Streaming, Record Sales, and Illusion: The State of Music in 2019

 

If you were active on any social media platforms last month you likely saw the bands you’ve been following celebrate the number of Spotify streams they had in 2019. Just as Myspace plays and Facebook likes were once important metrics used in the industry to determine the success of an artist, the number of plays on a streaming service is now the new standard of how popularity and fan size will be evaluated. But along with these changes in music statistics we must also consider the lessons of the past in how such statistics have been deceitfully manipulated. For there is a dark side to the validity of music streams in 2019 and the very real power held by those who can successfully master their mysteries.
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HOW FACEBOOK SCREWED THE LORD OF LOGOS

On March 29th, 2014, I was booked on a conceptually enticing extreme metal show in San Antonio, TX.  It was held in honor of Christophe Szpajdel, the infamous “Lord of the Logos” who designed the logos for a good amount of the most relevant black metal bands over the last few decades.  Headlined by Abazagorath, every band on the bill had a Christophe-drawn logo.  Christophe himself was flown across the Atlantic to be present to draw logos for concertgoers on the spot.  But thanks to the abomination that is Facebook, Christophe never made it out of the airport.

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