Pestilence Releases “Morbvs Propagationem” from Upcoming Exitium

Longstanding death metal band Pestilence, attempting to hybridize its musical core through the vision of Patrick Mameli with a new generation of metal, has released the first track from its upcoming album Exitium named “Morbvs Propagationem.”

The album will see release on June 25 and feature ten new tracks of Pestilence metal and an all-new lineup of Patrizio Mameli on guitar, Joost van der Graaf (Creepmime) on bass, Rutger van Noordenburg (Bleeding Gods) on lead guitar, and Michiel van der Plicht (God Dethroned) playing drums. The band released the following minifesto:

Dutch death metal legend PESTILENCE is premiering a music video for a new song titled “Morbvs Propagationem”. It’s the first song taken off the band’s new album, “Exitivm”, which is set to be released on June 25th via Agonia Records. The video was filmed by Grupa 13 production house (Kreator, Behemoth, Amon Amarth) with costumes by Prepostevolution.

A new album, on a new label armed with a whole new line-up and a new dynamic: no matter what, PESTILENCE – or more specifically their maestro Patrizio Mameli – is like the phoenix, rising from the ashes, over and over again. An official website has been launched for “Exitivm”, providing access to all revelant information surrounding the new album, at: www.exitivm.com.

Back in 1986, in the small town of Enschede in the Netherlands, nearby the German border, a true metal phenomenon was born. More than three decades later, not only is PESTILENCE alive and well, but about to once again reaffirm their place in the extreme metal pantheon, with their ninth studio album entitled “Exitivm”, which is Latin for “total destruction”.

As controversial as he can be to some, nobody will ever deny the band’s undisputable driving force, Patrizio Mameli, and his constant ability to reinvent himself. Unlike most of the bands in the scene, PESTILENCE just keeps evolving. From the raging thrash leanings of their cult 1988 debut “Malleus Maleficarum” to the jazz-infused versatility of 1993’s “Spheres” or 2009’s “Resurrection Macabre” frontal assault, not to mention the fans’ favorite and Scott Burns-produced “Testimony Of The Ancients” from 1991, he never did the same record twice. No matter who playes with him on any PESTILENCE album, Mameli always gets the best out of the musicians he is working with. But first and foremost, the man has a one-of-a-kind vision, instantly recognizable style and yet always stretching musical boundaries. And it’s never more true than on “Exitivm”.

After a vast reissue campaign in between 2015 and 2018 and an acclaimed new album “Hadeon”, the band got seemingly stopped in their mission to conquer the Death Metal scene in early 2020, like everybody else, by the global pandemic, going as far as forcing some of the band’s “Hadeon” line-up members to throw in the towel. But what doesn’t kill you only makes you stronger and instead of letting that whole situation drag him down, Mameli chose to do the exact opposite and write the best and darkest album possible to date. And he just did that. With its ambitious lyrical concept about “global domination”, “induced mental illness”, “inner and outer demons” and malicious external entities, “Exitivm” is propelling the band one again to the forefront of the Death Metal movement with yet another original and briljant artistic overhaul.

Mind you, as soon as you’re past the very cinematic introduction “In Omnibvs”, you’re instantly caught up by “Morbvs Propagationem” whose intense riffing will take back to the “Testimony” days. Except that their core sound has been revived, with now extra layers of ominous soundscapes ingeniously suggesting an atmosphere of suspence and horror, boosted by Mameli’s jazz-fusion impressive solo works and a renewed sense of urgency. This rejuvenation, with emphasis on “new musical landscapes but also sick and twisted riffs” as stated by Mameli himself, is no accident though. Not only has Mameli been extremely inspired by the turmoil humanity had to face since March 2020 but with a line-up once again, entirely based in the Netherlands and made up of only super-seasoned players – besides former Dew Scented and Creepmime Joost van der Graaf on bass and Bleeding Gods’ Rutger van Noordenburg on lead guitar, former God Dethroned Michiel van der Plicht joined on drums last year – PESTILENCE is more than ever a BAND where everybody feeds off of each other’s musical talent.

With the exception of the drums – tracked down by van der Plicht himself at his home studio – the album was recorded over a period of two months in between June and August 2020 at Pitchnote Productions. The album has been produced, like all PESTILENCE albums, by Mameli and is co produced, recorded, mixed and mastered by Jory Hogeveen (Shinigami and Ancient Rites). Last March, the band filmed their second ever official video – three decades after “Land Of Tears” – for the song “Morbvs Propagationem”. “Exitivm” will be available in various formats, including supra-limited picture, pin-wheel, “firebreath” and clear vinyl versions. The cover artwork once again brought the band’s iconic sphere and was done by Michal “Xaay” Loranc, known for his various cover for Nile, God Detheroned or Evocation and who had already worked on “Hadeon”.

