Attempting to enter the bloated and mostly neurotic horror genre as it stands in 2016, We Are Still Here combines two genres: atmospheric horror and intense, violent supernatural horror. Expect a long buildup of an increasing sense of being unnerved, punctuated by moments of explosive terror, which ties into a simple storyline which pits humankind against its own worst impulses.
What made the old underground so powerful? Continue reading Tape-Trading: The Secret Of The Underground
Greetings, fellow metalheads,
Times seem grim. The orcs have taken Osgilliath and approach the gates of the white city. Western Civilization is still dying, accelerated by democracy and consumerism, but rotten to its core with a lack of hope. Metal once gave that hope by showing us an alternate morality comprised of effective realism and epic mythos. Many of us want to live in that time again, but it will not happen through democracy or consumerism. We must choose our leaders and then all of us participate in restoring and advancing the greatness we have known.
A recent flyer for a record label of otherwise quality states:
On the one year anniversary of her critically-acclaimed, masterful debut full-length, M, Danish black metal artist MYRKUR unveils a captivating live recording from the historic Emanuel Vigeland Mausoleum in Oslo, Norway. Continue reading How To Know Your Genre Is Played Out (And Suitable Only For Wal-mart Hipsters)
Why write bad reviews at all? Good music is rare, and bad is everywhere, but if you do not explicitly identify the failings of bad, most people will find it appealing because it does not interrupt their steady stream of self-centered thoughts and is easier than seeking good. If you like good music and want more of it, you must bash as well as praise, as Machiavelli would tell you. And with that, the latest installment of the Sadistic Metal Reviews…
Gothic rock band Fields Of The Nephilim are famous for their ability to mix the industrial-dance edge of underground goth music with the driving guitars of punk and rock. On their newest release, Prophecy, the band go in a new direction — one that will be familiar to metal fans.
Paramus, NJ band Monument Of A Memory creates what some call “modern death metal” and others, with a nod to its origins in a late punk/death metal hybrid, deathcore. The band is about to release its second recording, Catharsis, and vocalist Tommy Gehringer and bassist Josh Correa took the time to give us some insight on music and the theory of being a metal band in the current age.
All metalheads secretly want the return of early 1990s death metal and black metal. Instead we get nostalgia bands who prey on our desires by delivering aesthetic imitation of the past, but with none of its depth, and by doing so, make a mockery of the underground as desperate metalheads embrace this stuff.