It taunted me with its existence – for nearly half a month, working on DMU meant being privvy to our eventual stream of the upcoming Kosmoskampf. Blliigghhtted is for all purposes another star in the Merdümgiriz constellation (read: label), most notably sharing several members with the AxCx flavored Viranesir. As a result of this, there are some musical similarities, but at least going by the the lyrical content, Blliigghhtted is oriented a bit more towards the occult end of the shock rock spectrum, possibly making it easier for laypeople to digest. It’s still an especially challenging listen. While Kosmoskampf is marketed as a sort of black metal, I wouldn’t be surprised if it had instead been sold as some sort of extreme post-punk recording. Overlap and common ancestors aside, Blliigghhtted’s lengthy, dissonant songs make for easier comparisons to an act like Swans. It just so happens to be the complete antithesis of what I look for in music!
At this point, the reviewer took a break to wallow in his own unfamiliarity with the subgenres on display.
Kosmoskampf is a complete mess, but as far as I can tell, it’s an intentional mess. I remember seeing the term “critic-proof” somewhere while doing my perfunctory research for this review, and to put it bluntly, it’s the perfect description. Each of the songs is a 10-11 minute cesspit of whatever technique thrown together without much in the way of coherent organization. The constantly shifting tempos and repeated periods of pure dissonance don’t exactly tie things together, although the instrumentation stays fairly consistent. So far, I’ve been able to dredge up the occasional guitar phrase reminiscent of a melodic black metal recording, the occasional moaned vocals drenched in reverb, and so forth; in general there are some musical elements I can latch onto, and I can say with some confidence that the album isn’t complete noise. Beyond that, all bets are off. Performing such music must be interesting on a ritual level, but outside perhaps a live experience, a great deal of potential energy (or at least concert debauchery) goes missing.
Despite my attempts not to, I find Kosmoskampf‘s efforts endearing, perhaps influenced as I am by the performers’ antics outside the album. I still would not be surprised if few shared my admittedly nebulous opinions.
Tags: 2015, Black Metal, Blliigghhtted, Kosmoskampf, Post-Punk
3 thoughts on “Blliigghhtted – Kosmoskampf (2015)”
I am too lazy to review this terrible album. But it is the sign of mediocrity and lack of talent with good intentions good notions of what underground metal is. This is what someone who cannot hear would write if they were trying to imitate The Red in the Sky is Ours.
Please consider reviewing/trashing any or all of the following:
Batushka – Litourgiya (2015, Poland)
Antiversum – Total Vacuum (2015, Switzerland)
Akrotheism / Septuagint – Sphinx – The Great Enigma of Times (2015, Greece)
Thy Darkened Shade – Liber Lvcifer I: Khem Sedjet (2014, Greece)
Nuclearhammer – Serpentine Hermetic Lucifer (2014, Canada)
Between the Buried and Me – Colors (2007, USA)
Meshuggah – I (2004, Sweden)
Endless Dismal Moan – Endless Dismal Moan (2004, Japan)
No future left for metal, just overproduced demos it seems like.
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