal culture.

If interested in submitting a paper, please send a 300-word abstract by October 15, 2014 to Gerd.Bayer@fau.de. The official call for papers notice can be found here.

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