Both a reinvention and a confirmation of everything the band has been standing for since 1986, thirty-five years later PESTILENCE are more than ever breaking new grounds and exploring the further outposts of the extreme metal sound on “Exitivm”.

Tracklist:
1. In Omnibvs (Intro)
2. Morbvs Propagationem
3. Deificvs
4. Sempiternvs
5. Internicionem
6. Mortifervm
7. Dominatvi Svbmissa
8. Pericvlvm Externvm
9. Inficiat
10. Exitivm
11. Immortvos
12. Personatvs Mortem (Outro)

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12 thoughts on “Pestilence Releases “Morbvs Propagationem” from Upcoming Exitium

  1. Gay R2D2 says:

    In other “P-band” news, Polemicist is putting out a new album in June. The preview track is up on their Bandcamp.

    1. Psychic Psych Toad says:

      This is exciting news! Pendath from Mefitis has now joined Polemicist! June 25th is going to be one hell of a day!

      1. Beware of internet trends, internet bands, internet blends. — Margaret Sanger

        1. Psychic Psych Toad says:

          Perhaps I don’t get out enough… since 1999, this is the only music website that I’ve used for education and edification. Zarathustran Impressions and Emberdawn refreshingly tickled my fancy and hold lasting value in my personal repertoire. Polemicist initially took some time to grow on me, but now I can’t live without them lol! I’m better equipped for the direction of their next album, and I’ve found the new single to be succulent, delicious, and highly palatable!
          Hearing the new Mefitis didn’t immediately grab me by the soul, so I put it on the shelf for now in hopes of gleaning more from it in the future. I have a good feeling Return of the Sophist won’t let me down in the same regard!
          Anyway you slice it, I’m looking forward to the new DMU reviews for both bands!

  2. NL says:

    I can’t believe they made a music video for such a stinker of a song!

  3. Rick James says:

    From the raging thrash leanings of their cult 1988 debut “Malleus Maleficarum” to the jazz-infused versatility of 1993’s “Spheres” or 2009’s “Resurrection Macabre” frontal assault, not to mention the fans’ favorite and Scott Burns-produced “Testimony Of The Ancients” from 1991, he never did the same record twice.

    The fact that they don’t mention their best album, Consuming Impulse, is cause for concern.

    1. maelstrrom says:

      I love that they mention Testimony as the fan favorite, their decline started with that album

      1. At this point, I can only listen to Consuming Impulse and Spheres.

        1. maelstrrom says:

          I need to revisit Spheres. I like the idea of that kind of album but usually the compositions are too meandering/unstructured

          1. Mameli likes a certain amount of implied melodic continuity and to use a rhythmic break to make it seem necessary. I agree that this one could have used some more time in the practice stage, and although I don’t mind the floaty (butterflies in bathhouses) synth guitar, it would have been really amazing to hear this with natural instruments (insofar as distortion and processing are “natural”).

  4. Accidental Descent says:

    That album art is weaksavce.
    Is that a tiny-ass brain within a gyroscope?
    What’s with the wispy semen filaments?
    Bland.

    “available in various formats, including supra-limited picture, pin-wheel”
    Pin-wheel vinyl?!
    Nigga I want my svpra-limited kaleidoscopic yo-yo edition.
    Lemme get that saffron-infvsed blueberry basil poppyseed vinyl.

    I’ll just follow van Drunen to ‘The Rack’, skip this stuff made by the Dutchman “Patrick Mameli”.

  5. johan skorzeny says:

    Compliments for the excellent copy-and-paste job.
    A couple of considerations though, quote:
    the band got seemingly stopped in their mission to conquer the Death Metal scene in early 2020, like everybody else, by the global pandemic,(end quote)
    the IRON-Y, that a band called “pestilence” gets “seemingly stopped” by a pandemic….
    also this, quote:
    Back in 1986, in the small town of Enschede in the Netherlands (end quote)
    well, enschede, i have been there a couple of times, (to see pestilence live) it is not a small town, i, for one, would rather call enschede a mediocre city
    and also this one, quote:
    But what doesn’t kill you only makes you stronger and (end quote)
    does that mean that pestilence will take the asstraseneca vaccin?
    and will patrick write a song about dat?

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