The “first ever death metal band from the Netherlands”, Thanatos, have recently signed a deal with Century Media Records. The record company initially only expected to re-release some of the legends’ back catalogue, but Thanatos’ sixth album will now see the light on CMR:
When Stephan and Paul visited the CM headquarters in Dortmund in autumn last year, they told us about their plans to record a new album which they’d like to release in 2014 […]. Of course we wanted them to release it on Century Media.
Stephan Gebédi, vocalist/guitarist of the band, who recorded their first demo back in 1984, said they intend to record
an absolute death/thrash metal monster to coincide with our 30th anniversary in 2014! We come from an era when there was no strict boundaries between thrash and death metal which resulted in masterpieces like DARK ANGEL’s “Darkness Descends” and POSSESSED’s “Seven Churches” and it’s our mission to transport the legacy of those albums to 2014 and beyond…
Mike Scaccia and his mates in Rigor Mortis finished recording a full album before Scaccia passed away on December 22 last year. The day before, Scaccia and engineer Kerry Crafton did some initial work on mixing the album entitled Slaves to the Grave which will be the last from the band.
This record is amazing. Mike, Bruce Corbitt, Harden Harrison and Casey Orr all performed brilliantly in the recording and I believe they all did the best work of their lives. […] The depth and breadth of the material is really awesome.
While it’s difficult for the rest of us to estimate how well Rigor Mortis as a band hold up musically these days (the band’s last full-length was released more than two decades ago), Scaccia’s legacy has more than sentimental value.
Slaves to the Grave will be released sometime during summer 2013.
Aosoth’s third album III: Violence & Variation hemmed in repetitive riffs and enshrouded them into bleak atmospheric black metal. Reminiscent of Antaeus, Aosoth twist and contrive distorted tones to create an intransigent body of work.
The band expressed their progression from III to IV:
“We’ve spent such a huge amount of time on defining a darker identity, yet open to a wider range of influences. Those tracks still haunt us, as delivering them was a painful and excruciating experience, and left some of us even physically wounded… Which gives that album even more of a spiritual value, as it involved a form of sacrifice.” The band also added: “This fourth full-length release is without a doubt a great step forward for us in term of music writing, and sound.”
In addition to the release of IV, Agonia Records will release black vinyl versions of II and III on April 16th.
Black Sabbath‘s forthcoming album 13, to be released in June this year, will apparently be less heavy metal and more blues. Quoth mastermind Toni Iommi:
You can’t always repeat what you’ve done, you’ve just to go on… It’ll be today’s version of how it was 40 years ago.
The initiative, however, seems to come from producer Rick Rubin, who referred to the band’s début album and told the members to “keep it in mind” and play the music like a live gig, and according to Ozzy Osbourne, Rubin “didn’t want the songs to be verse, chorus, verse, chorus, middle eight, bridge — he wanted it to flow”.
It seems then that we might expect a modern version of the dark atmosphere that deflected the hippie optimism of 1960s, as heard on the classic showcased below. This will be awesome.
The Metal File recently interviewed Voivod drummer Michel “Away” Langevin. To no surprise, the interview mainly concerns the band’s new (thirteenth) album, Target Earth, released on January 22nd by Iron Gang Factory and Century Media.
According to Langevin one of the reasons why the album sounds a lot like earlier Voivod is because bassist Jean-Yves “Blacky” Thériault is back in the band after a 17 year absence, being closely involved in the songwriting with new guitarist Dan “Chewy” Mongrain. Among all the “very progressive” songs with “strange time signatures”, Langevin requested to include two more thrash-y songs à la Motörhead, which resulted in “Kluskap O’Kom” and in the band’s first French song, “Corps Étranger”.
Langevin also says that due to Voivod’s 30th anniversary this month, the band plans live tours throughout the world this year, starting in Canada, crossing North and South America, then going to Europe and ending in Asia. In between tours they want to write new material. The past is alive.