After ending Absu earlier this year in response to an attempted political guilt related seizure by a transsexual guitarist, Proscriptor McGovern has relaunched the band with a similar logo, biography, and approach as “Proscriptor McGovern’s Apsû.”
Almost four years after their previous full-length, Varathron is back with a new effort that meets expectations and offers a fantastic black metal listening experience in the distinctive Greek variety. The veterans from Ioannina have been able to maintain a difficult balance between respecting their classic sound and developing new forms, something they had already achieved on Untrodden Corridors of Hades. These new forms are slightly different and more modern, yet clearly related to their older albums. (more…)
Varathron are preparing to go into the studio next month to record a new album that will be titled Patriarchs Of Evil. The title is Varathron congratulating themselves on being the forefathers of the Root and heavy metal influenced Hellenic black metal sound. While the album may or may not be good, Varathron are still a potent force live so Canadian fans of actual black metal should check them out.
Greek black metal founders Varathron return with a new album that takes the band in a modernized melodic metal direction but does so without losing the unique balance of heavy metal hooks and dark atmosphere that defined the debut, His Majesty at the Swamp.
Untrodden Corridors of Hades, which will see release via Agonia Records on November 21 in Europe and December 9 for the rest of the world, veers away from the old school doom metal sound of the debut but picks up with a version of the melodic metal of Walpurgisnacht but in a modernized style. This new style adopts the frenetic pace and compressed song structure of contemporary metal, but within that style, the ear for melodic composition and atmosphere of the original band makes itself audible.
With a cover by famed metal artist Mark Riddick, Untrodden Corridors of Hades was recorded, mixed and engineered by Kostas Kalampokas at Infinite Loop Music Studio in Greece and mastered by Tom Kvålsvoll at Strype Audio in Norway. The new album resembles 2009 release Stygian Forces of Scorn but with new energy and louder sound, as the embedded sample below reveals.
Kabalistic Invocation of Solomon
Realm of Obscure
The Bright Trapezium
Delve Into the Past
Stefan Necroabyssious – vocals
Achilleas C – guitars
Sotiris – guitars
Stratos – bass
Haris – drums
Aosoth’s third album III: Violence & Variation hemmed in repetitive riffs and enshrouded them into bleak atmospheric black metal. Reminiscent of Antaeus, Aosoth twist and contrive distorted tones to create an intransigent body of work.
The band expressed their progression from III to IV:
“We’ve spent such a huge amount of time on defining a darker identity, yet open to a wider range of influences. Those tracks still haunt us, as delivering them was a painful and excruciating experience, and left some of us even physically wounded… Which gives that album even more of a spiritual value, as it involved a form of sacrifice.” The band also added: “This fourth full-length release is without a doubt a great step forward for us in term of music writing, and sound.”
In addition to the release of IV, Agonia Records will release black vinyl versions of II and III on April 16th.