As half original work (a short EP) and half live document, The Confessional of the Black Penitents seems more compilation than unified album at first glance. I wouldn’t be surprised if the live tracks were added in an attempt to increase the supposed ‘value’ of this EP, but this is one of those cases where the commercial intent of a tracklisting decision seems less important than its overall effect on how I engage with the tracks themselves.
Varathron does admittedly stick to the stereotypical “Greek” aesthetic on the original half of this EP – in this case, a combination of contemporary black metal technique and production with elements of older metal and rock. After an extended intro, the two lengthy tracks that form the core of this half tend to explore this by alternating more overtly extreme sections with slower sections similar to older works and frequently interspersed with melodic guitar leads. These tracks showcase a strength of organization and a tasteful, limited incorporation of modern metal elements in a fashion similar to that of the band’s previous album. Based on this, and compared to other bands in the Greek scene, Varathron has aged gracefully, avoiding the contrasting pitfalls of endless repetition, excess streamlining, or overextension in the name of artistic progress or even just diversity.
The live half of this recording could serve as a general survey of Varathron as reinterpreted through the band’s modern lineup, although it is lacking in the band’s 2000s output. With three of its four tracks sourced from the band’s earliest days, it showcases the often slower and sparser approach of the band’s earliest days. Even the faster, blasting components showcased on the original tracks here make some appearance, so the main difference appears to be that in their ‘classic’ era, Varathron focused more on the rhythmic and percussive elements of their music. The other live track comes from 2014’s Untrodden Corridors of Hades; this rendition does much to render it closer to the older material in sound, which helps highlight the similarity of their songwriting. The production also helps to unify these tracks – while rougher than a proper studio environment, it’s still intelligible and in some ways more polished than that of the original material.
The new studio tracks, at the very least, make The Confessional of the Black Penitents a fine purchase. Fewer will go out of their way to acquire this EP for its live component (although it is apparently Varathron’s first official live release), but it too has value, as it provides an introduction of sorts to the band’s older material.1 Comment